Andrea Buccellati discusses keeping jewellery in the family

As one of Italy’s most prestigious jewellers, the Buccellati name is synonymous with exquisite gems and watches.

The company’s president, Andrea Buccellati, spoke to Gafencu recently about how he got started in the family business, why Buccellati never uses outside designers and how his daughter is moving the brand forward.

Describe a typical day for you.

I don’t really have a typical day because I cover the business worldwide. When I have the time, however, I follow the production of new designs day-by-day, including any prototypes we have.

My role as president also takes me across the world because it is important for the Buccellati brand to be close to its clients. Travel takes up a lot of my year.

You started working with your dad when you were 16. Did you explore any other career options or were you always destined to join the family business?

I think it was destiny in a certain way to join the family business. I have always loved to create and use my hands, even when I was a little kid. Thankfully, I had the perfect opportunity to develop this with my family.

When I was 12 years old I knew I wanted to work in the family business and at 16 I started to work in the office with my father after school.

At the start it was just to learn how the business worked. But once I turned 18, I started the serious full time work every day.

The Buccellati tradition is to keep creative skills within the family and not use outside designers. Why is this?

It is a very important tradition because the history of the Buccellati family is to have designers from each generation.

The logic for this is very simple: you keep the style and tradition within the family. By sticking to this tradition, you don’t have a lot of influence from outside markets which means you don’t copy other products.

Also, it is not enough to just design, you have to know how to create jewellery. And in order to create jewellery for us, you have to live Buccellati.

My daughter has followed in this tradition and she is the future of Buccellati.

How do you and your daughter, Lucrezia Buccellati, work together to design the jewellery?

We see each other in Milan and New York, where she lives. We spend time together working on designs and coming up with ideas.

Inspiration is very important and when I am in New York I am in contact with a different world. It is a more dynamic world than in Italy.

How has working with your daughter helped to move the brand forward?

Lucrezia is the first woman to ever have this role within the company (creative designer) so she comes in with a lot of new ideas and she helps us take a different approach. Her input is for a product that is wearable, young and fresh. She is the perfect person to move Buccellati forward.

What do you draw inspiration from when you’re creating jewellery?

Sometimes I will see a beautiful painting and imagine jewellery. Sometimes I look at a beautiful woman or nature or architecture. It is a mixture of many things.

How do you view Hong Kong as a jewellery destination compared to the US and Europe?

The mixture of different cultures makes Hong Kong a very interesting market. Our Asian clients are more concerned about the details of a piece and understanding the background of the jewellery. It is not just about buying.

Lumen Kinoshita talks about keepsakes, karma and learning from the sub-prime crash

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Lumen Kinoshita is a director of the KGI Asia finance firm and the designer of the L. Luminous jewellery collection.

How was Hong Kong as a place to grow up?

It was fun, although my family spent a fair amount of time in Malaysia before we moved back to Hong Kong. We returned at a time of great political change with the end of colonial rule – that didn’t stop me having a pretty good childhood here, though.

Click here to watch the interview with Lumen

Raised in Hong Kong, then educated in the UK and Canada… So where, exactly, is home?

Definitely Hong Kong – even though my parents are not typical Hong Kongers, having moved to the city later in life. They were originally from China, with my mother being Fukienese. When I was growing up, I didn’t really think of myself as Cantonese, especially as my father was also only half Cantonese. We embraced Hong Kong, though, despite not feeling like locals. While I may have looked at it with a little bit of distance from time to time, I definitely feel like Hong Kong is home.

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“A steep learning curve is obligatory in the financial industry” you once said. What, though, is the key thing your professional life has taught you?

The importance of being aware of technology. The world has become a much smaller place and things now move much faster. There is also a constant stream of new products, something that caused a rude awakening for a lot of people in the industry a few years back. Coupled with sub-prime mortgages and all that, it was scary. Looking back, though, you could see all the little warning signs. Of course it was not just about data, it was about emotion, desire and greed. It was a very human thing.

How did you come to design your own jewellery collection?

Basically I have always loved accessories and I have always collected a lot of African beads and other such items. You know how it is – you have these things hanging around and, after a while, they become threadbare. Eventually decided I should make something out of these accessories, something that would make then them more relevant and allow me to enjoy them again. That’s how it started. I made a few things for myself as I like a bit of bling.

I went to a fashion show at Joyce (the Hong Kong boutique) and ran into their merchandiser. He took an interest in the pieces I had made and they asked me if I would do something for them. I have always seen Joyce as wonderful and very fashion-forward, so I was more than happy to make jewellery for them for a few seasons. I felt very fortunate to have been given the opportunity.

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When you are designing a collection where does your inspiration come from?

It mostly comes from what I already have. I try to work with the colours and with what I like. It is often something that has an emotional or sentimental value for me. One of the pieces I am currently wearing, for example, features a small coral heart pendant, something that I have had since junior high school. I wouldn’t wear it now as it seems too small, girlish even. I wouldn’t want to sell it either, though, or just push it aside. Instead, I incorporated it into a design, making it relevant for me again. I also like the idea of putting different things together to create a new whole.

You are known for your iconic fashion sense. Do you feel fashion plays a big part in your life?

I think so, I like fashion. I know it is going to sound clichéd, but my favourite designer is Alexander McQueen, largely because he has such a wonderful cut. For me, other designers, such as Giorgio Armani just don’t have the same fit. I don’t have a long body so, for me, McQueen’s cut is just right. I have always appreciated his style. Even though he wouldn’t be aware of it, I’ve always made to support him as a designer I particularly like. Even when he has had a sub-par season, I still try to buy something of his. Over the years, I have amassed quite a collection of his things. After he took his own life, suddenly everyone decided they loved him.

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When you are designing a collection where does your inspiration come from?

It mostly comes from what I already have. I try to work with the colours and with what I like. It is often something that has an emotional or sentimental value for me. One of the pieces I am currently wearing, for example, features a small coral heart pendant, something that I have had since junior high school. I wouldn’t wear it now as it seems too small, girlish even. I wouldn’t want to sell it either, though, or just push it aside. Instead, I incorporated it into a design, making it relevant for me again. I also like the idea of putting different things together to create a new whole.

You are known for your iconic fashion sense. Do you feel fashion plays a big part in your life?

I think so, I like fashion. I know it is going to sound clichéd, but my favourite designer is Alexander McQueen, largely because he has such a wonderful cut. For me, other designers, such as Giorgio Armani just don’t have the same fit. I don’t have a long body so, for me, McQueen’s cut is just right. I have always appreciated his style. Even though he wouldn’t be aware of it, I’ve always made to support him as a designer I particularly like. Even when he has had a sub-par season, I still try to buy something of his. Over the years, I have amassed quite a collection of his things. After he took his own life, suddenly everyone decided they loved him.

Harry Potter author J.K. Rowling takes a candid look at her own franchise

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You might have thought that after writing seven books, eight films, two ‘pamphs’, a play, an encyclopaedia, one short story and a whole website about Harry Potter, J.K. Rowling might be a little sick of bespectacled boys and wondrous wizzardy tales.

Apparently not. Her latest Potter jottings have now formed the basis for Fantastic Beasts And Where To Find Them, a newly-released movie set to sooth Hogwarts hankerings the world over as of this very month. More impressively still, Rowling has promised not just one sequel to her new fantasy franchise but four. This means we are likely to be treated to new instalments well into the 2030s, whether we like it or not.

According to the author, this wasn’t the original plan when she first sat down with Warner Brothers, the movie-making megalith that has hung much of its profit expectations on all things Harry since the turn of the millennium.

Reflecting on just how this latest piece of the Potter pantheon came to be, she says: “We always knew that it was going to be more than one movie, so we set it as a trilogy as a sort of placeholder. Now I’ve done the plotting properly, we’re pretty sure it’s going to be at least five movies.”

Adding an intriguing hint as to where the series is heading, she says: “I think, when you realise what story we’re really telling, you’ll understand that it can’t possibly all fit in one movie! There’s a natural arc that takes it to five…”

Loosely based on Rowling’s book of the same name, Fantastic Beasts was conceived as a magical creatures textbook, one that was required reading at Hogwarts, Harry’s alma mater. Taking a slightly different tack, the film follows the 1920’s adventures of one Newt Scamander, the textbook’s supposed author.

Although it is clearly designed to be the first in a series of prequels to the Harry Potter canon we all know so well, many of the connections to the latter Potter can – at first glance – seem a little tenuous. Given the world’s on-going love affair with the scar-faced sorcerer, however, any concerns are surely ill-founded, especially with stars of the magnitude of Eddie Redmayne and Jon Voight along for the ride.

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“Now I’ve done the plotting, I’m pretty sure there’s going to be five Fantastic Beasts movies”

In truth, the enthusiasm of the franchise’s fans for any product with the Potter stamp on it means that its success is pretty much guaranteed. When tickets for the play Harry Potter And The Cursed Child went on sale earlier this year, for instance, the 175,000 seats were all sold in 24 hours – a record for any production ever put on in London’s West End.

The play, a collaboration between Rowling and Jack Thorne, an established playwright, is a sequel to the original Potter stories, taking up where the epilogue at the end of the very last book leaves off, with Albus – Harry’s son – starting his schooling at Hogwarts.

While developing a sequel and a prequel at the same time might have proved a stretch for most writers, Rowling apparently relished the challenge. She says: “I had this residue of material in my head, going in both directions – with Fantastic Beasts going backwards and with the play going forwards.

“Although it’s been more than a decade since the last book, just because I stopped writing it doesn’t mean my imagination stopped. It’s like running a very long race. You can’t just stop dead at the finishing line. I carry that world around in my head all the time.”

Harry Potter, it seems, has never been far from her thoughts, ever since he (in her words) “strolled into my head fully formed” during a train journey some quarter of a century ago. She says: “The idea for him came to me very, very quickly. I could practically see him.”

The rest of her story is, as they say, well-documented history. She spent five years thinking up adventures for her boy wizard, endured considerable hardships as a struggling single mother, trying to earn a living while writing the early drafts of her first book. Then there were the early rejections, with 12 publishers turning her down. She claims her first submission was returned so fast, it must have been sent back the very day it arrived.

Then – once she had found a publisher with the good sense to recognise a goldmine when they saw one – came the enthusiastic approval of readers and critics alike, the rapid rise to the top of the UK best-seller lists, the extraordinary international success, the sequels, the sale of the film rights, the spin-offs… Within a decade, Rowling’s creation had become a true cultural phenomenon.

EDINBURGH, UNITED KINGDOM - JULY 15: Harry Potter author JK Rowling arrives at Edinburgh Castle where she will read passages from the sixth magical children’s title “Harry Potter And The Half-Blood Prince”, on July 15, 2005 in Edinburgh, Scotland. 70 junior reporters from around the world, aged between eight and 16, make up the audience, and get to meet and ask questions of the author ahead of the midnight release of the new volume. (Photo by Christopher Furlong/Getty Images) *** Local Caption *** JK Rowling

“I am never going to hate the Harry Potter world, but there are other worlds I want to live in too”

In fact, statistics hardly do it justice. More than 450 million copies of the Harry Potter books have been sold worldwide. They’ve been translated into 65 languages. The first – Harry Potter And The Philosopher’s Stone – is the fifth-bestselling book of all time. The films alone have grossed more than US$75bn (HK$581.6bn), making them the most financially successful cinema franchise in history. To this day, six are in the top 20 list of the Most Money-Making Movies Ever.

As a result, Rowling is now a multi-millionaire – the world’s wealthiest author – said to be worth an extraordinary £580m (HK$5.48bn) according to last year’s Rich List (published by the UK’s Sunday Times newspaper), or just under US$1bn (HK$7.75bn) if you prefer the valuation put forward by Forbes.

Many would be content to have created just one character as successful as Harry Potter. Rowling, though, has been at pains to prove she can expand her repertoire. This has led her to write an adult novel – The Casual Vacancy – and, under the pseudonym Robert Galbraith, a series of crime stories revolving round the investigations of Cormoran Strike, a private detective.

Of her ventures into non-Potter fiction, Rowling says: “I love the world of Harry Potter. I am never going to hate that world, but there are other worlds I want to live in too.”

Addressing her need to write The Casual Vacancy, she says she wanted to show that she could do more than just write children’s books. As to its mixed reception, she is distinctly unfazed, saying: “The worst that could have happened is that everyone would have said: ‘That was dreadful, she should have stuck to writing for kids’. I can take that. If everyone says: ‘Well, that was shockingly bad – back to wizards for you’, then obviously I wouldn’t have thrown a party, but I’d have lived.”

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The disdain certain literary types expressed for The Casual Vacancy didn’t stop it becoming a bestseller, inevitably boosted as it was by Rowling’s fame and popularity. That, however, wasn’t the case with her first Cormoran Strike story – The Cuckoo’s Calling – of which, initially, only a few thousand were sold. Once the true identity of the author was accidentally revealed – when her publisher’s lawyer let it slip to an acquaintance, who then mentioned it on social media – sales went through the roof.

Expressing her disappointment that her fake identity was revealed so soon, she says: “I had hoped to keep this secret a little longer – being Robert Galbraith was such a liberating experience. It was wonderful to publish without hype or expectation and pure pleasure to get feedback under a different name.”

It seems unlikely that Rowling will ever again be able to create anything that is free from the Harry Potter halo effect. In fact, she has pretty much accepted that as an inevitable consequence of the boy wizard’s astonishing popularity.
While it was something she had never foreseen when she first started writing about Harry, Hermione, Hagrid and the rest of the Hogwarts crowd, Rowling has no regrets about the way it turned out. She says: “I never set out to build a big community, but I don’t think there is a writer alive who wouldn’t want to have that many people react to their work.”

"Fantastic Beasts And Where To Find Them" World Premiere

Today, she feels that one of the main reasons for the success of Harry Potter – in all of its growing number of incarnations – is that it touched a common chord with many of her readers. It chimed with their own sense of isolation or sadness and allowed them to envisage a better reality.

Expanding on her theory as to her characters’ success, she says: “The big reason why people loved Potter was that it felt like it could happen. It had a sense that there is more to the world, just on the other side, even within touching distance. It is the promise of another world.
“While it doesn’t have to be a magical world, to a lonely child or an insecure person or anyone who feels different or isolated, the idea of having a place where they truly belong is everything. That’s what happened and people came inside this world with me.”
And that they undoubtedly did. And in their millions too. With Harry Potter And The Cursed Child playing to packed houses in London and Fantastic Beasts And Where To Find Them looking odds-on to become the latest Potter-related cinema hit, it seems many are perfectly happy to stay in the world of Quidditch and Gryffindor and Blast-Ended Skrewts for just as long as J.K. Rowling is willing to permit them.

Kenneth Fok explains how he stays one move ahead

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Kenneth Fok is the vice-president of the Fok Ying Tung Group and the honorary deputy secretary-general of Hong Kong’s Sports Federation and Olympic Committee.

What can you tell of your role as the vice-president of the Fok Ying Tung Group?

My work is mostly focused on the Nansha district of Guangzhou. My involvement stems from my grandfather, as it was his ancestral home. Over the past 20 years, he and my father – Timothy Fok – have put a great deal of effort it into developing the area.

It’s not property development in the accepted sense, it’s really been about more working on designs for the new look of the city. There is quite a lot of vacant land, so – as well as developing residential properties, we are also involved with a lot of the recreational facilities. This means, over the past five years, we’ve run a golf course, a hotel and a yacht club.
In the case of the yacht club, we didn’t have to just build the facility. We also had to nurture the lifestyle that surrounds it. This saw us launch a sailing school, encouraging children to take to the water for the first time.

That’s really where I fit in – looking to the future, planning what we do next, while also managing day-to-day operations.

What is the most challenging aspect of your role?

That is probably adjusting to China’s unique business culture. As I said, I am very involved with planning for the future and one of my key challenges is to try and persuade government officials to accept our ideas. We sometimes try to bring in a more radical, city plan, which might not fit in with their own ideas.

I was educated in the UK, spending 12 years there in all, getting to known many of its more charming towns. Later, I discovered the French way of life, then the Italian way of life. None of that matters to the average Chinese government official, though. They always want a glass building or a tall mega-structure.

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If you say: ‘Hey this is not the future. There are a lot of problems with modern cities – pollution, congestion… Can we try to look at things a different way?’, it is far from easy to convince them. That is the hardest thing, not the nuts and bolts of building design. The most challenging is always trying to convey a new idea to someone, something they might never have considered before.

Why limit your ambitions to Nansha?

It’s where we’re from, so there’s a very real feeling of connection, something that’s very important to my family. In China, people are always aware of their roots.

Aside from that, of course, there is the area’s geographical significance. It was once on the very perimeter of Guangzhou, at the time when the city was still seen as the capital of of the south. As it was removed from the centre of things, it was seen as less desirable – it was a place where industries disposed of their rubbish.

If you look at a map, though, it’s at the centre of the river. It’s close to Hong Kong, it’s close to Guangzhou and it’s close to Macau. Actually, it’s a gem.

It’s where the Opium Wars were fought. It’s where they burnt the opium – right across the mouth of the Pearl River. As well as its historical signifcance, it’s also very centrally situated geographically.

For us, we believe that people value space, greenery and clean air. If you look at New York or London, people don’t necessarily live in central London or in Manhattan. Similarly with Nansha, if the interconnectivity of the area is good, people will be willing to move their family out up to an hour away, but only if there are good schools, good parks, entertainment, culture and the kind of spaces they might not necessarily find in the city centre. So we’re really trying to attract the kind of people who would enjoy something of a different lifestyle in an old part of the city.

Soon, things will change again. The government is planning to build a cruise terminal in Nansha, so we will be getting a tourism centre and a commercial centre.

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You recently led the Hong Kong delegation to the Rio 2016 Olympic Games. That must have been quite an experience…
It was exciting, but even before we left there had been so much negative news. The newspapers were full of stories about the Zika virus, about the city not being ready, the cycling track not ready, theft, robberies…

Despite all that, we made our way there safely and it all seemed fine. The athletes, themselves, thought it was fine too. As to the Olympic Village – despite the complaints of the Australians – it was more than acceptable. Everyone was happy.

Rio, itself was beautiful, though you did have to be sensible about where you went. You couldn’t just wander off anywhere, especially if you were wearing a gold watch. Most of the people are friendly, though, and the beaches are beautiful.

At the end of the day, the organisation was great. There were glitches, of course, but that always happens. There wasn’t anything that couldn’t be overcome. At every Olympics, be it Beijing or London or wherever, the media complains right up until the opening day. Once the results start coming, though, everyone concentrates on then rather than the flaws.

In the end, it was a pity we didn’t get a medal – especially as Singapore got a gold medal. That was a real jab in the kidney. Even though Rio was so far away, people really got behind our team. They were especially behind Sarah Lee, the cyclist. She had a crash and then, in the next race, she was holding hands with the woman that crashed into her. That really showed the Hong Kong spirit.

As well as international sport, you are also a supporter of local sport, something notably lacking in Hong Kong. Do you think much can be done to change that?

We have to start at the grass roots, with youth training and the first thing is facilities. No one can find football field to play on at the weekend. That is a huge problem and will take a long time to solve. Then there is the question of the school curriculum. We need a proper sports policy, one supported by the relevant government departments. Sport starts with the Education Bureau and then moves on to the Home Affairs Bureau. They need to generate community involvement across the city, encouraging young people to get more involved in sport.

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In general, how do you feel you’ve made a difference in Hong Kong?

About two years ago, we started the Sports Legacy program. This saw us hire ex-athletes, say a rower or a fencer. We then embedded in schools in the less-privileged communities, somewhere like Tin Shui Wai. These ex-athletes act as an extra PE teacher, introducing activities that these schools would never normally offer. As a result, we’ve seen more kids playing sports. Maybe they’d never rowed or fenced before, but now they’re converts.

Before enrolling on the programme, many of these kids did not have a sense of direction, they didn’t know where their life was heading. Once they were paired with our athletes, though, it gave them a sense of direction. It introduced a touch of discipline and gave them a goal.

This is something the wider community can now get involved in through sponsorship. We need to roll this program out into more schools. The key is for people within the community and for successful companies to put resources into this through schools.

Which sport are you personally most passionate about?

I like golf. It’s an interesting mental game. You have a good hole and you’re happy, then the next hole is a disaster. It’s very much a mental challenge. It’s always been branded as an old man’s game, but I find it very challenging on a personal level. I don’t want to sound like a philosopher but it’s like life. I’ve never had 18 holes of good golf. You start well on the first nine, then it becomes a disaster by the end. That’s life, right? It teaches you the importance of managing your expectations.

What’s a typical day for you?

Well, I have a young family so the day starts early – definitely early. I get up at 7 o’clock, have breakfast with the family and then my three-year-old son has to be at school for 8 o’clock. A couple of times a week, I take him and then carry on to work.

I try to clear all of my emails before noon, followed by lunch in the office or with clients. In the afternoon, I have a lot of public service work. There’s a lot of running around, having meetings with the government and so on. There’s also sporting engagements and meetings with the Olympic Committee.

In the evening, I eat out with business partners and friends. Increasingly, though, I try and spend more a more evenings at home. Family is just so important.

Thank you

Click here to watch Kenneth on video

American swimmer Anthony Ervin talks about his journey to Olympic gold

American swimmer Anthony Ervin’s journey from winning a gold medal at the 2000 Sydney Olympics to waiting 16 years for his next gold medal at the 2016 Rio Olympics is anything but typical.

Ervin, who has two gold medals in 50m freestyle, quit the sport in 2004 after his success at the Sydney Olympics.

For years he lived a life about as far removed from that of an Olympic athlete as you can get: he dabbled in drugs, joined a rock band, battled with depression and considered suicide.

He even sold his gold medal from the Sydney Olympics to raise funds for the Indian tsunami in 2004.

Ervin’s love for swimming was rekindled when he started teaching kids how to swim in New York. He returned to the pool in 2011, managing to finish fifth in the 50m freestyle Olympic final in London in 2012.

At the Rio Olympics earlier this year, Ervin became the oldest swimmer to win an individual event at any Olympics when he won gold in the 50m freestyle at the spritely age of 35.

Watch Ervin’s exclusive interview with Gafencu about his Olympic experiences and why he decided to walk away and then return to swimming, in the video above.

Jonathan Young, co-founder of Tassels, explains how he stays in-step

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You grew up in Hong Kong. Can you tell us a little about your childhood?
I was born here and lived in the city until I was 12. We then moved to Beijing, which was quite unusual back in the 1980s. At the time, most people were looking to move to Canada, the US, the UK or Australia. As my father was going to work in Beijing, he thought it would be good for me to experience life there for two or three years. I studied at a local school and began to learn Mandarin. I’m glad I did. It’s so much easier to learn a language when you’re young. In total, I spent two years studying in Beijing, then I went to boarding school in the UK.

As China is such a big country, my father believed that – in time – it would offer a huge number of business opportunities. He always encouraged my brother and I – and indeed the whole family – to travel. He was a fervent believer that the more you see, the more you learn. It’s so important to get to know different cultures and it’s a lot easier to learn by seeing, feeling and talking to people rather than just by reading books. As a result, my family travelled to more than 30 countries. We would travel every summer and every Christmas. To this day, I still love to travel.

Click here to see more on video

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“When the police first saw the state of the car, they assumed we were all dead”

After living in HK and Beijing, moving to the UK must have been a bit of a culture shock…
Moving from Hong Kong to Beijing, in the first place, involved a degree of culture shock. Back in the ’80s Beijing was very different to how it is now. Today, it’s quite an easy place to live. Back then, though, they had no idea about customer service for instance. They’re getting there now, though. Back in the ’80s, we had to argue with the sales staff all the time.
The UK was very different again. The way that UK people think is quite different to the way Chinese people think. In Hong Kong, for instance, academic success is very important. At boarding school in the UK, though, there was a broader approach. They believed you should not limit yourself to just one area of activity. There was a belief that you should grasp every opportunity and see what you enjoy. In truth, it’s only by trying different things you find out where your strengths lie. It ended up being a much more rounded education.

In terms of Tassels, why do you think it has become such a success in Hong Kong?
Well, we are very selective in terms of the brands we work with, all of which tend to have a considerable heritage. While most of them date back more than 100 years, they are still family-run businesses, all run by people who genuinely love shoes. Another reason is that we are all very knowledgeable when it comes to footwear. When it comes to dealing with customers, we can all talk to them about shoes and share ideas and knowledge. We have become something of a shoe gathering place. People come and see nice shoes and then discuss related issues.

Have you ever had a near-death experience?
When I was 11 years old, I was involved in a major car accident. To this day, my hand still carries the scar. I lost skin and bone so I had to have surgery. They grafted skin from my foot onto my hand and shaved half of the bone from my toe to replace my finger. It all happened when we were driving along the Tolo Highway, when my mom passed out. It was just as she was turning, so we struck a slope and rolled down a flyover. I was thrown out of the car as I wasn’t wearing a seatbelt – that was never a requirement in the ’80s. My brother was also thrown out as the car flipped upside down.
When I opened my eyes, my finger was dangling off my hand. There was blood everywhere. Luckily that was the worst injury. My brother had to have seven stitches on his head and my mother had to have stitches on her finger. All in all, though, it was a very lucky escape. The roof of the car was totally flattened. When the police first saw the state of the car, they assumed everyone had died. Luckily, though, my mother and brother were able to walk to the hospital, while I was taken in a wheelchair.
The police contacted my father to tell him we had been in an accident and advised him to come to the hospital immediately. He was expecting to find us all on stretchers. When he saw us walking out of the ambulance, he was hugely relieved.

Which profession do you consider the most overpaid?
I don’t feel any profession is overpaid. It is a free market so pay reflects the value you add. If you are indeed overpaid, the market should automatically adjust to match the value you add and the demand for your services.

What is in your wallet right now?
Some cash – although I don’t usually carry a lot – some credit cards, ID, of course, and some shareholder cards. I have a stake in several bars and restaurants – including Lilly and Bloom, Play and Studio – so I carry my shareholder cards around. Name cards of course, my joint bank account card with my wife, my Jockey Club card, some receipts and a bunch of different SIM cards for when I am travelling.

Where do you tend to travel to most often?
For business, I travel to the US, the UK and Italy. When it comes to leisure, I travel to Europe once a year for skiing, I love skiing. We try to arrange a ski trip every year to France or Austria. I also love scuba diving, preferably in Malaysia, Indonesia or the Philippines.

Where are your favourite diving haunts?
Sipidan is beautiful and I went to Tubbataha on a live-a-board which was amazing. It is about 16 hours from Palawan Island so you travel out on the boat overnight. The next morning, you are at the dive site and then you just dive, dive, dive for five whole days. You don’t see any land at all, just reefs and two atolls beneath the water. A scary moment came when I saw a six metre whale shark and a tiger shark swim right towards me. While not quite a near-death experience, it was one of the scariest moments I have ever had.
We were diving off a cliff and I was the one furthest out. I was looking out into the distance and suddenly I saw this Great White headed right towards me and I thought: “Hang on a minute, why am I seeing a Great White in the tropics?” I just froze, it was so big. It was not long, but hugely bulky. All I could see was teeth. All the time, I was thinking: “If it keeps on swimming towards me, what am I going to do?”
When it turned, I could see its stripes and I realised it was a tiger shark. We had been told there were sometimes tiger sharks there, but we were lucky to see one. It was clearly a curious shark and it was definitely checking us out.

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“There was a Great White swimming towards me. All I could see was rows and rows of teeth…”

Do you believe in the death penalty?
I don’t. Not because no crime should be punishable by death, but because any judgement could be wrong. Someone could be innocent, wrongly convicted and executed. There is no going back after that. Okay, otherwise, they could have spent time in jail that they didn’t deserve. You can try and compensate for that. You can’t reverse the death sentence though.

How did you propose to your wife?
I proposed in Australia. We had planned a trip there over Christmas. My wife had not travelled as much as I had, so she was keen to see more of the world. As we both like the great outdoors, we decided on a caravan trip. We flew to Perth and rented a 4×4 caravan so we could drive along the trails and go off-road.
I had told myself I would propose during the trip. At first I thought I would do it in the desert, but that didn’t have the right feel and there were too many tourists around. One night, I suggested we drive out to the beach. It was a beautiful beach. We sat and watched the sunset with a bottle of wine. At the time, I thought this is just perfect.
Then, all of a sudden, the wind picked up and there was sand everywhere. It blew into our faces and into our wine glasses. I was left thinking: “This is so bad. It’s not the right time”. Despite this, my fiancée – as she then was – remarked how romantic it was. That persuaded me that it was the right moment after all. As the sun set, I popped the question. And she said yes.

Marie-Christine Lee discusses giving children a sporting chance

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Marie-Christine Lee is the founder of both the Sports for Hope Foundation and Sport Max.

You are the founder of the Sports for Hope Foundation. What led you to set up this particular charity?

I have always loved sports, ever since I was a child. I fundamentally believe that sport can be hugely beneficial – both mentally and physically. Sport gives people a goal and it teaches them to be persistent in many other areas of their lives. It instills in people a never-give-up attitude, something that is essential to have no matter what your aim in life.

Click here to see more on video

“I tend to trust people too much and sometimes that leads to mistakes”

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“There is one person in my life who is my greatest indulgence and my biggest secret”

I decided to set up my own charitable sports organisation five years ago. I really want to give back to society by helping financially-in-need children here in Hong Kong, particularly through the medium of sport. Overall, we try to use sport as a way of reaching out to help children in need, those who may come from poorer backgrounds. We aim to improve their self-respect and boost their confidence. Overall, we give them something to look forward to and help them with their self-esteem.

Is there anything that keeps you awake at night?
There is nothing that keeps me awake at night. If there is a problem it can be solved eventually. I like to be proactive. You can’t just reflect on a problem. You have to find ways to tackle it and that takes time and effort.

Do you enjoy fancy dress parties?
I kind of like to give people surprises. It’s a fun thing to surprise people in that way. My favourite fancy dress experience was when I dressed up as a character from Avatar because it was challenging to paint my whole face and body, standing up for two hours.

What is your favourite aroma?
Rose. It’s pure and elegant. Very romantic.

Are you a good listener or a good talker?
I think I’m a better talker than a listener. My friends always say to me: “Will you please listen to me before you talk.” That may be because I’m a very confident person, but it’s also a weakness. I may be the most confident, but I’m not necessarily the best or the most intelligent. I do have a lot of compassion, though, and a lot of empathy. Usually, I find the right thing for me to do is to talk first because I always talk from my heart.

Do you know your blood type?
Yes, I do. It’s B-positive.

What’s your favourite colour?
Blue, especially denim blue. I also love the sea. I love the bright, blue sky. They give out energy, hope and happiness.

English or Cantonese?
My mother tongue is Cantonese. But when it comes to expressing my feelings and emotions I feel more comfortable with English.

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Famously, you rode a bike across the Uygur region of northern China. That must have been challenging…

It was part of a fund-raiser and a way of kick-starting my foundation. Whenever I can, I like to take myself out of my comfort zone, as I’ve been very fortunate with my own upbringing. I have always had a lot of love from my family and a lot of support from my friends. As a result, I’ve always lived in a very comfortable environment. So I realised, when I started the Foundation, that I had to show people that you shouldn’t always stay in your comfort zone. Everyone can take on new challenges.

The Uygur region was new to me and I’d never even thought about trying mountain cycling in my life. To make matters more challenging still, even though I had professional riders with me, they had never been there before either. So the whole thing was planned so that we could complete our mission through sheer determination and our ability to adapt to the unknown – the environment, the climate, the culture, the whole thing.

Do you have a secret you could share with us?
I only share my secrets with my family and best friends.

What was the last thing you got for free?
I never get anything for free.

What do you want to be remembered for?
Compassion. Empathy for people. Love for people.

What’s your astrological sign?
Aquarius. While I’m not too knowledgeable about astrology, I’ve been told I am a typical Aquarius. They are very passionate people and they’re very sensitive. It’s also a water sign – and that suits me too. I love the water.

What has been the best birthday present you have ever received?
My best birthday present is love and respect from my children.

If you could bring about world peace or end global famine, which one would you go for?
Can I say both? I don’t think the world’s problems can be separated out. You can’t establish a priority because the two can only be solved jointly.

Are you a radio listener?
Yes, if it’s about sports and health issues.

What are your favourite sports?
My favourite sports are the two I was introduced to when I was very young – tennis and swimming. I’m very competitive and that’s part of the fun of taking part in any sport. Of course, you also have to like the sport – and I love those two in particular.

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“When it comes to expressing my feelings and emotions I’m more comfortable with English” 

When you’re swimming, you’re basically competing against yourself and basically always striving to beat your personal best. With tennis, of course, you’re competing against others, so there’s also interaction in the mix. I basically love anything outdoors. I much prefer to swim in the sea or outside rather than in an indoor pool. And tennis always has to be outdoors for me.

What do you consider to be your biggest mistake?
I tend to trust people too much and sometimes that leads to mistakes.

Do you have a favourite food?
Rice. Steamed. I can even eat rice for breakfast. It’s very much my staple. I cannot eat anything if it’s not accompanied by rice.

Chopsticks or cutlery?
Chopsticks, of course, because my favourite cuisine is Chinese and Japanese.

What has been your greatest indulgence?
Does it have to be materialistic? Can my indulgence be a person? There is one very special person in my life that is my indulgence. This, though, I will keep a secret…
What’s next for you?
I am still very much committed to giving back. So, since the Foundation launched five years ago, I have had to keep coming up with events to raise funds and awareness. I need to spread this concept to the rest of Hong Kong to help make it a more sports-nurturing place. This is affected by the demographic of the city. We have very limited space and the school system is more geared to academic achievements than sporting excellence. On top of that, parents don’t see being an athlete as a long-term thing. They believe it’s better for the children to become doctors, engineers, accountants, lawyers…
I truly don’t believe that is the case. While not everyone can be an Olympian, as long as you have a passion for a particular sport, that will benefit your whole mindset – as well as every other aspect of your life.

Thank You

The Big Pang Theories

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Joyce Pang is the executive director of the Shenzhen (Nanshan) Concord College of Sino-Canada and co-founder of the China South Chapter of the Entrepreneurs’ Organization.

Click here to see Joyce Pang on video

You are famously active across a range of educational and entrepreneurial organisations. How did you first get involved with them?

My involvement with the Entrepreneurs’ South China Chapter started when I was doing my executive MBA. A friend’s husband had started the Hong Kong chapter, so we got talking about entrepreneurs in general. We’re something of a lonely breed. There are a lot of issues that come up that you can’t discuss with friends who are not entrepreneurs.

The important thing about the entrepreneurs’ organisation is that it offers a very private and safe environment. One of the key aspects of it is that it offers a forum discussion format where everything discussed is confidential – you are not even meant to talk to your spouse about it. Within the forum, you are free to talk about anything. You can talk about family, you can talk about life in general and, especially, work issues of course. It helps that you can talk to people who have experience of similar issues and that they can give you advice on what they did – sharing the experience of what they have done in similar situations. It also enables you to address certain issues that can arise when you’re running a family business.

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I am also the executive director of the Concord College of Sino-Canada and the international schools. I basically run the behind-the-scenes function of what a school normally does. I handle the teacher-principal hiring and also the business side.

From when I was in school to now, the things that are now taught are very different. Today there is a focus on what we call 21st century learning. It’s all very interactive and not at all textbook based. It’s never a case of just sitting there listening to a teacher lecturing you. You have teachers that are asking more questions of their students and giving them much more freedom to go out and find the answers for themselves. Now it is a case of the kids actually saying to the teachers: “What we want to learn is this. How do we go about discovering more about it?”

Such an approach to learning is very much geared toward each individual student, giving them the flexibility to explore what they are genuinely interested in. There are different types of learners. Not everybody can just gain knowledge from a textbook. Some people need to feel it, some people need to touch it and some need to hear certain things. So it’s very much more catered toward embracing the learning profiles of different kinds of learners.

Sometimes it’s not about studying. Sometimes it’s more about discovering the best way for you, personally, to acquire information.

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“I love wearing ball gowns, but people think you are a bit weird if you do it all the time”

For your part, what was your first actual job?

It was an internship. I had this uncle who somehow seemed to believe I wanted to be a doctor. So he arranged a job for me at this very well-established hospital in Toronto. Little did he know that wasn’t my ambition at all. As he had arranged it, I went along there and found myself working with a neurologist. It was an amazing job and I got to see a lot things, but it didn’t pique my interest.

Is there a brand that you would never wear or own?

Hmm… that’s an interesting question. I’m very open to trying new stuff, but maybe Ralph Lauren.
There are certain things he says and also it is a very expensive brand. For my own part, I prefer something much more casual. For the price the brand tends to sell at, I would prefer to wear something else.

What has been your most extravagant purchase to date?

Probably jewellery I would say. And shoes. Lots of shoes.

What was the last movie you saw?

The Secret Lives of Pets.

Have you ever had a near-death experience?

Actually I did. When I was 10 or 11, I almost drowned in a swimming pool of all places. Actually, I may have been much younger, maybe five or six. I used to live in Canada. In summer we would go to a horseback riding camp for half a day and then, for the rest of the day, we might go swimming. Once one older girl said to me: “Let’s go swimming in the deep bay” and I said “I don’t know how to swim.” So she said “It’s okay I’ll hold onto you.” So then we both almost ended up drowning but, thankfully, a lifeguard pulled us both out. We went under for what seemed like a long time but it was probably just a minute or so. Now, of course, I can swim relatively well.

Which clubs are you currently a member of?

The Golden Bauhinia Women’s Association – it’s an entrepreneurs’ sort of club. I have also joined several industry-related clubs. On top of that, I volunteer for Hong Kong Dog Rescue – I love dogs – and Animals Asia. They’re both great organisations.

What’s your favourite accent to listen to?

Australian. And British of course. Actually I like Italian too – they have a very interesting accent. It’s
explosive rather than expressive.

What is your favourite item in your wardrobe?

Ball gowns. They are amazing dresses, but you don’t get to wear them as much as you might like to. You would look fairly weird if you did.

What were your parents’ jobs?

My mother didn’t go out to work. She was very much a stay-at-home mom. Of course, that’s a major undertaking in its own right, especially when you have to handle me and my brother, something that was never going to be easy. My dad, meanwhile, founded the schools that we still have. He’s still working and he still loves it. He travels a lot and now my mom actually accompanies him a lot of the time.

When was the last time you got lost?

Maybe last year on vacation… probably somewhere in Thailand when I was just out walking randomly. I get lost in Hong Kong too. I get lost in Mong Kok, I just can’t get my bearings there. Nowadays, though, you can always find where you are because you have your phone with you and you can just click on Google Maps.

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“My advice would be, when choosing your first puppy, always go for one that’s not too hyperactive”

How did your husband propose to you?

Well, with my current husband, we were together for a long time before we decided to get married. So he just proposed at a restaurant that we both loved going to. It was the Oyster Bar in the Sheraton Hotel. It has a lovely view. The funniest thing is he got me a cake. He had the waiter bring it out and he had the question written on the cake. It was a half-pound cake, and then it was like: “How are we going to finish all this cake now?” It was very nice though. I love cakes.

Are you a good listener or a good talker?

I think I’m a very good listener. I like to listen to people, especially friends when they come to me with difficult issues. I always try to analyse what they’ve said and then do my best to help them.

Sunrises or sunsets?

Sunsets. Sunrises are way too early.

Do you have a particularly cherished memory?

That would have to be when I got my first puppy. It was an American Eskimo dog and very hyperactive. I was seven. I had been bothering my parents for the longest time about getting a dog. I made them so many promises… I’ll walk it… I’ll feed it… And, eventually, I got one. It was a super active dog. Looking back, I think when choosing a first puppy, it’s probably better to choose something less hyperactive.

What was the scariest situation you’ve ever been in?

This summer, we went back to Canada. There’s a theme park there with this huge rollercoaster. It was basically like a tower. I mean you could even see it out by the highway. The funniest thing is that this rollercoaster drops straight down and the only thing holding you in is just this bar. I had my eyes open, because it’s even scarier when you close them. The seating is four people per cart, with two in front, so you can see very clearly that you’re going down. That’s my scariest experience, at least over the past year.

Are kid s getting smarter or just more tech-savvy?

Down the line, technology is going to be an increasingly big part of our society. It’s important, then, that kids have the proper tools and the proper knowledge, allowing them to develop along with the technology. We’ve got kids in primary school who are already creating apps.

When was the last time you told a white lie?

Maybe last week when somebody asked me if something they were wearing was okay. It wasn’t bad… it was okay, but I said: “It looks nice.”

What was your biggest mistake?

Nothing pops into my mind as I don’t tend to see things as very big mistakes. For me it’s just a case of it didn’t work out, so you learn from it and you move on.

Given that we are doing this interview in the Mira Hotel where Edward Snowden hid when he first came to Hong Kong, what do you think of him? Hero or villain?

I don’t think we can categorise him as either. He was a hero in the sense that he blew the whistle on the NSA and let everybody know that they were being bugged, a clear violation of our privacy. I don’t think he can be thought of as a villain because, morally, he clearly thought he was doing the right thing. It wasn’t necessarily the right thing in the eyes of the government though.

Thank you.

Pawn Baron

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Describing Alan Lo as one of Hong Kong’s few Renaissance men does not quite do him justice. Perhaps best known as co-founder of the Press Room Group, the company behind a number of the city’s favourite eateries – Classified, The Principal and The Pawn – he is also the driving force behind Duddell’s, the Central-based Cantonese restaurant-cum-art gallery he co-founded with his wife, Yenn Wong. Arguably one of Hong Kong’s preeminent restaurateurs, he has a Midas-like reputation for delivering gastronomic gold at all of his outlets.

Click here to see Alan Lo on video

Where most men would have enough on their hands simply overseeing many of the city’s most popular restaurants, Lo is also the co-founder of Blake’s, a Hong Kong based development and investment business specialising in boutique residential and retail spaces. On top of this, he is the chairman of the Hong Kong Ambassadors of Design, as well as an active member on the Hong Kong Arts Development Council.

“Growing up in the 80s and 90s was a very interesting time. I was born some 17 years before the handover, growing up in colonial HK and then experiencing the transition to the Chinese regime. It was absolutely fascinating. My generation lived through historic times. We saw the city change a lot, becoming the far more developed place it is today.

“I grew up in a family of four – mum, dad and a sister who was eight years older than me, a typical Hong Kong family I guess. My dad works in the world of manufacturing. He’s an industrial designer by training, while collecting a little bit of art on the side. I guess, in a way, I sort of grew up in an environment where I was around a lot of things culture and art related. My parents travelled extensively, so I would get to go to a lot of different cities. I was exposed to a lot of different influences at a very young age.

“Nowadays, Hong Kong is becoming ever more international. It is becoming less British, but it is becoming more globally diverse. Over the last few decades, expats in Hong Kong have mainly tended to be bankers, lawyers and other kinds of professionals. Now, though, we are starting to see increasing numbers of museum curators, fashion stylists, bloggers and photographers. The range of people coming to Hong Kong looking for opportunities and wanting to interact with local people is a lot more varied than before.

 

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“Today, there is no consideration as to how Hong Kong can establish a dialogue with the wider world”

“As part of that we have lost our Britishness, which is only natural. This is a different era with a new generation to the fore. Are we, though, also becoming less international? In terms of the way the government runs the city, maybe yes. Organically, though, things are happening. Certain events are attracting international attention. Hong Kong is still a very exciting place, especially in the terms of its art and culture.

“The current administration, though, chooses to focus a lot more on being part of China, as opposed to seeing Hong Kong as a truly international city. There is no consideration as to how Hong Kong can establish a dialogue with the rest of the world.

“I hope that the government has a vision that could take us to the next level and that it has a long-term view of the city’s development over the next 20 or 30 years. It seems, though, the current political landscape only permits a view on short-term objectives.

“At the same time, though, there is also a feeling that the government should actually do less. HK has always been known for its laissez-faire regime and as a place where things just happen. As a platform, it’s naturally attractive and people inevitably gravitate towards it.

“In light of increased competition from Shanghai and Singapore, though, I think it now needs a greater push to ensure things happen. For me, the last 10 to 15 years have been a bit discouraging in that regard. Many of us, though, are doing what we can at the individual level. Things can be accomplished at this smaller level and much has been achieved. Ultimately, quality is a lot more important than quantity in this particular area.

“In terms of gastronomy, I first discovered my love for it when I lived on the East Coast during my university days. At the time, I was based in Princeton, New Jersey, just an hour and a half away from New
York by train. I used to go there every other weekend just to visit friends.

“That was my real introduction to gastronomy and it turned out to be a real eye opener. Today, New York is still regarded as one of the finest cities in the world when it comes to high quality food and showcasing all the latest food trends. It has always been five years ahead of everywhere else, so it was hugely interesting for me.

“I got to know a number of other people who were also really into food and we would go to different restaurants every weekend. When I returned to Hong Kong in 2005, while I was still employed by another company, I had already begun to talk to people about what would be an interesting project to introduce to the city.

“The restaurant scene in Hong Kong has come a long way since then. Back then, you still had hotel restaurants and places in Soho – little hole-in-the-wall places – that had little idea when it came to quality or consistency. That was 10 or more years ago now though.

“Today, it is a completely different scene and a lot of international concepts have come to town. Many celebrity chefs have outlets here, while a lot of young chefs from all over the world are involved in opening new projects. It is a very different scene, with a lot more competition.

“To me, that has made everything a lot more interesting. The community is growing and the dialogue between us and our peers has been taken to a whole new level by the arrival of the Michelin Guide and the Asia’s 50 Best Restaurants initiative. This has certainly drawn attention to the city, as well as to other cities in Asia. Now we are not just out on our own. We are part of a regional and global system, with access to chefs and restaurants from all over the world. It is very exciting.

“Of course, the world of food and beverages is still very cutthroat. I cannot begin to explain how tough this sector is. Becoming part of it seems like both the best and the worst decision I have ever made. It is, however, something I genuinely enjoy and it doesn’t really feel like a job.

“Obviously there are tough moments and challenging times, but overall it has been an amazing experience. I have been doing this for 10 years now and I still feel as though I learn something every day. The whole scene is evolving. It is changing so rapidly that you are forced to run to catch up. It isn’t something where you just shut your doors and carry on on your own. You have to have a dialogue with your peers, both in Hong Kong and across the world.

“In a way, though, we are a bit anti-trend. Our point of differentiation with other players in the market is that we have a genuine interest in creating something truly timeless. For us, it’s not about being part of something that is fashionable for six months or a year. We want to create something that is great the first time you encounter it. At the same time, though, we want it to grow on you, becoming even better over time.

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“Cities where art is important have a completely different aura to places where it is seen as less significant”

“After we started to expand, it became apparent that we were pioneers in certain neighbourhoods, although that had never been our intention. At the time, we were looking at peripheral areas of busy districts simply because the rents were cheaper and there was a more relaxed ambience, together with a greater sense of a community.

“Often we opted for places where it wasn’t super busy, places where you could enjoy walking around. We felt that that was what a city should be all about – picking up a loaf of bread, browsing a local bookstore and saying ‘hi’ to a neighbour. As with many cities that have evolved incredibly rapidly, we have lost some of that human touch. When we look at expanding, that’s always a concern at the back of our minds.

“When it came to fusing art and gastronomy, I felt – at the time – that there was a lack of appropriate platforms for local artists. This was despite the fact that the city had developed considerably in terms of its number of international galleries and the arrival of several of the major art fairs.

“In the case of The Pawn, back in 2014, we closed for a complete makeover as we had decided to create a new platform solely for native Hong Kong artists. We brought in a local artist, the man who had designed its original look back in 2008, and he helped us curate the space.

“We then loaned from the artist and from a Opposite number of private collections around Hong Kong to create a semi-permanent display. Here you can now view works from some of the most well-known artists on the Hong Kong scene, as well as some big name creative talents from across the world.

“In a way, it is all in line with my personal interests, but we also felt that – as restaurants generally have a lot of people passing through their doors – with the right curatorship we could make use of the space to give back to the art community, if only in a relatively modest fashion.

“Art is increasingly important for a city as it becomes ever more financially prosperous and everyone starts to live a reasonably comfortable life. There is some aspect of every city that differentiates it from every other city, whether that be through culture, art or music. It’s what gives its real identity and it’s an expression of the inner dialogue of its residents.

“The cities where art is important have a completely different aura to those places where it is viewed as less significant. I know this may sound like a rather abstract concept, but I hope that – over time – people will come to have a greater understanding of just why this is important. Only when they appreciate this will they gain a real insight as to why such initiatives as the West Kowloon Cultural District are so important for the wellbeing of any city.

The Fabrikator

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Mark Saunderson is the Director of the Asia Contemporary Art Show and a Co-founder of Hong Kong’s Fabrik Art Gallery.

Click here to see Mark Saunderson on video

What initially brought you to Hong Kong?

I came to Hong Kong in 1982 from the UK. I was quite a young man at the time. I started in the media business and spent the better part of 30 years in Asia. I did break out of Hong Kong for about 10 years in the mid-’90s when I went to live in the Philippines. I always considered Hong Kong very much my home, though, even when I was living abroad.

You must have seen a lot of changes over the years…

I have been here for 30 years, but I probably spent half that time travelling. I have seen a lot of changes, though, not least in China. Hong Kong, however, has always had an intrinsic energy and pace, which it has never lost. It is still a very international city. It has maybe matured, though. If we take art as an example, when I arrived in Hong Kong in the early ’80s. That has certainly changed.

What drove you toward the world of art?

I guess it started with my very first art purchase, some 20 years ago. I was also lucky enough to meet Andy Warhol. I walked into a bar and there he was next to me. I had my 15-minute experience with Andy and that kind of kicked it off. Shortly afterwards, I started collecting pop art and more contemporary work.

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Does Hong Kong now have a truly robust artistic scene?

It does. Hong Kong’s art scene has gone through a number of fundamental changes, though some things still need to be improved. The first is the studio space that artists need to work in. That has always been an issue here and remains so. I remember talking to a local fine arts professor and he said that, five years after graduation, less than five percent of his students are actually working artists.

I think another factor has been the emergence of Chinese contemporary art and artists. There is now an overwhelming number of them, with thousands more graduating each year. As a result, Hong Kong artists struggle to retain some identity and keep ahead of the game.

As an international city, Hong Kong doesn’t really have its own strong, intrinsic cultural identity. It is very much an amalgam of different cultures and different peoples. It has always been that way, certainly ever since I have been living here. Inevitably, that has an impact on the character of the locally
produced art.

There often tends to be a political dimension to local Hong Kong art. Why do you think that is?

I think if you look back through history, art is often a proactive channel of expression. In more closed environments, it can be a means of getting communication into the market.

Certainly, Hong Kong has had to contend with a number of issues recently. The locally produced art has inevitably recorded, documented and commented on political events.

Are there any artists who are your particular favourites?

One of my personal favourites and an artist I have been a follower of for many years is Simon Birch, a British artist. He has been in Hong Kong for many years and I was an early collector of his works. He is certainly one that springs to mind.

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“After my 15 minutes of fame with Andy Warhol, I was set on collecting contemporary art”

What can you tell us , then, about Contemporary Art Asia?

Hong Kong is basically divided into a primary and secondary market. Everybody knows the secondary market. It’s Christie’s, Sotheby’s and, more recently, Poly and Guardian auction houses. This is what’s sexy, what’s exciting, in terms of the US$200 million Chinese contemporary market. Then there is the primary market, which is what really feeds the industry. These are the galleries that represent the young to middle-aged artists before they have sufficient momentum to move into the secondary market.

The other opportunities that have emerged over recent years are the art fairs – the Asia Contemporar y Ar t Show, Ar t Basel and the Affordable Art Fair. There are now fairs that appeal to every market segment. Ultimately, though, they all serve the same purpose – the need to aggregate a lot of content while creating an environment that is stimulating and engaging enough for visitors to want to spend an afternoon or evening looking at works that wouldn’t normally be seen in Hong Kong.

These days, Hong Kong has the reputation of almost being a conduit to the global market. Ironically, what the art fairs do is almost the exact opposite – they bring the world to Hong Kong. This is very much what we are striving to do with the Contemporary Art Asia show.

You are also involved with Fabrik Gallery…

We founded Fabrik Gallery i n 2007. Be for e that , though, I had been involved with a project relating to a collection of the works of Banksy (the celebrated UK street artist). We then had the opportunity to bring to HK some £6 million worth of hi s works. Thi s was just one of those things that fell into my lap and actually came about after a dinner conversation in London. It was a very rewarding experience. Not only did it create a considerable stir at the time, it also sold well. It was really this that gave the impetus to open Fabrik.

Of course, carrying on through 2007, 2008 and halfway through 2009, Hong Kong was spinning and everyone was feeling pretty good, including the gallery owners. Those were very good years. At the time, what we wanted to do was offer something beyond Chinese contemporary, offer something a little different. From the outset, the approach we took was to focus on edition artists, artists that had an established reputation and whose original works were, for most people, out of reach. The edition works, however, were more affordable, so we focused on the likes of Damian Hirst, Keith Harring and Takashi Murakami.

One of our best experiences of that whole Banksy exhibition actually took place on the second day of the show. There is a bridge right outside the Art Centre and there was all this graffiti on it. The South China Morning Post picked up on this and went into print speculating that Banksy was in Hong Kong as, of course, nobody had met him. It turned out that it was actually a bunch of school kids who had graffitied the bridge, but – by then – it had already made the front page of the newspaper, which was great for us.

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“If you are travelling, you really need somebody to share the sunrise with”

Crying – a sign of weakness or strength?

I think it’s a strength. There are times when we all go through tough experiences or relationships and it’s a release valve for people’s feelings. In the same way, I have never felt ashamed to apologise. We all make mistakes. I sometimes offend and they deserve an apology. Crying, as an emotion, is not dissimilar and I wouldn’t say it’s a weakness.

Is there one place you still long to visit?

Actually, a couple come to mind immediately. Egypt is one and I would say another, in a very different way, is St Petersburg. They are two very different locations in terms of national identity and culture. I have always been fascinated by Egyptian history and have never yet had a chance to visit. Historically, Russia has been through so many changes over the last hundred years and St Petersburg was at the centre of much of that. As a city, it has a unique place in Russia’s history, artistic development and musical heritage.

What would you look for in an ideal partner?
I am actually coming up to an important anniversary so it’s a good time to ask this particular question. What did I look for? Mutual respect, support, personal growth, being there for somebody else… I think perhaps, sometimes, the whole is better than the one. Whether that’s with regard to family or friends or perhaps even in a broader context. Companionship of course, that’s also hugely important. I have always been a person who feels more fulfilled in a relationship. I mentioned travel earlier and I enjoy travelling, but I feel travel is always best enjoyed with a companion. You need somebody else to share the moment, see the sunrise or whatever else you may encounter.

Do you believe in aliens?
I think it would be extremely naive of us as human beings to believe that we were the only life forms in the universe. If you look to the sky and imagine there is nothing out there, you are probably mistaken. There has to be, but whether it has touched our planet or not is a different question. There are certainly those who believe that has already happened. Intellectually, I don’t doubt that there is something out there and it would be fascinating to know what it is, how it looks, how it feels and what its attitude to us would be. I would love to be here when that happens. I believe it will happen at some point in human history. It probably won’t involve green skin or pointy ears, but it will be absolutely fascinating to find out.

Who do you consider the greatest person to have ever lived?
I couldn’t choose just one person. That would be impossible. I would have to choose someone who brought about great change in the evolution of humanity. People that come to mind, being British and living the life I have, are such characters as Churchill, Darwin, Einstein, Diana the Princess of Wales. If I look back over my life, many people have had a significant bearing on the evolution of humanity in both good and bad ways.

Thank You