Best Bids Bulletin

Take a look at Andy Warhol’s Shot Sage Blue Mailyn becoming the most expensive artwork, Royal Mughal pashmina carpet selling for a princely sum, 1898 Peugeot Type 15 topping the bill at car auction and an Ancient God’s herm selling for twice its estimate.

Simply Divine

Ancient relic sells for twice its estimate

In a true celebration of ancient relics and artworks, Christie’s recently had up for auction a private collection of New York Antiquarium, The Devoted Classicist, which featured more than 40 lots of ancient art from the Greek, Roman, Byzantine and Egyptian eras. Among the various distinctive pieces up for grabs were Athenian vases, Egyptian portrait heads and Roman marble statues of gods, goddesses and Imperial individuals, with one of the most notable sculptures featuring three depictions of the Greco-Roman God Dionysus.

The 8.5-inch marble masterpiece fetched an astonishing US$151,200 (HK$1.8 million) surpassing its estimated value of between US$70,000-US$90,000. Known as the God of fruitfulness, vegetation, wine and ecstasy, the Dionysus pieces date back to the second century AD.

Its Archaic portrayal shows a God with a layered spadeshaped beard, angled moustache and two rows of tight culrs falling on each shoulder, while the classical side has a pointed beard, full moustache and vertical locks on forehead. The late-classical style has a long moustache and long tendrils over the shoulders.

Centre Sage

Warhol’s work takes top billing at New York sale

The Shot Sage Blue Marilyn by pop art icon Andy Warhol became the most valuable of all his paintings, after being sold at a Christie’s auction in New York for US$195 million (HK$1.5 billion). It also became the most expensive artwork of the 20th century breaking the record previously held by Picasso’s 1955 artwork Less Femmes D’agler, which sold for US$179.4 Million in 2015. For its part, Warhol’s Shot Sage Blue Marilyn dates back to 1964 and forms part of a series of five paintings made on a 40 square-inch acrylic and silkscreen on linen.

Tellingly, it was estimated to sell for around US$ 200 million, setting a record for the highest pre-auction estimate of any artwork ever, The sale of this piece was the undoubted highlight of the auction, which saw 36 other works contributing to total takings of US$318 million. The item was from the collection of two late Swiss gallerists, Thomas and Doris Ammann, the cofounders of Thomas Ammann Fine Art in Zurich. All proceeds from the sales will fund the foundation’s work of investing in global healthcare initiatives for underprivileged children and young adults.

Mat Effect

The Royal rug goes for a princely sum

An extraordinarily rare Royal Mughal pashmina carpet, woven for the court of the Indian Emperor Shah Jahan, circa 1650, sold at Christie’s for a hefty £5,442,000 (HK$ 48.6 million), going for more than twice the pre-sale estimate. Competitive telephone bidding for the Mughal Carpet lasted more than 10 minutes – a long time in auction terms. The carpet itself is square in shape, with each side measuring 275 cm and features geometrical traditional floral patterns.

It is one of only four 17th-century pashmina carpets remaining in private hands known for its brilliant colours and intricate pattern with a Lattice and Flower design. Due to the fragility of the silk and the finely spun pashmina pile, very few examples survive, making a carpet of this size and condition an extraordinarily rare memento of the golden age of Imperial Mughal carpet production. The carpet was the undoubted highlight of the Art of the Islamic & Indian World (including Oriental Rugs and Carpet) sale, which raised a total of £15,989,352 (HK$142.8 million). The auction comprised 265 lots, including works of art, paintings, carpets and manuscripts from the ninth through to the 20th century.

Vintage Voyage

Classic car drives high bids

A Victorian-era 1898 Peugeot Type 15 topped the bill at the recent Bonhams London Golden Age of Motoring 2022 classic car auction, which took place just before the annual London to Brighton Veteran Car Run. Selling for a staggering £494,500 (HK$ 4.4 million), it went way over its pre-sale estimate of £275000 -£325000. Peugeot is one of the most well-known French motoring marques and the only long-established firm to still be manufacturing two-cylinder engine cars, with its current portfolio of models ranging from 8hp to 5hp.

This fully-restored Peugeot offers four-speed plus reverse transmission and an early form of cruise control, advanced features for its day.

This car’s early history suggests that it was first purchased by someone in 1898 in the Mauriac region of France. It also appears that this car received special attention as evidenced by the larger than usual number of nickel-plated parts in addition to Peugeot’s liberal stamping of the car number on the chassis, body, and various other components. These were discovered during restoration, confirming the car’s unusually high degree of originality.

Art veteran Simon Ma’s vision of creating harmony through art

Hong Kong-born, Shanghai based, art veteran Simon Ma shares his vision of creating harmony through art with his recent travelling Drago Cavallo Exhibition

From a young age, you painted under the guidance of Chinese master Fan Tzu Teng. How did that shape you?
I was lucky to have him inspire me, and not just in painting. He also inspired me to become a good person. We believed that whatever you paint first comes from your heart, then flows through your hands – manifesting how we think and how we look at the world.

“Harmonise” is a word he always reminded me of. To harmonise with nature and with people, regardless of their background, whether they are rich or poor. This way, you allow yourself to view the world from all angles, looking at everyone and every situation from the top down, left to right and from front to back as well. He was my master in matters of the mind, too – an extremely kind and an open person, he believed that we should do charity work, with a pure heart – that is what would help one be a good painter.

For a time, you had your own company in Shanghai, Ma Design. What propelled you to make the transition from architect and urban planner to artist?

I started painting when I was seven years old, and I played music when I was 13 years old. After that, I attended boarding school in the UK and then studied architecture and urban planning at University College of London.

It’s hard being an architect. I prefer being an artist because I don’t have to just work for the client. As an artist, I can actually create anything I like, without limitations or boundaries. I started sculpting and exhibiting my work to the public in various locations around the world. To me, this is the more interesting part of art and creation, it is much more meaningful to me [than architecture. I put them there like an architecture but in miniature forms.

You recently launched a large touring artistic installation, Drago Cavallo, in conjunction with the Hong Kong Jockey Club. Could you tell us more about this?

Winfried (Engelbrecht-Bresges), the CEO of the Hong Kong Jockey Club, called me and wanted me to come back to Hong Kong to do the Drago Cavallo – Travel Around HK exhibition as part of the SAR’s 25th anniversary.

We thought the city needed new energy, something to bring everyone in harmony. The mythical dragon horse (‘drago cavallo’ in Italian) is the spirit of China – one of the eight mythical beasts that symbolises inspiration; and I think people all over the world like horses.

I actually created these lovable Drago Cavallos during Covid-19 to give people hope and new energy. So, we brought back 10,000 Drago Cavallos and are planning on displaying a 25-metre-high Drago Cavallo next year.

I’m working very hard on this, trying to harmonise Hong Kong society – in different districts and also in schools, where students can paint Drago Cavallo and understand the spirit of the two animals (dragon and horse). The cool thing about this project is that it will harmonise society through art.

The Jockey Club has also been very supportive. We are also hosting a competition, and asking everyone to join the competition and try to set up one Drago Cavallo for each district.

“I prefer being an artist because you can actually create anything you like, with no limitations, no boundaries. This is much more meaningful to me [than architecture]”

You have a strong affinity with horses. Could you share with us why that is?
The horse is the most beautiful animal. They are energetic, international and always moving forward. They never complain though they can have a temper, too; when they want to, they just go. I see myself as somewhat of a horse whisperer. I go around the world, to places like Mongolia, to see horses. And when I find them, they are like my friends. You have to build a friendship with horses before you can paint them. I paint from inside them; I’m painting their vision.

You divide your time between your Hong Kong studio in Wong Chuk Hang and Shanghai. What differences have you observed between the two major cities?
I have been in China for 23 years. Shanghai is a very fast-growing city and full of energy. Whereas Hong Kong has stopped for the past three or four years; it’s actually becoming less international. If you look at the government in Shanghai and the local community, there is such a respect for art and its artists. But looking at Hong Kong, one might question how many good artists there are in the city. Shanghai, on the other hand, has so many ‘West Kowloon’s, not just one. And there are 20 or 30 more museums as well.

But Shanghai is not an easy place to survive in as an artist. You have to be very good at what you do, you have to be really good with people, and you have to be really good with the market as well. You have to be ahead of the market rather than follow it. We change because of our environment, but the environment doesn’t change because of us.

You have collaborated successfully as an artistic designer with international brands, such as Porsche and Ferrari. How did that come about?
I think these international luxury brands are looking for a Chinese artist who can connect with people internationally and locally. I understand both cultures – especially the Italian mindset, and I can instil Chinese art into their luxurious products harmoniously; it goes beyond just mixing two things together.

You’re also pretty active on Instagram. What value does social media give you as an artist?
I am encouraging my team to be active on all social media platforms because it’s better to share and let more people appreciate your art. Why keep art to yourself? Open up and let people see it.

“I am like the horse whisperer. I go around the world, to places like Mongolia, to see horses. And when I find them, they are like my friends. I’m painting their vision”

If you could go back in time and meet anyone from the past, who would it be?
My auntie, who passed away four years ago. She gave me my name ‘Simon’. And also, my master, Fan Tzu Teng. I would pay a million dollars to have dinner with them again, because as you get older, you realise the number of people you love gets less and less. Fan Tzu Teng is like my father. He had no son, so I was like a son to him. When I approached his body at his funeral, I knelt down; I knelt all the way to his body. There were a few hundred people there and they all stood up. This is the highest respect I could give to my teacher.

When do you get your best ideas?
I always get my best ideas when I’m having a shower. I feel light, like I’m being purified by water – and all my spirituality emerges.

Do you still play music?
I love music. I still have my band in China. I used to write music before I got too busy. I’m a left-handed drummer (like Phil Collins) as well as a singer. If you ever hear me sing, you’d be surprised. Music is my life. It helps to create good art.

Thank you.

(Interview by: Robert Murry; Photographer: Jack Law; Art Direction and Styling: Jhoshwa Ledesma; Videographer: Jackie Chan; Venue: Simon Ma Gallery)

Time to Give: A charity art auction by Robert Lam and Sheen Hok Charitable Foundation

In line with the season for contemporary arts, Time to Give is a collaborative charity art auction between renowned photographer and artist Robert Lam and the Sheen Hok Charitable Foundation.

Hosted by Robert Lam at his eclectic art-filled office-cum-showroom, about 30 vibrant contemporary artworks will be exhibited throughout the venue for the charity art auction organised by Sheen Hok Charitable Foundation. It will be a rare glimpse into the imaginative world of Robert Lam and his artistic voyage.

art-auction-fundraiser-timetogive-robertlam-alicechiu-sheenhokcharitablefoundation-hongkong (4) — No. 2. Title: Eve apple (915x1220mm)

Unlike the stylistic photography of Lam’s earlier works, he now delves into combining photo technique and digital system. The idea behind the collection is to combine basic art theory with numeric digital technique, and merging photography and painting together in exploring colours and movements.

art-auction-fundraiser-timetogive-robertlam-alicechiu-sheenhokcharitablefoundation-hongkong — Robert Lam next to art piece No. 1. Title: Sunday (1210x1510mm)

“The opportunity was a very nice surprise”, Lam says. A few months ago, after having created several pieces within the collection, Lam was looking for someone to give the artworks to. “Coincidentally, I met with Professor Alice Chiu, a very good friend of mine, and we had started to discuss doing collaborative work for her Sheen Hok Charity Foundation. The title of the charity art auction is Time to Give and I am prepared to give”, explains Lam.

art-auction-fundraiser-timetogive-robertlam-alicechiu-sheenhokcharitablefoundation-hongkong (7) — No.13. Title: Famous Singer (1200x900mm)

The charity art auction will welcome a community of star-studded guests and the city’s creme dela creme of the high society art lovers, including Professor Chiu’s personal friends and supporters of the Sheen Hok Charitable Foundation.

art-auction-fundraiser-timetogive-robertlam-alicechiu-sheenhokcharitablefoundation-hongkong (5) — No. 5. Title: Flower Dance (915x1220mm)

The art pieces are specifically for the charity art auction Time to Give. The money raised will go to Sheen Hok Charitable Foundation to help Hong Kong special education students and their families under the The Sheen Hok Rising Sun Project.

art-auction-fundraiser-timetogive-robertlam-alicechiu-sheenhokcharitablefoundation-hongkong (6) — No.14. Title: Art Deco (915x1220mm)

“I was so excited and happy when I heard that Robert was looking to give his art pieces to someone. I really needed the support from different sectors, companies and friends. In fact, some of my friends have been supporting me to help the youth in need. In addition to providing medical assistance, I hope to improve them in education and art and increase professional training, so that they will have skills to improve family incomes in the future. I think this is the right way and right direction for our foundation to contribute to society”, says Professor Chiu. “There are many people who require our help that I believe charity services will never end. I will not consider stopping, and it will never be enough.”

The private viewing will be held at the Robert Lam Colour – Photobition on 16 & 17 August 2022. All 30 art pieces within the collection will then go to auction the following day on 18 August.

For more information, please visit www.sheenhok.org

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Christine Chan Chiu on AARRTT, NFTs and fostering cultural exchange between Europe and Asia

Looking to deepen a love and appreciation of art, Christine Chan Chiu’s AARRTT-istic platform is a game changer for Hong Kong culture…

gafencu-interview-christineciu-aarrtt-nft-art-platform-asia-hongkong — Christine Chiu wearing Proenza Schouler

You co-founded AARRTT. Can you briefly describe the concept behind it?
It was founded first and foremost to present one unified platform to have a curated selection of pre-filtered events and happenings in Hong Kong, within the region and beyond. So to find art, you wouldn’t need to click on like 10 different websites or google what’s happening or where the next biennale is taking place.

What led you to your love of art?
I was definitely influenced by my mother. She’s very artistic and creative. She was a docent for museums in Hong Kong. When we went on family holidays she would take me and my siblings to see art. As I got older, I had the opportunity to study other subjects but somehow I started taking art-history courses at my college.

I’m a very visual person and I love history as well, so it seemed to be the perfect fit. I also enjoy how art movements influence social and economic developments within a society. Art changes, it chronicles and records how we as humans react to those changes on both a personal and collective level.

“Art changes and chronicles changes – and records how humans react to those changes both on a personal and collective level”

Could you tell us what was the thinking behind the name AARRTT?
There’s an interesting anecdote behind that. When my business partner Krystyna Winckler and I got together, it was because of our love of art. And we wanted to pick a name that would reflect that. Coming up with the name was quite easy as we mirrored each other, both in our vision for the company as well as our values, upbringing, our kids, our family and even our name – although she’s French and I’m Chinese.

We have pillars. The first being ‘What to See’. We also have a city art guide that breaks the locations down into different districts and tells people where to go for gallery hopping or where to see the next best art shows. And finally we have an educational section, which is ‘What to Know’. Where we present topics we think are trending at the moment – from Chinese diaspora art to street art in Hong Kong, to how to build a collection. We hope that AARRTT platform will be a link to foster cultural exchange between Europe and Asia, as well as the rest of the world.

gafencu-interview-christineciu-aarrtt-nft-art-platform-asia-hongkong (3) — Christine Chiu wearing White caped shirt by Hidy Ng

What’s your take on the newly launched M+ Museum?
It’s fantastic. The whole team has done an amazing job and it does Hong Kong proud. Doryun Chong, the chief curator, has done a terrific job of presenting such a diverse range of thematic exhibitions. We’ve all been waiting so long to see the Sigg Collections, from Revolution to Globalisation. I don’t think any of us have seen such a large collection of Chinese art before. It’s quite phenomenal and had to be curated in such a way that it provides the artworks with context and is understood within the history of China at that time.

gafencu-interview-christineciu-aarrtt-nft-art-platform-asia-hongkong (2) — Christine Chiu wearing Jacket and pants by Maje

You source NFT artworks for Q9 Capital and exhibit them at the Q9 Hub space. For someone new to digital art, can you elaborate a little on what this involves?
It’s been quite a steep learning curve for me as well, having to learn about NFTs. What is involved at the Q9 Hub is to forge partnerships with market places, art fairs, as well as art platforms. It’s also involved learning about blockchain and the metaverse and what digital art really is.

For any beginner to any sort of art, including NFTs, the first thing you have to do is to do your research, your due diligence, to find out exactly what sort of digital art you want to collect. Also, because with NFTs, there so many different kinds. If you’re looking for NFT art, that’s very different from looking for NFTs with utility in the metaverse. And that too is very different from looking for PFPs (profile photos), the avatars that a lot of people have – such as profile photos on WhatsApp and Facebook. Those all have very different functions and purposes from each other. So before you buy an NFT, you should think carefully about what type you want to collect.

“For any beginner new to NFTs, the first thing is to do your due diligence. To find out exactly what sort of digital art you want to collect”

You were Vice-chair of Fundraising for Operation Smile Greater China for five years, as well as the Sheen Hok Charitable Foundation. What did that entail?
Both charities provide medical attention and support to the underprivileged and those in need. Op-Smile was specifically for those born with facial deformities such as cleft lips and palates. I am very lucky to have friends in the art world who are willing to donate artworks for the annual fundraiser. Last year, we had a Xu Hongfei sculpture that was donated by an anonymous donor that was auctioned for more than twice its original estimate.

gafencu-interview-christineciu-aarrtt-nft-art-platform-asia-hongkong (4) — Christine Chiu wearing Blazer by Vivienne Tam

You have a BA in History in French Literature. Who are your favourite writers (especially French) and why?
The first writer that comes to mind is Baudelaire because his works are romantic and melancholic, and his use of language evokes a lot of nostalgia and longing. Then, I also thought of (Albert) Camus. The way he captures that nonchalance and malaise so well.

The other author I thought of is Gertrude Stein. Even though she’s not French, she lived in France for a long time. She was such a trailblazer, and also a collector. What I loved most, is that in her work, she also talks about her experiences living in pre-second-world-war Paris and meeting all those great artists, like Matisse. Her home was the kind of a salon where everyone gathered.

If you could go back in time and meet anyone from the past, who would it be?
That’s a no brainer – Eleanor d’Aquitane. I’m a history buff and she lived in the Middle Ages, which to me was a fascinating period in history. She was a queen but she lived among enemies who wanted to kill her and her husband imprisoned her. She had two marriages, 10 or 12 kids, and even Richard the Lionheart was her son. She also took part in the Crusades. She was truly formidable – really resilient and intelligent.

gafencu-interview-christineciu-aarrtt-nft-art-platform-asia-hongkong (5) — Christine Chiu wearing Namari off-the-shoulder linen and organic cotton-blend twill midi dress by Mara Hoffman, courtesy of NET-A-PORTER

What was the last music you downloaded/listened to?
Eroica, Beethoven’s Symphony no. 3.

What’s the biggest challenge to lifting art appreciation in Hong Kong?
I believe it’s getting people to stop and look – to make time for art. Hong Kong is such a busy city, people are always in a rush. The city does have some very good public art, whether it be local or international artists, but most people don’t realise this. Education is key to lifting art appreciation, be it through schools, public talks or community events.

What do you always keep in your fridge?
Hummous, comté cheese and Chardonnay.

What three words best describe you?
Optimistic. Extroverted. Adventurous.

Thank you.

(Venue: Ora-Ora and Touch Gallery; Photographer: Jack Law; Art Direction and Styling: Jhoshwa Ledesma; Videographer: Jackie Chan Hair & makeup: Heti Tsang)

Andante showcases exclusive ART and full Minotti collection

Hong Kong’s lifestyle expert in designer furniture, lighting and décor Andante invites visitors into its newly renovated a total of 600 sq.m showrooms on Duddell’s Street to showcase its exclusive art pieces and the full Minotti Collection.

The world of design and art are often married together as inseparable entities — both evoking emotions and visual narrative in philosophy and practice. Recognising this dynamic, Andante has in recent years begun bringing these two worlds together. This May, it has curated a collection of art pieces by five collaborative Italian contemporary artists to be featured in this art month alongside the full collection from Italian luxury furniture brand Minotti.

Andante showcases exclusive ART and full Minotti collection — (Photography: Tony Luk)

Having established itself as an emporium of fine Italian craftsmanship, it has long been lauded as the city’s exclusive dealer of celebrated Italian furniture brand Minotti. With new collections by renowned designers released every year, the Central-set luxury retail store interprets the beauty of the brand’s creative and artistic mastery in Italian design.

Andante showcases exclusive ART and full Minotti collection rodolfo dordoni — (In this photo: Roger seating system by Rodolfo Dordoni, 2021 Minotti collection)

An exemplary point is the brand’s inclusion of the Roger and Belt indoor seating system by long-time collaborator Milan-born Rodolfo Dordoni. The creative synergy between both the designer and brand have led to numerous designs over more than the two decades, making no exception for the recent 2021 collection.

Andante showcases exclusive ART and full Minotti collection rodolfo dordoni (2) — (In this photo: Belt sofa by Rodolfo Dordoni, 2021 Minotti collection)

Presenting an innovative and exceptionally versatile collection of modular seating systems meant to provide a full range of layout and use that caters to a variety of tastes, owners can feel inspired to incorporate their own style in personalising the products within the collection.

Andante showcases exclusive ART and full Minotti collection Marcio kogan — (In this photo: Brasilia seating system by Marcio Kogan, 2021 Minotti collection)

Another example is São Paulo-based Marcio Kogan/ studio mk27’s Brasilia collection. The relationship with the brand and designer debuted in 2018 with the studio’s Quadrado outdoor modular seating system and continued in 2019 through to 2021 with the present Brasilia seating system.

Andante showcases exclusive ART and full Minotti collection Marcio kogan (2) — (In this photo: Brasilia seating system by Marcio Kogan, 2021 Minotti collection)

Drawing from simplicity and Brazilian modernism, while also demonstrating a meticulous attention to details and finishing, the sofas within the collection boasts a use of premium materials to ensure the utmost comfort and sophistication for any living space.

Built into square frames and enclosed in Dark Brown stained palisander Santos that were sourced from responsibly managed forests, the sofas are then assembled with plush padding and cushions that sit on polished Brandy finish metallic legs that give the design a warm, natural and elegant aesthetic.

Andante showcases exclusive ART and full Minotti collection patio — (In this photo: Patio Outdoor seating system by GamFratesi, 2021 Minotti collection)

Another highlight within the brand’s 2021Collection comes from award-winning designer GamFratesi, founded by Danish architect Stine Gam and Italian architect Enrico Fratesi. Combining their expertise of furniture design and industrial design, the duo’s designs take their creative drive from reinviting tradition through experimental approaches with materials and techniques. It is this very combination that led to their debut in the Minotti’s2019 Collection, serving as the catalyst for future collaborations, including their inclusion in the brand’s 2021 Outdoor Collection in which the designer’s Patio and Lido “Cord” seating system and outdoor sofas were included.

Andante showcases exclusive ART and full Minotti collection lido cord outdoor — (In this photo: Lido “Cord” Outdoor sofa by GamFratesi, 2021 Minotti collection)

Drawing on classic Danish designs and traditional Italian approach, the series presents a highly versatile modularity and a use of mixing different materials that evoke an eclectic and contemporary style through mosaic, geometric, and bergère designs. Even such unique design features as a handy tray in stained solid mahogany or natural teak set with grooves for draining water demonstrates the level of creativity and craftsmanship the designer executes with every design.

Andante showcases exclusive ART and full Minotti collection Matteo Negri I ate an idea — (In this photo: I ate an idea, 2021 by Matteo Negri. 35cm x 35cm x 10cm 23-carat gold and lacquered iron; Photography: Tony Luk)

While Andante has long established itself as a leading destination for all thingsmodern classic designs for interior decoration, the showroom goes beyond furniture. Continuing its endeavour in the art world, the newly revamped showroom remains as a double entendre for showcasing Italian designs, as well as artistic creations.

Andante showcases exclusive ART and full Minotti collection Eugenio Filippi quattro uno — (In this photo: QUATTRO X UNO (set of 4) by Eugenio Filippi, 100cm x 100cm Acrylic paint spray on cotton canvas)

Andante showcases exclusive ART and full Minotti collection Eugenio Filippi quattro uno (2) — (In this photo: QUATTRO X UNO (set of 4) by Eugenio Filippi, 100cm x 100cm Acrylic paint spray on cotton canvas)

Spanning across 600 sq.m of space, the showroomwill be showcasing five contemporary Italian artists during this art month of May,exclusively available for viewing at Andante.

Andante showcases exclusive ART and full Minotti collection Paolo de stefani pastel on paper — (In this photo: Counterpoint, 2019, 54cm x 66.5cm x 12cm, Pastel on paper, cardboard / Beat, 2017 59cm x 69cm x 8cm Pastel on paper, cardboard by Paolo De Stefani; Photography: Tony Luk)

The curation of this body of work will include new art pieces by recurring artist Matteo Negri as well as two new collaborative artists, Eugenio Filippi and Paolo De Stefani. The pieces, along with previously showcased works by Federico Casati and Alessio Ceruti, will stage the venue’s five newly refurbished main areas. Here, art meets lifestyle and transforms creates a space of creative flair.

For more information on the art pieces and Minotti collection, please visit andante.com.hk. (Instagram: @andatehongkong)

Lynus Woo debuts his first solo exhibition at new concept gym REP

Since his return to Hong Kong in 2019, entrepreneur, bodybuilder and artist Lynus Woo has gotten to know his home city through a fresh set of lens. Although his family had firmly set their roots in law, the young artist has paved his own path to success in the fitness and art world.

A whirlwind of experiences and reflection has propelled him to embrace change as an inevitable part of forming one’s identity. Enlightened, Woo debuts his first ever solo exhibition at the brand new concept gym REP. from 21 May. The exhibition will showcase a collection of portraitures, abstract painting and mixed media art that were completed in 2019, shortly after his return to the city. Portraying person’s unique story, creating narratives through colours and textures, and drawing from both Western and Eastern influences, we speak with the multi-talented artist and personal trainer about his upcoming exhibition and fitness space.

Lynus Woo debuts his first solo exhibition at new concept gym REP gafencu (1) — (Home, 2022; 152 x 122cm Oil on canvas)

You come from a family that founded one of the most successful law firms in Hong Kong, could you share with us what inspired you to pursue fine arts and what that means to you?

Even though my family founded one of the most successful law firms in Hong Kong, I had never been pressured to follow in their footsteps. In fact, I am very fortunate to have had their support throughout all my passions.

Initially, I had wanted to study architecture, but after a summer of architectural courses and internships while studying at Harrow International School, I realised that my true passion lies in fine arts. I enjoyed the freedom it gave me to express myself – it had no boundaries, no restrictions. When I entered university, that is when I started looking deeper into my art. Being questioned on my work helped me think about the meaning of every stroke, technique and colour I chose to put on canvas. It’s safe to say that it was then that I was fully immersed in art and the experience it afforded me to use it as a medium to connect with people.

Lynus Woo debuts his first solo exhibition at new concept gym REP gafencu (2)

Lynus Woo debuts his first solo exhibition at new concept gym REP gafencu (3)

Lynus Woo debuts his first solo exhibition at new concept gym REP gafencu (4)

(Colours and the Human Psyche, 2022; 77 x 102cm Oil on canvas)

What was the inspiration behind the artworks in A Pilgrimage in Colours?

I tend to paint what I feel in the moment. All of my paintings are basically like entries in a journal, and this exhibition is my personal diary. I have always been captivated by colours — each shade has its own meaning, and it fascinates me the many ways you can put together a blend of colours, and create a whole new story.

Colour is an ever-changing thing for me, they’re vibrant and bounce off each other, even the paint on top of the canvas changes in appearance over time. The way my paintings are displayed, the pronounced use of colours was the best way for me to immediately draw in the audience while conveying human thoughts and emotions.

Lynus Woo debuts his first solo exhibition at new concept gym REP gafencu (5)

Lynus Woo debuts his first solo exhibition at new concept gym REP gafencu (6)

Lynus Woo debuts his first solo exhibition at new concept gym REP gafencu (7)

(Confrontation Between the Painter and Colour, 2019; 76 x 76cm Oil on canvas)

From body builder and fitness trainer to a young emerging artist with your first ever solo exhibition, could you shed some light on the connection between your two passions?

I see art not just as a way of communicating, but also as a tool to help other people. Helping people really inspired me to get involved with bodybuilding and fitness training, and it is what inspired me to pursue art as well.

I started going to the gym to sculpt a version of me that I envisioned to be my ideal self. In personal training and bodybuilding, that is what I try to help people achieve as well. In a sense, sculpting the body is like creating your best work of art. People might not always see the similarities between going to the gym and creating art, but to me, they deliver the same purpose but in different forms. Although only the physical aspects of what you have created can be seen, the core of its values are what makes the two worlds align; it takes focus, practice and dedication to achieve a masterpiece.

Lynus Woo debuts his first solo exhibition at new concept gym REP gafencu (8)

Lynus Woo debuts his first solo exhibition at new concept gym REP gafencu (9)

(The Broken Series, 2020; 90 x 120cm Acrylic & mixed media on canvas)

You will be launching a new fitness centre that doubles as an art gallery. Could you tell us more about what visitors can expect?

REP. is a premium concept gym that aims to redefine the fitness space. We understand that gyms and fitness studios can sometimes feel intense and intimidating; that most dread stepping through the doors before they even get there. So at REP., we want to provide a safe place for people to come together, be themselves and release stress.

We decided to hold the exhibition at REP. before its official opening day because we are introducing a new concept in the fitness space. We want to introduce ourselves as more than just a gym, we are a community. Here, visitors will find layers to what we offer and an ever-changing place in which visitors can come in be inspired by the various art displays, installations and multimedia exhibitions. At REP., we don’t follow rules, we aim for limitless possibilities of change.

Lynus Woo debuts his first solo exhibition at new concept gym REP gafencu (10)

Lynus Woo debuts his first solo exhibition at new concept gym REP gafencu (11)

(SARS-CoV-2, 2020; 70 x 100cm Acrylic and pastel on paper / Non-Fungible , 2021; 77 x 102cm Oil on canvas)

I believe art has a way of inspiring people to look into themselves, as well as outward into society, to stimulate their senses, find meaning in life and human existence. I want people to immerse themselves in the art pieces and forget stress and gain a different, more positive perspective. The beauty of art is that every piece is up to interpretation, and can be a medium for discourse among observers. This is our intention for the space, and hope visitors can be absorbed in this therapeutic experience of artistic introspection.

For more details on the exhibition visit lynuswooart.com or contact the team at (852) 3169 9966 .

Exhibition Dates: 21 May to 24 May 2022

Opening Hours: 11:00 am – 8:00 pm

Venue: REP., 25 Wellington Street, Central, Hong Kong Island

Places to visit to see vibrant street art in Hong Kong

Hong Kong — home to inspiring architecture, major international art fairs, Asia’s first Digital Art Fair and more… this city has time and again reinforced itself as the region’s international art hub. And the burgeoning sub-culture of street art over the years, is no exception — firmly marking its place in the city and garnering the support and appreciation of business owners, fellow art enthusiasts, and neophiliac Instagrammers alike.

From chromatic graffiti art tucked into alleyways and across shop entrances to murals that stretch as high as the buildings they are painted on, take a pause from the bustle of the city and stroll the streets of SoHo, Kowloon and Sai Kung to appreciate the dynamic sub-culture of street art. We spotlight the best spots to take your camera and for a shot of some of the city’s most beautifil graffiti and mural paintings.

Sai Kung

After the cancellation of the 2020 HK Walls street art festival, due to the Covid-19 pandemic, the collaborative project by the non-profit organisation returned last spring with its 2021 edition, choosing the famous fishing seaside town of Sai Kung as its wide-scale canvas.

The festival, which aims to create opportunities for local and international artists to showcase their talents in Hong Kong through street art, graffiti and muralism, invited 22 local male and female artists to decorate the town with murals, giving this hip town and even fresher look.

A cluster of art works can be found around the Sai Kung Market and Sai Kung Garden blocks.

Wong Chuk Hang

Over on the far south, the hip and trending town of Wong Chuk Hang makes for a fun weekend trip with friends and family. With a slew of new dining hotspots and a vibrant new coat of murals and street are to appreciate, the area serves up long stretches of art works located along Heung Yip Road, where One Island South is situated, and Wong Chuk Hang Road, the stretch of road on which Ovolo Southside sits. Make sure to also make a stop next to the Wong Chuk Hang Playground and Yip Fat Street. These Instagrammable spots are sure to be a hit with the kids and liven up your social media feed.

Wan Chai

While you’re down south, stop over at Wan Chai for some wide-scale and psychedelic murals. Starting from Morrison Hill Swimming Pool on Oi Kwan Road, you’ll find a long stretch of oriental-style graffiti work by group Kwan Clan, a collaborative effort among five Chinese artists.

Then, continue down the road and you will find several more creative pieces marking various buildings along the way, including the famous animal mural outside of the SPCA Building. And if you’re willing to stretch your legs farther, check out the realist art piece titled The Huskey by Yopey on Kennedy Street as well.

Central

Making your way in and out of the streets of the city’s shopping and dining hotspot SoHo is almost an adventure, especially when you’re on the hunt for the most iconic murals plastered across shop entrances and tucked between shops and alleways. This area colourfully reflects Hong Kong as the cultural melting pot that it is.

Boasting some of the most Instagramed parts of Hong Kong and featuring some of the most recognisable murals around town, the street art here is hard to miss, but if you’ve never taken a second to stop and appreciate it, some of the trendiest ones to look out for are the vibrant Old Townhouses by Alex Croft outside of the GOD store on Graham street; Uma Nota’s iconic Flamingo lady by Elsa Jean de Dieu on Peel Street; the imposing Hollywood-inspired piece above Madera Hollywood Hotel; the beautiful twin coy by Christian Storm on Shing Wong Street; and the urban impressionism-style of Hong Kong by Dan Kitchener (aka DANK) and Charles Williams on Elgin Street.

Sheung Wan

If you have the bandwidth to continue to Sheung Wan, proceed along Hollywood Road until you reach the stairway that leads up to square street to reach Tank Lane. Here, the journey takes you through a series of murals by local and international artists. This is also where iconic mosiac-style portrait of hometown hero Bruce Lee by XEVA (Yoo Seung-Baik) hangs overhead. And at the end of the trip, turn into Bridges Street to arrive at Tai Ping Shan where Instagram-famous teashop Teakha serves refreshingly delicious chai and treats.

Sai Ying Pun

Farther down the western side of Hong Kong island, a quaint alleyway in Sai Ying Pun named One Art Lane transports you to a multi-verse of colours and quirky characters. Its alleyways and stairways are completely covered with a collection of 26 murals by 17 international and local artists. This spot is easily accessible by train as it is conveniently situated right outside Exit B3 of Sai Ying Pun MTR station.

The Mills

Although Tsuen Wan doesn’t score high on the list of must-see places to appreciate street art, the latest revitalised heritage building, The Mills, formerly a textiles factory, does feature over a handful of murals along the wide entrance of its building if ever you are on this side of town or visiting the landmark.

Explore Hong Kong's many street art hkwalls sham shui po gafencu — (Rainbow Thief by Okuda San Miguel; Photo courtesy of HKWalls)

Although Kowloon side doesn’t spring to mind when on the hunt for art, its old buildings and old-style Hong Kong aesthetic provides a stark contrast to the city’s earlier commissions of murals. Decades old buildings, shop shutters and high rises along Sham Shui Po, Prince Edward, Mong Kok and Yau Ma Tei were given new life thanks to HK Wall’s 2016 project.

If you find yourself around the Yau Tsim Mong district, check out the iconic large scale multi-coloured geometric dog by Okuda San Miguel, named Rainbow Thief, that is plastered along the length of the Man Fung Residential Building in Sham Shui Po or the street art that decorate the infamous Yau Ma Tei fruit market and bustling stalls along Waterloo Road. In Mong Kok, the Public Square Street is a relatively new addition. You’ll surprised to see that these vibrant gems stand out and highlight the areas with an vibrant interpretation of Hong Kong’s multicultural city.

All Fired Up: The art of modern ceramics

What is it about ceramics that attracts and intrigues? For the many who seek out fine china or artisanal pieces for their home, they encapsulate a sense of mystery while offering a comforting quality that relaxes the mind. Their very nature is a paradox, fragile yet durable at the same time.

A new generation of Hong Kong ceramic artists are merging cultures through earthware gafencu touch ceramics — (Photo courtesy of Touch Ceramics)

Ceramic works have seen a boom in interest among the younger generation – a growing trend, whether they are looking to create or collect. Although the craft is rooted deep in Chinese history – in their humble beginnings they were everyday receptacles such as cookware, tableware, flasks and vases – the focus now lies in contemporary artistic designs. But what exactly makes ceramics worth buying and collecting?

A new generation of Hong Kong ceramic artists are merging cultures through earthware gafencu touch ceramics kintugi enders wong — (Enders Wong of Touch Ceramics; Photo courtesy of Touch Ceramics)

For starters, every handmade piece is a one-of-a-kind creation. “Ceramic artists are extraordinarily hardworking,” says Enders Wong, the ceramic and kintsugi artist behind local gallery Touch Ceramics. “The medium can be hard to control and predict until you’ve actually finished firing the pieces and opened the kiln. In that way, with every piece that is created – every thought, experiment, discovery and care that is put into the work – the artist is actually giving more than they take,” he opines.

A new generation of Hong Kong ceramic artists are merging cultures through earthware gafencu touch ceramics kintsugi (2) — (Photo courtesy of Touch Ceramics)

Wong works with high-temperature ceramics and glass predominately. His sculptural pieces and kintsugi works typically take three months to perfect, from planning to finish, with the majority of time dedicated to conceptualising rather than the actual production. Wong’s process is very different to those working in conventional ceramics, though. “I reverse the sequence of traditional ceramic works to create new artworks,” he explains. “For example, I will do a glaze firing first, then pour slip on for another round of firing. This creates a peeling effect that is unlike the usual smooth surface of traditional wares. Using traditional techniques [melded with] my own approach allows me to chaSpotllenge myself and find my own unique style.”

“With every ceramic piece that is created – every thought, experiment, discovery and care that is put into the work – the artist is actually giving more than they take”

Also Read: The Arts of Survival: Hong Kong’s disappearing crafts

Made by Hand
There is a misconception that there is very little artistry in creating modern ceramics; given today’s advanced technology, people might assume that the pieces are mass-produced. This notion is refuted by Julie Progin and Jesse McLin, founders of Hong Kong-based design studio Latitude 22N, who stress that handcrafting is still the most constructive way to make ceramics, not to mention the most liberating for the creative mind. “Technology is something we try to disengage with whenever possible,” says Progin, “We like to work with our hands. With clay we can create forms almost as we conceive them. It’s very spontaneous and it allows us to quickly get a feel of what we want to make.”

A new generation of Hong Kong ceramic artists are merging cultures through earthware gafencu latitude 22N — (Julie Progin and Jesse McLin of Latitude 22N; Photo courtesy of Latitude 22N)

“We also benefit from skills that complement one another,” adds her artistic partner and husband McLin. “Julie may spend more time on the computer sketching and composing patterns, whilst I prefer to experiment directly with the clay to see what works and what doesn’t.”

The duo shies away from trends in ceramic design, preferring to draw from their different backgrounds and experiences to find a fresh perspective on preserving tradition and conceptualising meaningful, innovative ideas. “We love to investigate materials, push their boundaries and invent new processes which eventually lead to new works,” says Progin.

A new generation of Hong Kong ceramic artists are merging cultures through earthware gafencu latitude 22N (4) — (Photo courtesy of Latitude 22N)

This is clearly evident upon stepping into their studio. In a “library of experiments”, samples reveal the pair’s extensive investigations and document mistakes, tests and past works. It shows everything they’ve done – what works, what doesn’t, and what is yet to be discovered.

Clearly, mastering ceramics isn’t as simple as throwing clay on a turntable and shaping it to perfection. The research and development phase alone might take Progin and McLin two weeks or four, while their production time ranges upwards from a month to eight months and more. Small batches of their porcelain tableware, lighting and accessory collections, as well as uniquely shaped creations that require careful treatment, are all handmade in their studio. For large projects and collaborations that require specific skills such as hand-painting, carving or gliding, they will partner with various workshops. Having a team in a second studio in Jingdezhen, China’s porcelain capital, allows them to scale up production when required.

Connecting with Clay
The value of a ceramic work is not about its price, but the connection one has with it. For some, the pieces sit behind the glass of a display cabinet to be admired; for others collecting ceramics is a deeply personal and intimate way of interacting with everyday objects and appreciating art. Since each represents a piece of the artist, a bond between creator and owner is forged. At least this is what young local ceramic artist Allen Chiu, founder of Water Ceramics, believes.

A new generation of Hong Kong ceramic artists are merging cultures through earthware gafencu water ceramics — (Photo courtesy of Water Ceramics)

Just four years ago Chiu was fresh out of college with an art degree from the US, but not a single job offer lined up. Then, finally, she landed some work at a small ceramics studio and discovered her calling. As a one-woman team in her studio in Hong Kong, she not only handles production, sales, marketing and customer service, but also teaches pottery classes. But it is her background in fine arts, Western oil painting and collage that defines her distinctive aesthetic. Chiu’s works offer a soothing sense of Japanese-style minimalism with a vivid splash of colour that elicits joy.

A new generation of Hong Kong ceramic artists are merging cultures through earthware gafencu (2) — (Photo courtesy of Water Ceramics)

Unlike paintings and sculptures, ceramics are multifaceted in form, marrying traditional artisanal craft with aesthetic beauty, and communicating different cultural and historical narratives. Whilst being unique pieces that resonate with their collector, they are also more accessible to the ordinary person. As the famous English ceramic designer, Susie Copper, once said: “Pottery… is a practical and lasting form of art. Not everyone can afford original paintings, but most people can afford pottery.”

Also Read: Pottery, flower arrangement and more. New skills to pick up to expand your horizons

International Women’s Day: 8 influential Hong Kong women breaking the bias

Managing teams at work, orchestrating change, leading the way, breaking the glass ceiling in a very male-dominated world, making key decisions, inspiring young women along the way – empowered women, empower women – truly, no better time to reflect on those words than today, on International Women’s Day. With the theme #breakthebias, Gafencu shines the spotlight on eight influential, powerful women who are truly working to make their fields more open, inclusive and accessible to all…

Yolanda Choy

Co-founder of EcoDrive

On a crusade to fight the burgeoning rise of single-use plastics, Yolanda Choy has made it her mission to to educate the public on the environmental damage of single-use plastics and hopes to create a greener, more sustainable future. With roots in fashion and Marketing and PR, she connects with corporates to provide solutions for sustainability and encourages lifestyle change on both the individual and community level through campaigns that promote sustainability initiatives. She also co-founded Central Weddings, a luxury bridal salon.

“Education plays a big part, because, by and large, many people might be throwing away things that contaminate the entire collection bin unrecyclable and sent to a landfill instead…We educate people different ideas on how they can make a difference to create a better, more sustainable world for future generations.”

Yenn Wong

Founder and CEO of JIA Group

For the thousands of foodies and discerning diners in Hong Kong, there is high chance you have dined in one of Yenn Wong’s many establishments that embrace an array of culinary concepts. As the owner of multinational F&B company, JIA Group, the continuously growing vibrant and diverse gourmet flavours have Yenn Wong to thank for. Especially, during strict social distancing rules, JIA Group has spearheaded bringing fine-dining and Michelin-star menus to the comfort of patrons’ homes through its digital platform JIA Everywhere.

“We pride ourselves on providing a range of gourmet experience, ranging from casual to fine dining, all of which place equal emphasis on the quality of the cuisine and the dining environment. Our outlets not only aim to satiate a customer’s appetite, but also deliver a visual feast. It’s a formula that resonates with our guests and one I take a great deal of pride in.”

Mei Mei Song

Brand and Product Transformation Director of Plaza Premium Group

It’s no secret that aviation has been the hardest hit global industry in the Covid-19 pandemic crisis, but Mei Mei Song exemplifies what rising from adversity looks like. She took the tumultuous Covid period to revamp, regroup and reinvent the brand, making travel better with initiatives such as opening their first pay-per-use lounge in Africa, introducing pet-friendly services, valet, baggage-wrapping, buggy and a plethora of other convenient amenities at key international airports, and tapping into new markets such as train lounges in China and launching their first zero carbon footprint lounge in Helsinki. Song is creating a new benchmark of sustainable, convenient, premium hospitality in the travel sector – her team aims to increase their current 230-plus global lounges to be at 550 by the year 2025.

“Founding a successful business is not enough. How you conduct that business and the strength of your vision and values are key.”

Betty Ng

Architect and Founder of Collective Studio

With a degree from Cornell University and a masters from Harvard University and stints in prestigious global design firms like Herzog & de Meuron and OMA, Betty Ng is Hong Kong’s leading architect and has already amassed an impressive body of work and founded her own Hong Kong-based firm, COLLECTIVE Studio, all before her late 30s. A diverse amount of local and international work can be credited to her name including the “Things, Spaces, Interactions” exhibition space in the new M+ museum, all four Kapok lifestyle stores, and is currently working New World Development on their twin tower and commercial podium project in Cheung Sha Wan. Having only started COLLECTIVE Studio six years ago, they have already been awarded a MIPIM Asia ‘Best Futura Project’ Award in 2021, for the King Lam Street commercial development. Betty strongly believes in giving back and inspiring the next generation of architects through her work, she teaches at the prestigious Chinese University of Hong Kong, and hopes that more young women will follow in the future.

“Personally, I don’t think too much about whether I am female or male – I am an architect. I focus on the designs I create. In return, fortunately, I am surrounded by people who see me for what I bring to the table rather than my gender. I hope to inspire the younger generation and remind them that in 2022, disrupting the state of play is certainly possible.”

Also Read: 2021 Power List 300: Hong Kong’s most powerful and influential minds of our time

Helen Ma

Socialite, Entrepreneur, Mom

For a girl discouraged by her father to work, Helen Ma blazed a trail in fashion, beauty and catering. After a slew of successful businesses which range from launching a magazine, Helen Ma Loves Muse, running a successful F&B venture and introducing the French-influenced Japanese luxury skincare brand Evidens de Beauté to Hong Kong – the style guru and beauty goddess has done it all. But no venture comes close to the gratification of being a mum to 9-year-old, Shymie. Currently running her lifestyle e-commerce platform, One Plus One, Ma is eyeing yet another successful, quality lifestyle venture with the idea of creating healthy food, sustainable trends, home styling and engaging experiences. Her advice to the modern-day career woman juggling family and home:

“Balancing a thriving career and a blissful family will take too much of your strength and resilience. Try to live guilt-free [and] happy.”

Ariel Yang

Executive Director of DS Regenerative Medicine

Having started her career teaching from Zhejiang University’s Faculty of Science, followed by a stint in its School of Management, before pursuing other passions such as designing Chinese jewellery, and following her lifelong passion for beauty and skincare by leading the DS Regenerative Medicine business in the field of regenerative beauty and medicine. Recently, she has gone back to her teaching roots and started a new youth education venture to raise awareness of artificial intelligence for young minds. Her company, DS Regenerative Medicine was listed in the Hong Kong Stock Exchange in 2017.

“Our company currently helps more than 200 primary and secondary schools across Hong Kong, training them to develop requisite skills within this sphere. We also host activities to increase awareness and encourage development, be it annual competitions or even international conferences. I believe it’s something that fills an unmet need, and that’s very meaningful to me.”

Veronica Lam

Executive Director of Big Honor Entertainment

Daughter of Lam Kin-ming and successor of Big Honor Entertainment, Veronica Lam is an innovative promoter of musical talent, even co-founding Hardbit Music with her brother, to put a new light on alternative music and DJ events in the city. Despite the hard hit that the entertainment industry took throughout the on-going Covid-19 pandemic, her response has been confident and resilient. She launched B.Live app to bring the experience of live music and theatrical shows to audiences in the safety of their won home; allowing people to enjoy music while interacting in chat rooms. All the while pursuing her own passion in photography work through VL Visuals.

“At a time when in-person musical events are all but non-existent, we have to keep creating new spaces for musical acts within the entertainment industry. B.Live is a streaming app that offers viewers multiple angles during broadcasted events, so they can decide how they take in their favourite acts.”

Christal Leung

Skin Formulator, Founder of Skin Need

A major in biochemistry at the University of California, Christal Leung had a natural inclination towards the science of beauty. Growing up, her mum ran a beauty centre where she spent her weekends. Seeing her mum’s approach to skincare – customising products with fresh fruits and vegetables – and watching the way she brought joy and confidence to her customers, sparked a keen interest in beauty. Skin Need, her hugely successful line of skincare with an exceptionally attractive, minimalist packaging was launched with the same childhood passion of simplifying beauty, customising products according to the need of the skin and bringing joy from within. A firm believer in sustainability, clean products and bespoke products, Christal credits her accomplishments to a loving family, a brilliant team and the loyal customers.

“Our philosophy evolved from the experiences and skincare problems that my mother encountered over her career, and how she felt beauty products should actually be addressing those needs.”

Also Read: In Conversation with Ryan Cheung, CEO & Founder, PressLogic: Asia’s new-media wizard

Vibrant City: Hong Kong’s growing art scene

Dipping into a swirl of gentle colours, Sylvia So loses herself in a canvas of tint, sensation and memory. Inspired by the mystical work of established contemporary artist Christopher Ku, she prepares for her first solo exhibition in two years. After a tumultuous period of disruption, the homegrown artist is eager to showcase her distinct abstract works that leave interpretation to eye of the beholder. In a city rife with powerful art-world players, elite collectors and snooty aficionados, it is routine for emerging artists from Europe and the United States to clinch multimillion-dollar sales at exhibitions, while only a handful of galleries promote true local talent like Sylvia So.

Hong Kong’s reputation as the capital of kitsch has faded, but until a few decades ago there was a dearth of culture. The city was never known for art. Luxury shopping, cheap and delicious food, a raging night life – yes, but art? No. Not unless you count the antiques pedalled in dilapidated shops as art. With intermittent fairs, just the occasional show-stopping cultural event and galleries few and far between, artists didn’t really have a strong presence or say. Having historically existed in the artistic shadows of New York, London and Paris, the Hong Kong art scene has expanded and evolved since Art Basel’s arrival in 2013.

Vibrant City_ Hong Kong's growing art scene gafencu (5) — (Image courtesy of Art Basel 2021)

Art Fairs Roster

The past two years have been rough for the art sector – jolted first by pro-democracy protests, then Covid-19 – with shuttered galleries, wiped-out cultural fairs and calamitous sales tolling the bells of impending gloom. However, the diverse roster of blockbuster fairs gracing the city last summer – Art Basel, Affordable Art, Unscheduled, Fine Art Asia, Art Next Expo – was a resounding endorsement of the market’s commanding return.

Vibrant City_ Hong Kong's growing art scene gafencu — (Image courtesy of Art Basel 2021)

Traditionally, art follows money and with Hong Kong home to the world’s highest concentration of high-net-worth and ultra-high-net-worth individuals, an eastward shift in the global cultural axis is apparent. The findings of London-based art market-research firm ArtTactic are telling: Hong Kong now sits atop London as the second-biggest contemporary art-auction market in the world, tailing right behind New York. Even when the world was hurting from the pandemic during the first eight months of 2020, Hong Kong’s art-market share spiked to 26-percent from 20-percent in 2019, with US$314.6 million in sales, compared to London’s US$303.5 million. Kevin Ching, who served as Sotheby Asia’s CEO for 15 years before stepping down last April, feels there is “so much pent-up yearning and hunger for art in Hong Kong”.

Also Read: Fine Art Asia returns to Hong Kong with NFTs

Vibrant City_ Hong Kong's growing art scene gafencu (9) — (Image courtesy of M+ Museum)

Changing the Conversation

From Tai Kwun in the heart of the city to the fringes of new hub for creativity Wong Chuk Hang, galleries are flourishing. The growing interest is most visibly manifested by the high-ceilinged presence of art behemoths Gagosian Gallery, White Cube and Lehmann Maupin in the city. Their goal of mounting “museum-quality exhibitions” is a fortuitous sign that Hong Kong is clearly worth the investment.

Until a few years ago, the museum scene was woefully lacking, but here too the tide has turned. The opening of M+ is a big stride towards making the city a cultural heavyweight and remedying its reputation in art circles as being overly commercial. At 700,000 square feet, the West Kowloon stronghold is one of the largest contemporary art museums in the world, double the size of London’s Tate Modern and rivalling New York’s Museum of Modern Art – a place where you can go and see great art without someone putting a price tag to it.

Vibrant City_ Hong Kong's growing art scene gafencu (10) — (Image courtesy of M+ Museum)

One of the main restraints on homegrown talent has been the astronomical gallery rentals in a notoriously space-squeezed city. But with the opening of art-dedicated areas like the Tai Kwun Centre for Heritage and Arts, H Queen’s, PMQ, West Kowloon Cultural District and even the newly repurposed Central Market allow the burgeoning local art scene to breathe. Their diverse programme and local-artist-only exhibitions are helping the city shed its status of cultural sterility.

Excitement is high, artists like Sylvia So are optimistic. “There is a lot of potential here,” she affirms. Hong Kong is one of the few global cities in the world that is pumping in money for cultural development. “Undeniably the new art environment and government policies will greatly nurture homegrown talent.”

“There is so much pent-up yearning and hunger for art in Hong Kong”

Local Laurels

While the blight of Covid has been cataclysmic, it has spurred a refreshing change. Travel restrictions and long quarantine meant that a majority of global artists were absent from this year’s fairs. Art Basel and Affordable Art Fair chose to shine a spotlight on local artists instead. The latter’s director, Regina Zhang Minzi, observed, “Contrary to the previous seven years when 80-percent of [participating] galleries were from oversees, in 2021 it was the other way round.”

As a result, budding artists like young graduate Chau Chung-man and 24-year-old Mandy Ma, winner of the Fresh Trends Art Graduates Joint Exhibition award in 2019, enjoyed a pivotal year, showcasing their work in the same venue as celebrated Western talent like David Farrant.

Street Scene

Visual noise or genius born in the streets – no matter which side of the graffiti debate you are on, there is no denying the pedigree of street art. Non-profits like HKwalls, co-founded by former architect Jason Dembski in 2014, are driving forces encouraging the growth of murals through annual street-art festivals and competitions. An increasing number of graffiti artists like Bao Ho, Xeme and Catherine Grossrieder are taking to the walls to pour out their creativity and, in so doing, breathe new life into drab districts. Sometimes inspiring, often enigmatic and undoubtedly challenging, Hong Kong art is coming alive like never before.

Compared to established masters like Paris, Venice, London or New York, we may be just dabbing our brushes, but art world mainstays agree that a city often critiqued for being a superficial, commercial jungle is taking conscious steps to develop cultural depth. And it’s an exciting sight to behold.

Also Read: Artspace K: Celebrating and spotlighting contemporary artists in style

(Text: Nikita Mishra)