Super Sicilian: Springing from vineyards aplenty, Sicily’s splendid indigenous grapes are setting the wine world alight

The island of Sicily has become one of the most important wine-growing regions of Italy. It is the country’s largest in terms of planting with some 98,000 hectares under vine. A total of 4.8 million inhabitants make it the most populous island in the Mediterranean Sea.

It is known throughout the world as the home of Mount Etna, one of Europe’s most active volcanoes – whose soils happen to be ideal for the growth of Nerello Mascalese, Nerello Cappuccio (both red) and Carricante (white) grapes. Indeed, Sicily’s indigenous grape varieties are now widely appreciated by connoisseurs, who decades ago would only look to the island for Marsala, its famous fortified wine.

Island of extremes

“If you had to sum up Sicily in just a few words, it’s an island of extremes,” says Italian wine specialist Keti Mazzi, founder of Certa Wine Club. “Rocky volcanic coastlines give way to white sandy beaches. Crumbling architectural treasures of the ancient world sit next to some of the most theatrical and perfectly preserved paintings of the Baroque. It’s a cliché, but in Sicily, there’s truly something for everyone.”

Already a top-tier wine region in Italy, a country which itself is the largest producer of wine in the world, Sicily is poised for a new phase of expansion, believes Mazzi, as wine enthusiasts look for new territories and unexpected flavours.

Volcanic boost

Its fertile soil is primarily the result of an ongoing series of volcanic eruptions, and this, coupled with a pleasant climate, means it is perfect for making wine. Mazzi notes: “A true microcosm of Italy, Sicily can be described as a ‘viticultural continent’. Sicily is a continent for wine!”

Today, Sicily is primarily recognised for its Nero d’Avola and Grillo grapes, two local red and white varietals respectively that thrive across the diverse soils and growing conditions of the island.

Creamy white

Grillo had been used exclusively to produce Marsala in the past – in northwestern Sicily, an area granted Protected Designation of Origin (PDO) status – but now stars in some of Sicily’s most recognisable labels. “It delivers a refreshing, fragrant white wine with aromas of tropical fruit and a rich, creamy structure,” says Mazzi.

She says the Nero d’Avola grape variety is similar in style to Syrah: “It is Sicily’s most prolific red grape and produces a medium-bodied elegant wine with red fruit flavours, notes of pepper and a nice acidity.” Other common grape varieties on the island include Catarratto, Inzolia (both white) and Frappato (red).

Red beauty

Having spent several wonderful years in Sicily, the island is close to Mazzi’s heart and she is fond of many of its wines. Her ultimate tipple from the region, though, is Rosso del Conte, a flagship red from eighth-generation producer Conti Tasca d’Almerita in the central highlands. Its grapes originate from San Lucio, the first ‘grande vigna’ (large vineyard) created on the Tenuta Regaleali estate in 1959.

Mazzi loves the aromas emanating from this Sicilian beauty, indicating it retains a certain subtleness to its offering. She says: “On the aromatic level, Rosso del Conte never exaggerates in overripe notes while guaranteeing full phenolic ripeness.”

She believes the wine is a faithful expression of its terroir, recalling the high hills in the heart of Sicily, while a special signature appeal is that two grape varieties, Perricone and Nero d’Avola – which have a similar vegetative root – coexist.

Mazzi admires how the wine develops over time. “It is exuberant, vibrant and energetic in its youth, and with ageing develops a velvety touch without losing structure and flavour,” she says.

Digital Daring: Financial maestro Sean Hung, CEO of Chiron Group, is steering a blockchain future

Sean Hung grew up in a family where finance was a natural subject of conversation around the dinner table. Both his parents were finance professionals, so dealing with numbers and financial information is embedded in his DNA, and from an early age this was his most likely future direction.

A career in finance subsequently blossomed, perhaps because he always seeks the next challenge, the next opportunity. Still young and fresh-faced, and never happy to rest on his laurels, he is now a big player in the digital assets industry as co-founder and CEO of Chiron Group.

Hung attended St Joseph’s College, a prestigious all-boys Catholic school in Hong Kong, before heading to the US to study for a double major in finance and marketing at Bryant University in Rhode Island, then an MBA at Boston’s Northeastern University. These enjoyable years on the East Coast led him to believe the US education system provides more opportunities to “think outside the box”.

More specifically, his degree helped him understand how businesses work. “You can’t do business without knowing the numbers, but just knowing the numbers without knowing how to push a product to market is also meaningless,” he observes.

Challenge-driven

Having completed his education, he stayed in Boston and joined Wellington Management, one of the world’s largest privately held asset managers, as an analyst in 2013. Though the experience was useful, he found his role in asset management – the traditional buy-side – a bit too slow-paced for his liking.

Spurred by a courageous character trait of continuously breaking out of his comfort zone, Hung switched continents in 2015 and flipped to the other side of the financial coin – the sell-side – in the guise of Cantor Fitzgerald in Hong Kong. Here, in high-pressure investment banking, results were everything and he thrived on the challenge.

As a director on the debt capital markets and special situations team, he relished the chance to meet so many interesting people and the faster pace of Hong Kong life, commenting: “It really rewards hard work and people who are trying to build a business for themselves.”

People-oriented

Connecting the dots between buyers and sellers, structuring unique deals, having to perform under pressure – all of this brought out the best in him. “It’s very difficult to convince people that you’re building a business without results,” he says. “It really drives you to do more than what you would normally comfortably do.”

A talkative and convivial young man, Hung became mindful of not just being results-driven in banking; he wanted to nurture long-lasting relationships forged through being genuine, irrespective of whether someone became a client or not. “Most business does not happen if it is purely transactional,” he shares. “By building these long-lasting relationships, even if business comes later, it comes naturally.”

Crypto calling

Hung could have stayed on in banking, but again some internal alarm bell told him to branch out into a brave new world. He saw “higher growth opportunities” elsewhere, especially in the crypto market – a digital innovation he had observed from an outside perspective for several years, but became determined to master by working on the inside.

Leaving Cantor Fitzgerald at the end of 2018, he was invited to join a team of 10 and build a startup called Diginex, whose aim was to create one of the first institutional crypto exchanges. He also served as director of a sister company, Diginex Solutions, which focused on blockchain ESG (Environmental, Social and Governance) solutions to the problem of investors finding it difficult to verify the ESG metrics reported by companies.

“Blockchain, due to its immutable and transparent nature, adds credibility to the data being consumed by investors,” says Hung, who believes ESG-related investing is a global trend that will sustain through the foreseeable future.

New asset class

Once their digital assets exchange was listed on Nasdaq in 2020, Hung decided to exit and seek pastures new yet again. With a few partners, he set up Chiron Group to focus on investing and growing businesses in the burgeoning digital assets field. Aside from investing in high-growth, early-stage projects, Chiron also eyes more stable, later-stage digital-asset infrastructure companies such as those in the trading, media and software sectors.

“As an investor, we like to take an active role in the company, taking on board seats or advisory roles, to make sure we are able to help drive certain business decisions for our portfolio,” says Hung.

He believes investing in a comprehensive range of players in the crypto field means companies can tap into a broad skill set and would be more amenable to receiving investment. “We can provide you support from the media arm; we can provide you support from liquidity perspective and so on,” he adds.

Bad actors

Of course, cryptocurrencies and the digital assets industry itself have gone through a torrid time recently, but Hung is undeterred. He comments: “It is undeniable that during the early stages of the digital assets, there were a lot of bad players as it was an unregulated field. That’s why it’s especially important for us as investors to be diligent and identify who are the real players.”

One bright spot of scandals like the bankruptcy of FTX and Three Arrows Capital crash is, he says, an acceleration in the onset of regulation around the world. This can only benefit the digital assets industry, especially given that many investors are scared of its opaqueness.

“Without regulation, digital assets will always exist in the dark and traditional investors will remain sceptical about the asset class. It also bars all the major traditional finance institutions from investing in it due to compliance concerns,” he notes.

Gaming insights

Undoubtedly a driven person, Hung is also a family man who cherishes his weekend downtime. Gaming has always been a big part of his life, and these days his two children sit with him as he follows his favourite esports teams. “Esports will be such a natural form of entertainment for my kids growing up so they won’t have second thoughts about them,” he opines.

Such is his love for video games that he has started to invest in promising and growing gaming companies and actively seeks to serve on their advisory boards. Hung intends to bring more value to these companies through his expertise in capital markets.

One such venture – Insights.gg – is a software company that serves the esports community by recording and analysing gameplay through computer vision and AI. “Imagine an automated analyst that allows individual players and coaches to make better decisions on how to better their game strategy and gameplay mechanics,” he says excitedly of a future digital world he is helping to shape.

Tang Primacy: Tiffany Tang, queen of Chinese TV dramas, is as strong-minded as her Blossoms Shanghai character

Blessed with exceptional talent and magnetic presence, Tiffany Tang has long captivated Chinese-speaking audiences on the small screen and in movie theatres. The Shanghai native has starred in some of the most popular mainland China television dramas in the past 15 years, including Chinese Paladin 3 (2009), Xuan-Yuan Sword: Scar of Sky (2012), Lady & Liar (2015) and The Princess Weiyoung (2016) and has stepped onto the stage for a singing career, too. She was once hailed as the ‘One Billion Queen’ since her TV series consistently attracted the highest viewing figures.

After a short hiatus following the birth of her daughter, 40-year-old Tang was back in the limelight playing Miss Wang in the highly anticipated drama Blossoms Shanghai, produced and directed by Hong Kong’s pride Wong Kar-wai. This adaptation of Jin Yucheng’s novel Blossoms premiered in December and tells the story of A Bao (played by Hu Ge), a Shanghainese man living large during the 1990s’ economic boom. While garnering favourable reviews for Tang’s evocative interpretation of a complex character, in true Wong Kar-wai style the series also divided the critics. Also, unsurprisingly given Wong’s meticulous work habits, the script was many years in the writing and filming spanned a further three years.

It was a bold move for the arthouse director fêted on the international film festival circuit – his first turn on TV and a decade since his last motion picture, The Grandmaster. But thanks to a stellar cast and Oscar-winning Hong Kong cinematographer Peter Pau behind the camera, Blossoms Shanghai proved that change is sometimes necessary.

Tang had declined to participate in any other film or television project after landing the part, demonstrating her unwavering commitment to the series. “Over the past three years, I feel as though I have actually become Miss Wang,” she said. “Miss Wang is very clear-thinking. No matter how tough the situation, she can always overcome it.”

Life of Drama

This clarity of purpose may also be applied to her own rise. Tang’s passion for acting surfaced during her school years, when she actively participated in various drama clubs and productions. Recognising her potential, her parents supported her dreams, and she enrolled in the prestigious Central Academy of Drama in Beijing to pursue a formal acting education.

Her breakthrough came when she won the role of Zi Xuan in Chinese Paladin, the popular series starring, coincidentally, Hu Ge. Her performance earned her widespread acclaim and catapulted her to stardom in China. She has continued to impress in more than 30 notable TV dramas, showcasing her versatility and acting prowess.

Big-Screen Presence

Tang’s talent soon attracted the attention of other East Asian entertainment-industry powerhouses, namely Hong Kong and South Korea. Expanding her reach beyond China’s borders and onto the big screen, she appeared in the Pang brothers’ wuxia fantasy The Storm Warriors (2009) starring Hong Kong heartthrobs Aaron Kwok and Ekin Cheng, as well as A Chinese Odyssey Part Three (2016) and Cook Up a Storm (2017).

Bounty Hunters (2016), a China-South Korea-Hong Kong co-production, was another stride abroad, and it was followed by the Jingle Ma action-thriller Europe Raiders (2018), where she starred alongside Tony Leung and Kris Wu. The film was released in North America and Australia, opening doors for further international opportunities in the industry.

Sense and Style

Her acting credits aside, Tang frequently sits in the front row during fashion weeks. Her widespread popularity, striking appearance and effortless ability to embody elegance, sophistication and modernity have made her the perfect choice for global brands seeking to boost their influence in Asia. She was formerly a spokesperson for Coach and Bally, has collaborated with Roger Vivier and Valentino, and more recently endorsed Chanel, Dior and Louis Vuitton.

Tang is also an advocate for women’s rights and gender equality. In various interviews, she has spoken about feminism and the importance of breaking traditional stereotypes and encouraging women to pursue their dreams fearlessly. She once said that a woman is at her most alluring when she is pregnant, opining: “A woman has charm and this is not achieved by a girl. She will only go through it after she has become a mother.”

Motherhood First

Herself giving birth a year or so after her 2018 wedding in Vienna to actor and singer Luo Jin, Tang has openly discussed the challenges and joys of balancing a successful career with her role as a mother. She emphasises the importance of support systems and the need for society to be more inclusive and understanding of working mothers. Her candid and relatable perspective on motherhood has resonated with many, making her an influential figure for women navigating similar journeys.

She acknowledged that she purposefully chose to reduce her workload when she became a wife and mother. “Of course, work is important, but you must also allocate time and energy to family and life,” she said. “Once you return to work, you won’t have much time to accompany your children. Children are constantly growing. If you miss it, then you miss it.”

The actress added it is a common misconception that she has done little recently because she has only worked on a couple of projects: “I am actually busy. But it’s meaningless to explain it to people because people who know me don’t need the explanation.”

Tiffany Tang has successfully bridged the gap between cultures, garnering recognition and endorsement from prestigious brands worldwide. Her commitment to feminism and her relatable insights on motherhood further contribute to her status as an influential figure. As she continues to make her mark in the entertainment industry, her star power shows no signs of dimming, solidifying her position as an icon of Chinese television and contemporary Asian cinema.

SPONSORED FEATURE: Taste of the Sea – A Celebration of Japanese Farmed Seafood

An exciting collaboration between LKF Concepts and the esteemed Japan Farmed Fish Export Association (JFFEA) will transport taste buds to the enchanting realm of Japanese farmed seafood. Get ready to embark on an unforgettable gastronomic journey on Tuesday, March 12th, as LKF Concepts present a remarkable culinary showcase like no other.

The three renowned Japanese restaurants of LKF Concepts—FUMI, Kyoto Joe, and Tokio Joe—join hands to curate an extraordinary event, exalting the artistry and flavours of Japanese-farmed seafood. Prepare to be mesmerized by the unrivaled expertise of each culinary maestro, who will tantalize the senses with their live cooking stations.

Imagine being enveloped in a vibrant atmosphere, where the sizzle of the grill and the aroma of perfectly prepared seafood fills the air. At each station, each talented chef will meticulously craft dishes that showcase the delicate nuances and exquisite flavours of carefully selected farmed seafood. From succulent sashimi to delectable tempura, every bite will be a testament to the culinary mastery that defines these restaurants.

To elevate dining experiences to new heights, LKF Concepts has partnered with renowned sake producers to curate a selection of award-winning sakes. Each dish will be thoughtfully paired with sake that complements its flavors, resulting in a symphony of harmonious taste sensations that will leave you craving for more.

This exclusive event is a celebration of culinary artistry, innovation, and the enduring spirit of collaboration. It is an opportunity to showcase LKF Concepts’s unwavering commitment to delivering unparalleled dining experiences that transport you to the heart of Japan.

Spaces for this extraordinary event are limited, it is encouraged to secure a reservation at the earliest convenience. Immerse yourself in the world of Japanese-farmed seafood at the LKF Concepts x JFEEA culinary showcase on Tuesday, March 12th, and let taste buds be captivated by the magic that unfolds before the eyes.

Stay tuned for further details and reservation information, which will be released soon. Prepare to embark on a culinary adventure like no other!

FUMI: 6/F California Tower, 30-32 D’Aguilar Street, Lan Kwai Fong

9-course menu at $1,280+; or $980+ for LKF Elite members (min 2pax)

Featured farmed seafood: Yellowtail, Toro, Red Sea Bream, Abalone

Kyoto Joe: 23/F California Tower, 30-32 D’Aguilar Street, Lan Kwai Fong

8-course menu at $980+; or $780+ for LKF Elite members (min 2pax)

Featured farmed seafood: Red Sea Bream, Abalone, Oyster

Tokio Joe: 16 Lan Kwai Fong, Central

7-course menu at $1,050+; or $850+ for LKF Elite members (min 2pax)

Featured farmed seafood: Red Sea Bream, Yellowtail, Toro

Wabi Savvy: Serenity and the beauty of imperfection shine in a Singapore flat with a Japanese spirit

In Asia’s bustling modern cities, where innovation thrives and life proceeds at breakneck speed, there is a growing appreciation for the ancient Japanese philosophy of wabi-sabi. This design concept celebrates a quiet beauty grounded in imperfection, authenticity and transiency. Serenity abounds in a Singapore apartment embracing the wabi-sabi worldview. Spanning just over 1,000 square feet, the tranquil living space belongs to a young working couple who envisioned a home where stillness and simplicity inform the aesthetic. Designed by Max Lee of SG Interior, it encapsulates a distinctive Asian style with grace and elegance.

Stepping into the flat, you are greeted by a minimalist foyer that sets the tone for the wabi-sabi experience. The walls are adorned with textured wallpaper in earth tones, reminiscent of natural elements. A simple wooden bench invites you to take off your shoes and immerse yourself in a world of calmness and peace.

An absence of excessive furniture and clutter is noticeable when moving into the living area, where rattan chairs and rattan planters evoke a soft, gentle vibe. The highlight of the room is an irregular-shaped niche where shelving shows the beauty of natural imperfections. The wooden shelves house a number of intriguing sculptures, which in turn are mostly uneven in form, as well as a few books, a clock and photo frames. They diffuse a warm light that accentuates the irregularity of the recess and draws attention to the objects placed within it.

Positioned beside this niche, an oversized sofa provides a cosy and inviting spot for relaxation. Carefully selected artworks decorate the walls, their muted colours and organic shapes reflecting the simplicity and serenity of wabi-sabi. A feature wall behind the dining area has a rustic design with large, rough strokes forming an abstract pattern, and a large window lets in abundant light, brightening the space.

Despite the size limitations of this home, the owners wanted a fully functional wet and dry kitchen. Indeed, both the kitchen and the dining area seamlessly blend functionality with aesthetics. The kitchen cabinets are made of reclaimed wood, showcasing a succession of unique grain patterns and knots that tell stories of their own. Handmade ceramic bowls and plates dot the countertops, each displaying charming irregularities. A rustic wooden dining table paired with rattan chairs creates an intimate space for shared meals, encouraging a sense of togetherness and an appreciation of the present moment.

The master bedroom is synonymous with the art of repose. By removing a wall, Lee succeeded in altering the original layout to extend its size and ensure sufficient space for the couple’s belongings. Once the proposal was approved, the entire renovation took about three months.

Dressed in linens of earth tones, the bed is placed on a high platform – a simple step that not only highlights its importance but also provides the optimum vantage point from which to reflect upon the surrounding aesthetics.

Walls are painted in soothing neutral hues that enhance the natural light filtering into the bedroom. A light-coloured rug offers a contrast to the dark wooden floor and matching wardrobes that maximise storage on the wall opposite the bed. A wooden ceiling fan with irregular wings echoes the non-uniform spirit of the apartment. Ceilings throughout the apartment are kept plain, and in the absence of false ceilings instil an airy feeling of additional height.

Even the bathroom embodies the wabi-sabi philosophy. The walls are adorned with handcrafted tiles that proudly show their individuality through imperfections and irregularities. A shower area invites you to indulge in prolonged rejuvenation, while soft, warm lighting conjures a sense of serenity to encourage restfulness and self-care.

A major challenge for the design studio was disguising the plethora of plumbing pipes so that they meld with the prevailing aesthetic. This home is a haven of natural tranquillity amid the frenetic urban environment. From the minimalist entrance to the understated bedroom and the placidity of the bathroom, every corner of the apartment exudes quietude and balance. Embracing its wabi-sabi spirit allows those dwelling within to appreciate the beauty of imperfection and impermanence, to find solace in simplicity, and to cultivate a deeper connection with the passage of time.

Photos: SG Interior Studio

Basel Blooms: Fine art flowers once more at Hong Kong’s foremost art event

Art Basel Hong Kong 2024 promises to be an extravaganza marking a return to its pre-pandemic glory years. Boosted by a huge uptick in exhibitor numbers, this year’s fair is the perfect vehicle to shine a spotlight on the region’s art scene and beyond, from collectable rediscoveries to works by contemporary practitioners. The social side of the art fest, an inspiring mingling of artists, curators, gallerists, connoisseurs and general enthusiasts, will also be back to its upbeat best within the cavernous environs of the Convention and Exhibition Centre.

Exemplified by a strong presence of galleries from Hong Kong, mainland China, Taiwan, South Korea, and Japan, more than half of exhibitors operate spaces on the Asian continent. Notable galleries from Australia, New Zealand and India, among other countries, will showcase their artistic talent too. Art Basel will also present a city-wide programme of events and activities in collaboration with galleries, world-class institutions and cultural partners during show week – from 26-30 March including two preview days before the fair itself.

“Our goal is to connect guests from all around the world in our home, Hong Kong, by offering possibilities of collaboration and innovation inspired by art and artists,” says Art Basel Hong Kong Director Angelle Siyang-Le. “As the key strategic cultural hub in Asia and Asia-Pacific, the city plays a more important role than ever in bridging the evolving art landscape across regions.”

Broad strokes

To put this year’s offering into perspective, there is a 37 percent increase in exhibitor numbers compared to 2023. This equates to 243 international galleries including more than 65 names that didn’t pitch up last year, a participation level that matches numbers before Covid took its toll on the event. Galleries from 40 countries and territories across Asia, Europe, North and Latin America, the Middle East and Africa will present artworks spanning all market segments, from 20th-century masters to established contemporary artists to emerging voices that are making waves on the scene.

Organisers promise that diversity will be paramount, with textile art one of the key inclusions. In just two standouts dealing in this medium, London gallery Alison Jacques dedicates its booth to Sheila Hicks’ pioneering use of fabric and thread, and Shanghai’s Bank showcases the works of Bulgarian artist Maryn Varbanov, who influenced Chinese avant-garde.

Return to the fold

Respected names returning after a hiatus include Galerie Lelong & Co. Known for showing works by internationally established artists, the gallery was founded in Paris in 1981 by Daniel Lelong, Jacques Dupin and Jean Frémon, and opened a New York sister space four years later. Also making an appearance are Italian heavyweight Galleria d’Arte Maggiore and Kurimanzutto from Mexico.

Another returnee, India’s Experimenter, won the 2023 Frieze London Stand Prize for best gallery representation. Based on a grid concept, it showcased the abstract works of an intergenerational group of eight women artists in a perfect reflection of the passage of time. Frieze hailed Experimenter’s programme a “pace-setter” for the South Asian region.

Other notable attendees from the Indian subcontinent include Vadehra Art Gallery from New Delhi, and Tarq and Jhaveri Contemporary, both from Mumbai. Tarq will present art by Mumbai-born Sameer Kulavoor that explores the effects of the Indian megalopolis’ urban growth on its inhabitants, while Jhaveri’s space displays paintings, drawings and sculptural garlands that function as decorative devices.

New blood

A total of 25 galleries from across Asia, Europe, Africa and the Americas will join the fair for the first time. One such is Station, which debuted in Melbourne in 2011 and expanded to Sydney in 2019; it is dedicated to presenting engaging, conceptually-driven exhibitions and bringing Australian contemporary art to an international audience.

Another first-timer, Tim Van Laere Gallery, was founded in Antwerp in 1997 and represents international and emerging contemporary artists. Linseed is not only a newcomer to Art Basel Hong Kong, but also to the art world in general. Launched in 2022, the Shanghai gallery supports a new generation of forward-looking artists from a multitude of backgrounds and invites cutting-edge conversations.

Digital diversity

Digital art – highly prominent during the pandemic years – retains its important presence now the fair can resume human contact and tactile appreciation. Highlights include a presentation by Tokyo gallery Taro Nasu of works by visual and sound artist Ryoji Ikeda, and from Galerie nächst St. Stephan Rosemarie Schwarzwälder of Vienna, an AI-created film conceived by New York-based Miao Ying that was shortlisted for last year’s Sigg Prize.

Among galleries focusing on the 20th-century masters and exceptional historical works, Liang Gallery from Taipei pays tribute to the late abstract painter Hsiao Chin. Axel Vervoordt Gallery, which has spaces in both Antwerp and Hong Kong, participates in the main fair for the first time with a showcase by multi-disciplinary conceptual artist Kimsooja that combines performance, film, photographs and site-specific installation using textiles, light and sound.

Creations and curations

Supplementing the rich line-up of participants is the Discoveries section, where 22 galleries this year have been singled out to present solo works by emerging artists specifically created for the fair. Topics tackled here include urban development and the shifting nature of public space in the modern age.

Embracing 20 galleries, the Insights programme of curated projects spotlights artists from Asia-Pacific active from 1900 to the present day. First-time exhibitor √K Contemporary of Tokyo brings Nankoku Hidai, an influential figure in avant-garde 20th-century calligraphy, to the fore. Taipei gallery PTT Space shows works by the late master Shiy De-Jinn, whose oeuvre openly explored the theme of desire, testifying to his status as a queer pioneer in East Asia.

Close encounters

Last year’s Art Basel Hong Kong saw the return of all special sectors, including Kabinett, Encounters, Film and Conversations. Displayed in a separate section of selected galleries’ booths, Kabinett showcases a record 33 thematically-focused projects for 2024, focusing on modern and contemporary solo presentations from the region.

Encounters, curated for the third time by Alexie Glass-Kantor of Artspace Sydney, is dedicated to large-scale projects and spans 16 artworks, 11 of which were made especially for the fair. An off-site installation by Sydney-based artist Daniel Boyd will be on view at Pacific Place.

Free to the public, the Conversations and Film programmes give audiences a unique opportunity to partake in discussions and enjoy artists’ films in a dedicated auditorium at the Convention and Exhibition Centre. The pick of the latter is probably A New Old Play (2021) by Shenzhen-based artist and filmmaker Qiu Jiongjiong. Presented by Star Gallery of Beijing, it depicts a prominent clown reminiscing about his life, set against the backdrop of China’s tumultuous 20th-century history.

What’s on? Things to do this March in Hong Kong

March has a string of sensational experiences to keep you entertained – from amazing shopping in lantern-lit streets to world-class art and cultural events to magnificent theatre and much more besides!  

Lanterns-lit

Soak up the ongoing ambience of the Year of the Dragon when strolling down Wan Chai’s popular shopping and dining street of Lee Tung Avenue made magical with hundreds of iconic red lanterns. Gleaming goldfish lanterns add extra colour to the display as they swim among the red lanterns – a beautiful touch signifying abundance. Positioned at the Central Piazza, an eight-metre-long golden dragon will further delight visitors, and limited-edition red packets stamped with the Chinese name of the avenue will be available until the early part of the month. Enjoy the vibe of a street in which East meets West.

When: Until 10 Mar

Where: Lee Tung Avenue

How much: Free

For more information: leetungavenue.com.hk

Miss Julie

August Strindberg’s masterpiece of theatre takes on a new dimension in this compelling local production adapted by British-Hong Kong playwright Amy Ng. Originally set in the seemingly more placid 19th-century Swedish countryside, the storyline exploring universal themes such as sex, power play, racial divides and social hierarchies has been reimagined into the post-war colonial Hong Kong landscape. The play follows the trials and tribulations of a mixed-race daughter from an elite family who seduces her Chinese chauffeur.

When: 1 Mar – 17 Mar

Where: Hong Kong City Hall Theatre

How much: From HK$340

For more information: hk.artsfestival.org

Fashion Access

Anyone connected to the world of fashion should consider a visit to Asia’s premier fashion accessories trade show. All sorts of accoutrements will be on display, including the latest collections of bags, footwear, gloves, scarves, small leather goods and leather garments. Many of the unsung movers and shakers in the fashion world will be present – buyers, retailers, wholesalers and other players in the mid-to-high-end range. The fair offers savvy visitors the chance to see some top-notch brands up close in Hong Kong.

When: 19 Mar – 21 Mar

Where: Hong Kong Convention and Exhibition Centre

How much: From HK$200

For more information: aplf.com

ComplexCon

Leaving the shores of the US for the first time is the huge cultural fair known as ComplexCon. Garnering a fine reputation over recent years, it features a fusion of pop culture, music, art, food, sports, innovation and educational activities, and Hong Kong’s success in capturing this event is considered key in broadening the appeal of Hong Kong Arts Month. Expect a host of expertly curated events.

When: 22 Mar – 24 Mar

Where: AsiaWorld-Expo

How much: From HK$380

For more information: complexchinese.com

Art Basel

Widely acclaimed as the largest international celebration of arts in Hong Kong, Art Basel brings together a vast and incredibly diverse range of contemporary works over three days. It celebrates the creativity of big-name artists from the Asia-Pacific region and globally as well as those striving to make their mark. There will be galleries to explore, curated and large-scale projects to browse through and films by and about the artists to view.

When: 28 Mar – 30 Mar

Where: Hong Kong Convention and Exhibition Centre

How much: From HK$340

For more information: artbasel.com

Art Central

Running in conjunction with Art Basel, this four-day event features an eclectic mix of artworks and programmes from some of Asia’s most inventive and inspiring galleries. Having commenced in 2015, the fair has grown in stature as the years have passed, with this edition promising to be the best; the range of exhibitors has expanded and some are taking part for the first time. The magnificent harbourfront location adds to the ambience.

When: 28 Mar – 31 Mar

Where: Central Harbourfront

How much: From HK$175

For more information: artcentralhongkong.com

Ocean Park Lunar Fiesta

Let the celebrations roll on a journey through old Hong Kong in a New Year neon-lights extravaganza. Amid traditional lion dances and drumming performances, the nostalgic ambience can be enhanced by snacks that bring the memories of yesteryear flooding back. There are plenty of other activities to keep families amused, too, as the Year of the Dragon continues to make waves at the park. Youngsters will be entertained by the Ocean 6N1 band.

When: Until 3 Mar

Where: Ocean Park

How much: From HK$498

For more information: oceanpark.com.hk

International Jewellery Show

Following the success of last year’s post-Covid exhibition, some of the biggest players in the world of gemstones and jewels gather again at a glittering trade fair that appeals to a global audience. This 40th edition of Jewellery & Gem World Hong Kong is an ideal opportunity to glean the latest developments in the sector.

When: Until 4 Mar

Where: Hong Kong Convention and Exhibition Centre

How much: $100

For more information: hktdc.com

Legend of the Enchanted Reef

Immerse yourself in the joy of watching the underwater world come to life via the fantastic hemispherical screen of the Space Museum. This under-the-sea tale revolves around three little fish whose natural habitat is devastated by the ruthless actions of fishing trawlers. Their journey to the so-called ‘enchanted reef’ forms the basis of the plot, which is depicted in 3D glory on the dome screen utilising the latest NanoSeam technology.

When: Until 31 Mar

Where: Hong Kong Space Museum

How much: From HK$24

For more information: hk.space.museum

Asian Persuasion: Topped only by the harbour view, Cruise steers diners through a modern melting pot of cuisines

Those who have found themselves caught between two or more worlds know that matters of identity are never easy to explain. However, at Cruise Restaurant & Bar perched on the North Point waterfront it is all pretty straightforward. For both local foodies and astute tourists, this gorgeous location with a large outdoor terrace and panoramic views of Victoria Harbour puts a novel twist on rooftop dining. Chef de Cuisine Adisak Choksamritphon envisions the restaurant as a workshop or “studio” where various Asian cuisines can be explored and enjoyed in an upscale, modern setting.

Fun, unique and never one to take itself too seriously, Cruise has an independent attitude and upbeat music after dark. During the day, it is relaxed and informal. Delicious modern Asian food, inventive cocktails and breathtaking views provide the ideal environment for mingling.

“The idea of Cruise came about because of our location overlooking the city’s iconic harbour, which has historically been a key ‘lifeline’ in connecting local cultures and global communities,” explains Chef Choksamritphon. “In this regard, our food offers a modern and flavourful take on Asian cuisine to celebrate the diversity and cosmopolitan nature of Hong Kong’s foodie scene.”

Asian cuisine has far deeper roots than one may think, with influences from cultures all around the world. As presented here, it is consistently flavourful, sophisticated and tells the tale of at least a thousand distinct towns as well as a thousand more forgotten traditions. A native of Thailand but calling Hong Kong his second home for more than two decades, Chef Choksamritphon is best known for his contemporary takes on classics. In developing the Cruise menu, he made some adjustments to favourite recipes in order to suit local tastes. He achieves this by playing with sourness and saltiness, and fully honing in on his Thai roots.

He assures: “We are guided by Hyatt’s ‘Food; Thoughtfully-sourced. Carefully served’ philosophy, and do our best to practice ethical sourcing, using organic and sustainable ingredients wherever possible. I also like to think of our approach as being similar to home cooking – I aim to use items that are of the best quality, and use only natural ingredients, like spices, to enhance the flavours of my dishes.”

Creating dishes packed with flavour, executed with flair and served with a generous dose of spice, he offers carb-loaded comfort food – a pick-me-up to enjoy when having a bad day, or to fill you up while and after drinking. Enter the ‘Sharing is Caring’ section of the à la carte menu. On a huge hot plate, Westholme M4/M5 Australian wagyu Tomahawk steak rests on a bed of sizzling gochujang butter with dipping sauces and okra tempura on the side.

In a similar vein, grilled M6 Striploin comes with shishito peppers, green chilli salsa and yakiniku dipping sauce. Another crowd favourite for sharing is chilli lobster Singapore-style, incorporating tomato, chilli, ginger and egg. The homemade roti makes a good sauce scraper, ensuring each smattering of spice is appreciated and devoured.

For those favouring milder spice infusions, wok- fried sea bass makes a perfect choice. Green mango, Thai basil and tamarind help to elevate and balance the crispness of the fleshy fried fish.

“We always have special menus and events at Cruise, so guests can come any day of the week and have a great time,” enthuses the chef. “We have promotions like Lobster Night on Wednesdays and Tomahawk Night on Thursdays, and have just launched a new Hot Pot Night on Tuesdays. We also regularly bring in special guest chefs and mixologists for pop-ups.”

As a city built by immigrants, Hong Kong is ultimately a major hub for cultural diversity, and its cuisine followed suit. In that way, it shares a similar profile to the divine melting pot that is Cruise – sailing grandly through the multicultural hustle and bustle that marks the city’s eclectic dining scene.

Cruise, 23/F, Hyatt Centric Victoria Harbour Hong Kong, North Point bit.ly/cruiserestaurantandbar

Photos: Cruise Restaurant & Bar Video: Jack Fontanilla

Fashion Conscience: Vipop founder Lenia Pérez radiates sustainability vibes while joyfully revealing her second pregnancy

Lenia Pérez is one of the best-dressed women in the city, in part because she’s so willing to try everything. “I’ve prepared a total of 19 outfits for us to play around with, but I’m not sure if some of them still fit me,” laughs the Latin American fashion entrepreneur, rubbing her four-month baby bump with just a slight touch of embarrassment.

It’s an unconventional pregnancy announcement – and a surprising moment of awkwardness for someone who photographs so well and telegraphs such confidence. Whether she’s going to the gym or the hottest parties, her style is obsessively chronicled.

Embarrassment, though, is different from regret. “I’m never afraid to try anything,” affirms Pérez, who is thrilled to be expecting her second child with husband Ziad Korban. “I think that just goes to show that there’s a moving evolution in my style. It just keeps growing” – like her baby bump – “which is kind of how I want to be in all areas of life.”

Black Flora Deep V Maxi Dress by Daniella Batlle Earrings by Vipop

It takes a certain sort of boldness and a certain level of shimmering magnitude to establish your own time zone, especially while being pregnant. Yet the co-founder and CEO of Vipop, a Hong Kong-based sustainable fashion brand, has done just that. It’s exactly 8:45 am on a typical Hong Kong gloomy Monday, yet Pérez is all set for a day of photoshoot and interview. Her ease and her vibrant full smile suggest this is all very normal and time really is just a construct.

From the get-go, she also expresses her opinion on maternity wear: “I’m hoping that we are able to redefine what’s considered ‘decent’ for pregnant women. I am proud of my body for the amazing things it’s doing right now. Minus the morning sickness, I think I am at my happiest. Heels during pregnancy? Go for it. Who made such rules anyways?”

Sustainable values

As a self-confessed collector, Pérez travels to fashion shows across South and Central America in search of resort-wear designers to represent, pinpointing those whom she believes will appeal to Asian customers. What started as an internet business with co-founder and fellow Venezuelan Fabiana González, now occupies a cosy white shop called Artezano by Vipop and is reaching customers in the US and Europe.

Her parents are artisans, so she has always liked fashion and handicrafts. Additionally, clothing created by Latin American designers, who historically use sustainable weaving and dyeing methods, felt appropriate for a market where ethical consciousness is growing in importance.

Red Percy Dress by Palma Canaria

“Vipop brings together a community of international designers making bags, jewellery and clothing in unique designs like the ones I’m wearing,” she says. “Our designers take care of the ethical or eco-friendly values behind the pieces and we also take care of the value of each piece. So it’s this community we’re building in the new fashion industry. We’re offering new ways to be sustainable. It’s not just ‘sustainable’; it can be very fun too.”

Vipop builds partnerships based on sustainability practice. Designers and collaborators are chosen by the effort they put into one or more of the following clean fashion criteria: handmade, locally produced, carbon neutral, use of vegan or organic materials, low waste, longevity, recycled materials and fair wage.

Damage limitation

“It’s very important to put attention to how the pieces we buy are actually made, who is making them and how it affects our environment, the community around us and the planet, because we can see so much damage in the world from the fashion industry. This is something very special for me and all the team, and this is why we selected this subject to build a fashion brand and e-commerce platform.”

Black Cher dress cut pleated skirt with top by Nabel Martins

This combination of focused strategy with faith in humanity and the occasional flight of fancy seems a winning formula, especially when matched by an unstinting gusto for whatever challenges her fashion career or an impending new addition to the family will throw at her.

Calming vibes

Despite her hypermodern appearance, not to mention the permanent arts on her skin, her style is very traditional. As seen on her Instagram, whether it’s a friend’s wedding or a trip abroad, she creates distinct ‘vibes’ (to use her favourite phrase) for each occasion. Indeed, her process is true fashion-icon behaviour.

“We’re still right on time. I cannot emphasise more the importance of working with the right people. It will really get the job done and produce output that you want to have,” she reflects as she changes for look no.9.

Pérez seems unfazed by the fame in the fashion world she is currently experiencing. She is seemingly without ego: calm and reflective with a slightly starry professional glow that makes her the ability to inhabit someone else’s mind look easy. During and in between takes, she is compellingly unselfconscious.

“But that’s the work of it,” she shares. “In reality, you have to be aware of what you’re feeling, what the team in the room is feeling. Once the camera clicks, you have this third level of awareness – your mark, the light and which way you should be facing. And it’s like you are constantly having to juggle those three things the whole time. She pauses and adds knowingly: “Pretty much like pregnancy huh?”

Dressed to express

Fashion for her is about the moments of pure enjoyment, of just letting go to the point that she can be surprised. It represents the most acute version of fun. “Which is why I love it so much. It’s my playground. I love it,” she admits giddily.

Emiliana pants and bared back top in paillette by Nabel Martins

“Clothes allow us to show off our unique personalities. Many of us care about how we seem in public, which is cool and just right. But some of us experience pressure to follow the newest trends in fashion,” she reminds, throwing in a note of caution.

Mother load

One trend she is happy to embrace is her pregnancy. These days, the word ‘Mother’, without the preceding article, is present everywhere, as not just a regular word but a colloquial term and part of this generation’s slang; fans, brands and occasionally even mums themselves use it. It is also affectionately applied to prominent women who have a devoted following. And Pérez is surely mothering the fashion game.

Blue one sleeve cut out dress by Baobab Accessories by Vipop

“My body is going through so many changes again, but I ’ve grown to respect it so much that I look past the physical. I fully embrace it for serving a much deeper purpose, something far bigger than myself and anything I ever gave it credit for. I’m so grateful for, and amazed by, what my body is capable of,” she states, flashing a smile.

At the end of our shoot, she swaps her stilettos for platformed boots, saying with a wink: “It’s time to be more comfortable.” Whatever tomorrow brings, Lenia Pérez will have the right attitude – and look – to take it on.

Interview, Text & Art Direction: Joseff Musa Photographer: Jack Law Videographer: Jack Fontanilla Venue: Qura Bar – Regent Hong Kong Brands: Daniella Batlle, Baobab, Nabel Martins and Vipop

The Marvelous Four on the Auction Block

Four remarkable lots that impressed bidders in recent auctions are featured in this month’s Look Section, including a flawless diamond ring, a likely singular timepiece, a masterpiece of splashed-ink art and six of Messi’s football jerseys.

Fancy In Pink: Flawless diamond rings supreme

The largest fancy intense pink internally flawless diamond ever to appear at auction set pulses racing at Christie’s in Hong Kong. ‘The Pink Supreme’ took centre stage at a series of sales spanning more than 110 lots of magnificent jewels. While an array of coloured and colourless diamonds and gemstones and other superb creations emanating from prestigious jewellery houses came under the hammer, it was this 15.48-carat fancy intense pink cushion brilliant-cut diamond ring which shone the brightest. It fetched HK$83.87 million (US$10.8 million), representing a price per carat of HK$5.41 million (US$700,000).

The Pink Supreme diamond is considered a true rarity. The phenomenal and unparalleled beauty, size, internally flawless grading and splendid craftsmanship of this stone have combined to produce a bejewelled masterpiece coveted by collectors.

Vickie Sek, Chairman of Jewellery at Christie’s Asia Pacific, said: “We were truly delighted to showcase a diverse selection of magnificent jewels at our Hong Kong 2023 Autumn Sales, and the superb result realised for The Pink Supreme is a testament to the unwavering market demand for this category.”

One To Watch: Likely singular timepiece clocks a fortune

A previously unknown and possibly unique Patek Philippe ref. 3974 Grand Complications wristwatch made a timely appearance at Phillips auction house in Hong Kong, generating much enthusiasm among watch admirers. Eventually selling for HK$14 million (US$1.8 million), the timepiece was part of a successful watch auction in which a total of 208 lots were sold, reaching an overall value of HK$181.7 million.

This Patek Phillippe ref. 3974 minute repeater perpetual calendar watch in platinum (possibly manufactured in or around the year 2001) went to a bidder for well above the pre-sale low-end estimate. Indeed, the auction showed strong sales performances for many of the lots and attracted more than 1,700 collectors participating from 61 countries and regions.

Thomas Perazzi, Phillips’ Deputy Chairman and Head of Watches in Asia, said: “The top 10 lots beautifully demonstrate how varied the market is with the Patek Philippe ref. 3974 in platinum flying way above its pre-sale estimate, while a Rolex ‘Stelline’ ref. 6062 in yellow gold achieved 40% more than its previous sold price at auction, and a number of independents established strong results.”

Autumn Glow: Yosemite colours make a splash

Works by Zhang Daqian are eagerly awaited by the auction community and when a masterpiece of splashed-ink art made its way onto the block in Hong Kong, the final price of HK$199.37 million (US$25.6 million) did not disappoint. Indeed, such was the anticipation in the runup to the sale of Autumn Mountains in Twilight that Sotheby’s bestowed upon it the highest estimate ever for a splashed-ink-and-colour landscape by the artist.

Born in Sichuan in 1899, Zhang had turned to bold abstract artistic representations in the later part of his career when his eyesight began to falter. The roving and prolific Chinese artist was inspired to paint Autumn Mountains in Twilight after a visit to Yosemite National Park in California during the summer of 1967, and in this work, his mastery of the medium is seen to reach new heights.

It was a sentimental journey as his brother had stopped at the park years previously and a treasured photograph he had been given from this visit had been lost in a fire. The sheer magnificence of the sunset views of Half Dome or El Capitan stirred Zhang’s creative juices, and returning to his home in Brazil he set to work. The golden hues of the cliffs and valleys cover almost the entire canvas.

Messi Magic: Six shirts score the lot

Half a dozen football jerseys worn by Argentine soccer star Lionel Messi during the 2022 World Cup have been auctioned for an incredible US$7.8 million. Held by Sotheby’s in New York, the sale sparked intense interest from lovers of sporting memorabilia and the final price was the highest achieved by a sports item at auction last year. It also surpassed the previous record for a Messi collectible – a shirt worn at the 2017 El Clásico between Real Madrid and Barcelona that went for $450,000 in 2022.

Messi wore the six World Cup shirts during the first half of the final, semi-final, quarter-final, round of 16 and two of the group stage matches at the Qatar tournament, where the spotlight was trained upon him throughout. His country’s victory in the epic final with France merely cemented a widely considered reputation that he is the greatest footballer of all time.

“These historic shirts are not only a tangible reminder of one of the most important moments in the history of sports, but are principally connected to the pinnacle moment in the career of the most decorated football player in history,” said Brahm Wachter, Sotheby’s Head of Modern Collectibles.