Lost Art: Rare Buddhist relic fetches top dollar at auction

An 11th-century Nepalese Buddhist figure that was initially purchased by a lucky collector for just US$1,000, sold at the recent Bonhams Images of Devotion auction for a staggering HK$2.75 million – 350 times its initial price. But surprisingly, this wasn’t to be the event’s star performer. That particular accolade went to A Schist Figure of Buddha, a beautiful third-century relic crafted from schist, a coarse-grained, layered metamorphic rock.

Buddhist relic fetches top dollar

The almost pristinely preserved statue, which stands 122cm tall, was crafted in the ancient region of Gandhāra, now known as Peshawar, a part of modern-day Afghanistan and Pakistan. Thanks to its unique location at the crossroads between East and West, Gandhāran artisans were renowned for creating Asian religious icons in an unusual Greco-Roman style.

Buddhist relic

It is precisely this unique influence that informs A Schist Figure of Buddha and sets it apart from the more typical statues of Buddha found across Asia. Add to this the fact that it also stands as a testament to the early spread of Buddhist art, and its final hammer price – a whopping HK$9.17 million – seems more than justified.

Staycation Series: Art and artful dining at MGM Cotai

Art and hospitality converge in epic style at MGM Cotai just in time for the festive season. Living up to its promise of being a truly world-class fully integrated resort, MGM Cotai has redefined the ‘hotel’ experience altogether, bringing haute couture, gourmet cuisine, art installations and collectibles all under one roof. And, of course, what a stunning roof that is… apparently, the largest free-span gridshell glazed roof in the world and a Guinness record-holder, the natural lights filtering through the roof at all times make the entertainment zone a veritable wonderland, bringing to life the gardenscape installation in the area aptly called The Spectacle.

MGM Cotai

If that’s not enough, guests can discover the joy of art exhibits in almost every nook and corner of the common areas, starting from the reception at the lobby where a huge painting titled Dancing Light 2016 by Hsiao Chin, one of the early pioneers of 20th century Chinese abstract art, hangs over the reception desk. Moving on to the Emerald Lobby, one encounters Alchemist, the disruptive artwork by creative maverick Cai Guo-Qiang, who uses gunpowder explosion to build art out of destruction. Other manifestations of contemporary art can be found at every turn, such as the Harmony (2017) installation by cross-media artist Wang Kaifang who has used 3D printing and 24-carat gold leaf to capture the movement of silk in air as a rather fitting abode for haute couturier Guo Pei’s fashion store in the hotel.

While the hotel team has carefully curated contemporary art from across the globe, that’s not to say that the treasure trove of ancient art has been overlooked. So, leading the art collection are 28 Chinese imperial carpets dating from the Qing Dynasty that once adorned the Forbidden City in Beijing. Replete with dragons, flowers and other potent motifs, the carpets give us a glimpse into the lives and times of the bygone royals.

MGM Cotai

Moving on to matters more modern, the hospitality team at MGM Cotai has surmised – quite correctly – that there is no better way to appease patrons than through the art of food. So, the restaurants take forward the concept of creativity through their culinary efforts. Most noteworthy among these is, of course, Coast, helmed by celebrity chef Graham Elliot, the popular TV personality from cooking show Top Chef, that offers Californian and West Coast cuisine.

However, no visit to MGM Cotai can be complete without experiencing the culinary delights within Grill 58. With its menu designed by the three-Michelin-starred chef Mauro Colagreco, it is a meatophile’s delight with a wide range of premium cuts and aged meats. While chef Colagreco wasn’t available during our tasting, his understudy Chef Pio proved to be as able behind the kitchen counter as he was before it. A true performer, he took us through a gastronomical journey, explaining each component of the dishes, their special ingredients and even surprised us with a palate cleanser quite fittingly named Dragon’s Breath. The true standouts of the menu, however, were the red mullet cooked in a bag to retain all its natural aromas and the Wagyu A5 grade beef that was served with pickled onions, wasabi and black truffle. While the meat was deliciously marbled with concentrated flavours, the wasabi and the pickled veggies added a delightful twist when consumed together.

Those who want to opt for a lighter snack should, however, head to Aji, the Nikkei cuisinary within MGM Cotai. Bringing to fruition a fusion of Japanese and Peruvian cuisine is Chef Mitsuharu Tsumura, one of the world’s most acclaimed Nikkei experts in the world. ‘Aji’ – which means ‘taste’ in Japanese and ‘pepper’ in Peruvian – bring together the flavours of the East with the spices of the West to create dishes that are as unique to behold as they are to consume. It is entirely to Chef Tsumara’s credit that not only has he brought authentic Nikkei cuisine to Macau but that he has also completely reinvented bar food in the process. To accompany the cocktails at Aji, guests can expect food that is in no way less than a multi-Michelin-starred fine-dining menu, but at par in all respects, be it in execution or presentation. So, we have the Patacones – deep-fried plantain, tofu and quail egg injected with ponzu sauce that is as sumptuous to look at as it is to eat. Another Instagrammable dish surely was the Amazonian Foie Gras – foie gras mousse with turmeric, Amarillo and apple puree. The paired drinks turned out to be equally delectable, be it the Aji Sour or the Aji-Ha or Peruvian beer, you really can’t go wrong with any of the choices. And that in itself sums up our staycation at MGM Cotai – replete with art and artful living and dining, the integrated resort has taken the fine art of living to another level, one where the whole hotel is transformed to an objet d’art.

Text: Suchetana Mukhopadhyay

Double Act: Two Records in One Day for Nara Yoshitomo

To say that Nara Yoshitomo had a triumphant start to October would be putting things mildly. After all, the acclaimed Japanese artist smashed all expectations when his works broke records back to back during Hong Kong’s auction week.

Nara Yoshimoto

The first work to set a new record was Not Everything but/ Green House, a 3D art installation sold by Poly Auction Hong Kong. Standing proudly at 6m high, the large-scale Green House fetched a final price of HK$40.12 million, becoming Nara’s most expensive artwork ever sold.

Nara Yoshimoto

But that record lasted for mere hours only, with his Knife Behind Back painting selling at Sotheby’s Contemporary Art Evening Sale for a staggering HK$195.7 million in the same afternoon. Measuring a gargantuan 234cm x 208cm, the large artwork was created in 2000, the year Nara returned to his homeland after living in Germany for 12 years. Not only did this sale beat his Poly Auction performance nearly five-fold, it simultaneously conferred on Nara the accolade of being the most expensive Japanese artist in the world. Not a bad day’s work, indeed.

Artistic Vision: Contemporary Chinese artist Wang Xiaobo on his stunning creative success

We spoke with famed contemporary Chinese artist Wang Xiaobo, whose works are currently on display at The Repulse Bay residences as part of its first-ever art exhibition, on the secrets behind his success.

Wang Xiaobo posing with his art pieces, currently on display at The Repulse Bay Residence
Wang Xiaobo posing with his art pieces, currently on display at The Repulse Bay Residence

Why did you choose to become an artist, and what inspires you to continue creating art?
My parents are both academics, and my brother was similarly educationally gifted. I, however, was not so lucky in that respect, and never did well in school examinations. Luckily, I discovered my love of painting early on, and my father was particularly encouraging of my talents and urged me to pursue my passion. My art is my means of connecting with life, of interpreting my experiences and interactions with other people.

Artwork by Wang Xiaobo at The Repulse Bay Residence
Artwork by Wang Xiaobo at The Repulse Bay Residence

What are the inspirations for your artworks?
My works are a kind of self-reflection of my own personal experiences. Everything I’ve created is based on a particular phase of my life. For example, when I first got married, I was enamoured with exploring the various facets of love. Then, when I had my two sons, I found inspiration in their constant curiosity, their constant need to ask: “Why?”. In fact, my Looking for Future series was inspired by their youthful inquisitiveness.

Wang Xiaobo new exhibition at The Repulse Bay Residence

Your works have sold for millions of dollars, why do you think your creations are so popular with collectors?
I’m not sure if “popular” is a good or bad thing for an artist. I think, at its core, art is like philosophy, it’s a pure expression of an artist’s feelings. However, commercial art – those pieces dedicated to pleasing buyers – is how one earns a living. Having said that, I think I’ve been lucky to strike just the right balance between these two aspects, which is why my works have resonated with a wide range of people.

Artwork in the lobby of The Repulse Bay Residence

Your artworks are currently being displayed at The Repulse Bay residences. How do you feel viewing art can stimulate residents / guests in the art of living well?
Art is a wonderful medium of expression, it is a fantastic platform for inspiring the imaginations of anyone, no matter what their age and where their interests lie. No two people experience art the same way, it’s a unique, personal affair. Ultimately, I believe that exposure to art stimulates the mind and expands a person’s horizons, and that is what I hope residents and visitors to The Repulse Bay will feel when they view my creations.

Art abound at Jockey Club New Arts Power 2019

The third edition of Jockey Club New Arts Power (JCNAP 2019) is back in town till January 2020, featuring seven performing arts programmes, two visual arts programmes, and over 150 community and educational events. Hosted by Hong Kong Arts Development Council and The Hong Kong Jockey Club Charities Trust, the marathon event this year explores the theme of “Arts Around Us” – a theme that allows local artists to push beyond the boundaries of traditional art spaces and reach even closer to the community through their art.

Jockey Club New Arts Power

Notable among this year’s participating artists are choreographer and dancer Lai Tak Wai and Daniel Yeung, curators André Chan and Jing Chin yin Chong, the creative trio called Thunderstorm, local saxophone ensemble La Sax and physical drama group Théâtre de la Feuille.

Jockey Club New Arts Power

Speaking to the media at the opening ceremony, HKADC’s Chairman Dr Wilfred Wong said: “Following successful first and second editions, JCNAP is now well established as a major home-grown arts festival. It provides Hong Kong artists a much-needed platform for creativity and an opportunity to connect with the community, schools and the general public.”

Here is a sneak peek of our exclusive video coverage of the opening ceremony:

 

           

Hong Kong Culture Festival 2019 kicks off with Hong Kong Ink Art Walk 2019

As the city’s arts and culture aficionados are already aware, the annual Hong Kong Cultural Festival aims to preserve and revitalise intangible cultural heritage by promoting public awareness and engagement. Organised by the Intangible Cultural Heritage Earthpulse Society, its fifth iteration opened with two superlative exhibitions under the title of “Sino Group Presents: Hong Kong Ink Art Walk 2019”.

Ink Art Walk 2019

A focal component of the festival, the Hong Kong Ink Art Walk 2019 this year aims to introduce stunning ink artworks from over 10 of the city’s leading art galleries to the public, all in the hopes of highlighting the Fragrant Harbour’s rich cultural diversity and to foster greater dialogue amongst artistic talents across the region.

(From Left) Mr Hing Chao, Mr Zhao Zhijun, Mr Wucius Wong and Ms Juliana Lam
(From Left) Officiating guests Mr Hing Chao, Mr Zhao Zhijun, Mr Wucius Wong and Ms Juliana Lam

The opening ceremony saw many of luminaries of the cultural world in attendance, with its officiating guests including such notable names as Mr Hing Chao, Chairman of Intangible Cultural Heritage Earthpulse Society, Mr Chan Shing Wai, Assistant Director at the Leisure and Cultural Services Department, Ms Nikki Ng Mien Hua, GM of Sino Group, Ms Juliana Lam, Managing Director of Julius Group.

Mr Wucius Wong introduces Hong Kong Waters Korean Mountains exhibition
Mr Wucius Wong introduces Hong Kong Waters Korean Mountains exhibition

The two exhibitions, titled Hong Kong Waters Korean Mountains: Hong Kong and Korea Exchange Art Exhibition and Cacophony of Colours between the Fragrant Harbour and the Steppe: Hong Kong and Inner Mongolia Water Colour Exhibition, are set to run from 19-29 September at Hong Kong Central Library’s Exhibition Gallery.

Mr Zhao Zhijun introduces Cacophony of Colours artworks
Mr Zhao Zhijun introduces Cacophony of Colours artworks

The first, curated by ink artist Wucius Wong, comprises artworks created during a cultural trip undertaken by Wong and others to the South Korean island of Jeju. The latter, curated by artist Zhao Zhijun, presents an arresting array of watercolours created by regional artists to portray life in Inner Mongolia and Hong Kong. To find out more about the impetus behind these works, check out our exclusive video coverage of Hong Kong Ink Art Walk 2019 below.

           

For more details, please visit http://www.hkculturefestival.com

Stratospheric Prices: High Price for Zhang Daqian Mountain Masterpiece

Zhang Daqian (1899-1983) is rightly lauded as both one of the most adept Chinese artists of the 20th century and one of its most prolific, a reputation that ensures his splashed ink landscapes are sought out by art aficionados the world over. So, when an extant example of his work – Manchurian Mountains – took centre stage at the recent Sotheby’s Fine Chinese Paintings auction in Hong Kong, the bidding war that ensued was no surprise.

Zhang Daqian

Completed in 1969, this immense 2m x 1m landscape was originally gifted by Zhang to the daughter and son-in-law of Zhang Xueliang, an official in China’s Republican Army and a personal friend of the artist’s. Depicting the stunning Yiwulü Mountains in Northern China’s Liaoning province, its evergreen peaks were captured in beguiling mineral colours as a symbol of coming prosperity, with the snow-capped summits also signalling that auspicious times lay ahead.

Zhang Daqian

Given its unsullied provenance and the fact that it was the first time this particular piece had ever come to auction, it is perhaps understandable that it inspired a truly staggering winning bid of HK$162 million – more than double its pre-sale estimate.

Related: The Big Picture: Outsized prices for outsized art by Zao Wou-ki

Matters of Art: Seoul Auction exhibits over 20 artists from Hong Kong and South Korea

Seoul Auction, the premium art gallery within H Queens, recently hosted an art exhibition simply titled Matter, a unique showcase of the works of over 20 of the finest contemporary artists from Hong Kong and South Korea.

Curated by renowned architect and art collector William Lim, the opening night itself saw all the true culture vultures in town circling in on this particular exhibition. Among the local artists whose works were exhibited, the most noteworthy were Cheng Ting Ting, Chu Hing Wah, Carmen Ng and Tsang Kin Wah. From the South Korean side in the meanwhile, such eminent names as actor and artist Ha JungWoo as well as Choi SoYoung have also taken part in the exhibition. Here are some exclusive moments from the opening night:

Matter
Seoul Auction
Till 18 September
11F, H Queen’s, 80 Queen’s Road Central
+852 93601313

The Big Picture: Outsized prices for outsized art by Zao Wou-ki

Unlike many of his contemporaries, Zao Wou-ki, the renowned Beijing-born abstract artist, achieved considerable success while he was still around to enjoy it. Since his death in 2013, however, his stock has risen still further, a fact that was underlined when one of his paintings – Juin-Octobre 1985 – sold for US$65 million in September 2018, making it the most expensive artwork ever auctioned in Hong Kong.

Triptyque 1987-1988 by Zao Wou-ki

Since then, other Zao Wou-ki artworks have gone on to command equally impressive valuation, most notably his Triptyque 1987-1988, which went for an eminently respectable US$22.8 million at a Christie’s auction in Hong Kong earlier this year. It is one of seven monumentally-sized triptychs the artist produced between 1980 and 1990 – and only the second ever to come up for auction. Comprising three 200cm x 162cm panels, this particular triptych is seen as representing something of a transition point between the dark tones that defined his work throughout the ’60s and the brightness that crept into his later pieces.

Zao Wou-ki - Triptyque 1987-1988

Speaking of his love of working on outsized canvases, Zao Wou-ki once said: “The large surfaces inspired me to battle with space. I had to fill this surface, bring it to life, give myself to it.” Now it seems safe to say that the value put on his works is nearly as great as his initial artistic vision.

Opulence revealed at Rémy Martin and Yan Kefu’s art pairing at Hong Kong

Luxury cognac brand Rémy Martin opened up a new way of cognac tasting by pairing it with an exclusive art appreciation session in Hong Kong. The art in question was Taiwanese artist Yan Kefu’s latest piece ‘Rock’N Time 8’ – nine panels of oil-on-canvas paintings.

Stretching over 10m horizontally, the series of panels depict an endless stretch of limestone rocks colliding with each other. They seem as if in motion, ready to collapse at any moment, with only their mutual attractions and tensions holding them in place.

Artist Yan Kefu talking to art connoisseurs in front of his painting

While at a deeper layer, the rocks may depict human interactions in the modern society, in terms of aesthetics alone, they bear a striking resemblance to the limestone rocks of the Cognac region – the locale where Rémy Martin cognac is grown.

So the house of Rémy Martin and the artist joined hands for an exhibition in the exhibition in the Cognac region itself; set against the limestone rocks, the connections between the ‘Rock’N Time 8’ paintings and the Cognac region are obvious – evoking the beauty of nature, texture and the wine-making process.

For a limited time only, Hongkongers were privy to the beauty of Rémy Martin and Yan Kefu’s art pairings at Art Statements gallery in Wong Chuk Hang.  Check out our footage from the event: