SPONSORED FEATURE: Taste of the Sea – A Celebration of Japanese Farmed Seafood
An exciting collaboration between LKF Concepts and the esteemed Japan Farmed Fish Export Association (JFFEA) will transport taste buds to the enchanting realm of Japanese farmed seafood. Get ready to embark on an unforgettable gastronomic journey on Tuesday, March 12th, as LKF Concepts present a remarkable culinary showcase like no other.
The three renowned Japanese restaurants of LKF Concepts—FUMI, Kyoto Joe, and Tokio Joe—join hands to curate an extraordinary event, exalting the artistry and flavours of Japanese-farmed seafood. Prepare to be mesmerized by the unrivaled expertise of each culinary maestro, who will tantalize the senses with their live cooking stations.
Imagine being enveloped in a vibrant atmosphere, where the sizzle of the grill and the aroma of perfectly prepared seafood fills the air. At each station, each talented chef will meticulously craft dishes that showcase the delicate nuances and exquisite flavours of carefully selected farmed seafood. From succulent sashimi to delectable tempura, every bite will be a testament to the culinary mastery that defines these restaurants.
To elevate dining experiences to new heights, LKF Concepts has partnered with renowned sake producers to curate a selection of award-winning sakes. Each dish will be thoughtfully paired with sake that complements its flavors, resulting in a symphony of harmonious taste sensations that will leave you craving for more.
This exclusive event is a celebration of culinary artistry, innovation, and the enduring spirit of collaboration. It is an opportunity to showcase LKF Concepts’s unwavering commitment to delivering unparalleled dining experiences that transport you to the heart of Japan.
Spaces for this extraordinary event are limited, it is encouraged to secure a reservation at the earliest convenience. Immerse yourself in the world of Japanese-farmed seafood at the LKF Concepts x JFEEA culinary showcase on Tuesday, March 12th, and let taste buds be captivated by the magic that unfolds before the eyes.
Stay tuned for further details and reservation information, which will be released soon. Prepare to embark on a culinary adventure like no other!
FUMI: 6/F California Tower, 30-32 D’Aguilar Street, Lan Kwai Fong
9-course menu at $1,280+; or $980+ for LKF Elite members (min 2pax)
Featured farmed seafood: Yellowtail, Toro, Red Sea Bream, Abalone
Kyoto Joe: 23/F California Tower, 30-32 D’Aguilar Street, Lan Kwai Fong
8-course menu at $980+; or $780+ for LKF Elite members (min 2pax)
Featured farmed seafood: Red Sea Bream, Abalone, Oyster
Tokio Joe: 16 Lan Kwai Fong, Central
7-course menu at $1,050+; or $850+ for LKF Elite members (min 2pax)
Featured farmed seafood: Red Sea Bream, Yellowtail, Toro
Wabi Savvy: Serenity and the beauty of imperfection shine in a Singapore flat with a Japanese spirit
In Asia’s bustling modern cities, where innovation thrives and life proceeds at breakneck speed, there is a growing appreciation for the ancient Japanese philosophy of wabi-sabi. This design concept celebrates a quiet beauty grounded in imperfection, authenticity and transiency. Serenity abounds in a Singapore apartment embracing the wabi-sabi worldview. Spanning just over 1,000 square feet, the tranquil living space belongs to a young working couple who envisioned a home where stillness and simplicity inform the aesthetic. Designed by Max Lee of SG Interior, it encapsulates a distinctive Asian style with grace and elegance.
Stepping into the flat, you are greeted by a minimalist foyer that sets the tone for the wabi-sabi experience. The walls are adorned with textured wallpaper in earth tones, reminiscent of natural elements. A simple wooden bench invites you to take off your shoes and immerse yourself in a world of calmness and peace.
An absence of excessive furniture and clutter is noticeable when moving into the living area, where rattan chairs and rattan planters evoke a soft, gentle vibe. The highlight of the room is an irregular-shaped niche where shelving shows the beauty of natural imperfections. The wooden shelves house a number of intriguing sculptures, which in turn are mostly uneven in form, as well as a few books, a clock and photo frames. They diffuse a warm light that accentuates the irregularity of the recess and draws attention to the objects placed within it.
Positioned beside this niche, an oversized sofa provides a cosy and inviting spot for relaxation. Carefully selected artworks decorate the walls, their muted colours and organic shapes reflecting the simplicity and serenity of wabi-sabi. A feature wall behind the dining area has a rustic design with large, rough strokes forming an abstract pattern, and a large window lets in abundant light, brightening the space.
Despite the size limitations of this home, the owners wanted a fully functional wet and dry kitchen. Indeed, both the kitchen and the dining area seamlessly blend functionality with aesthetics. The kitchen cabinets are made of reclaimed wood, showcasing a succession of unique grain patterns and knots that tell stories of their own. Handmade ceramic bowls and plates dot the countertops, each displaying charming irregularities. A rustic wooden dining table paired with rattan chairs creates an intimate space for shared meals, encouraging a sense of togetherness and an appreciation of the present moment.
The master bedroom is synonymous with the art of repose. By removing a wall, Lee succeeded in altering the original layout to extend its size and ensure sufficient space for the couple’s belongings. Once the proposal was approved, the entire renovation took about three months.
Dressed in linens of earth tones, the bed is placed on a high platform – a simple step that not only highlights its importance but also provides the optimum vantage point from which to reflect upon the surrounding aesthetics.
Walls are painted in soothing neutral hues that enhance the natural light filtering into the bedroom. A light-coloured rug offers a contrast to the dark wooden floor and matching wardrobes that maximise storage on the wall opposite the bed. A wooden ceiling fan with irregular wings echoes the non-uniform spirit of the apartment. Ceilings throughout the apartment are kept plain, and in the absence of false ceilings instil an airy feeling of additional height.
Even the bathroom embodies the wabi-sabi philosophy. The walls are adorned with handcrafted tiles that proudly show their individuality through imperfections and irregularities. A shower area invites you to indulge in prolonged rejuvenation, while soft, warm lighting conjures a sense of serenity to encourage restfulness and self-care.
A major challenge for the design studio was disguising the plethora of plumbing pipes so that they meld with the prevailing aesthetic. This home is a haven of natural tranquillity amid the frenetic urban environment. From the minimalist entrance to the understated bedroom and the placidity of the bathroom, every corner of the apartment exudes quietude and balance. Embracing its wabi-sabi spirit allows those dwelling within to appreciate the beauty of imperfection and impermanence, to find solace in simplicity, and to cultivate a deeper connection with the passage of time.
Photos: SG Interior Studio
Basel Blooms: Fine art flowers once more at Hong Kong’s foremost art event
Art Basel Hong Kong 2024 promises to be an extravaganza marking a return to its pre-pandemic glory years. Boosted by a huge uptick in exhibitor numbers, this year’s fair is the perfect vehicle to shine a spotlight on the region’s art scene and beyond, from collectable rediscoveries to works by contemporary practitioners. The social side of the art fest, an inspiring mingling of artists, curators, gallerists, connoisseurs and general enthusiasts, will also be back to its upbeat best within the cavernous environs of the Convention and Exhibition Centre.
Exemplified by a strong presence of galleries from Hong Kong, mainland China, Taiwan, South Korea, and Japan, more than half of exhibitors operate spaces on the Asian continent. Notable galleries from Australia, New Zealand and India, among other countries, will showcase their artistic talent too. Art Basel will also present a city-wide programme of events and activities in collaboration with galleries, world-class institutions and cultural partners during show week – from 26-30 March including two preview days before the fair itself.
“Our goal is to connect guests from all around the world in our home, Hong Kong, by offering possibilities of collaboration and innovation inspired by art and artists,” says Art Basel Hong Kong Director Angelle Siyang-Le. “As the key strategic cultural hub in Asia and Asia-Pacific, the city plays a more important role than ever in bridging the evolving art landscape across regions.”
Broad strokes
To put this year’s offering into perspective, there is a 37 percent increase in exhibitor numbers compared to 2023. This equates to 243 international galleries including more than 65 names that didn’t pitch up last year, a participation level that matches numbers before Covid took its toll on the event. Galleries from 40 countries and territories across Asia, Europe, North and Latin America, the Middle East and Africa will present artworks spanning all market segments, from 20th-century masters to established contemporary artists to emerging voices that are making waves on the scene.
Organisers promise that diversity will be paramount, with textile art one of the key inclusions. In just two standouts dealing in this medium, London gallery Alison Jacques dedicates its booth to Sheila Hicks’ pioneering use of fabric and thread, and Shanghai’s Bank showcases the works of Bulgarian artist Maryn Varbanov, who influenced Chinese avant-garde.
Return to the fold
Respected names returning after a hiatus include Galerie Lelong & Co. Known for showing works by internationally established artists, the gallery was founded in Paris in 1981 by Daniel Lelong, Jacques Dupin and Jean Frémon, and opened a New York sister space four years later. Also making an appearance are Italian heavyweight Galleria d’Arte Maggiore and Kurimanzutto from Mexico.
Another returnee, India’s Experimenter, won the 2023 Frieze London Stand Prize for best gallery representation. Based on a grid concept, it showcased the abstract works of an intergenerational group of eight women artists in a perfect reflection of the passage of time. Frieze hailed Experimenter’s programme a “pace-setter” for the South Asian region.
Other notable attendees from the Indian subcontinent include Vadehra Art Gallery from New Delhi, and Tarq and Jhaveri Contemporary, both from Mumbai. Tarq will present art by Mumbai-born Sameer Kulavoor that explores the effects of the Indian megalopolis’ urban growth on its inhabitants, while Jhaveri’s space displays paintings, drawings and sculptural garlands that function as decorative devices.
New blood
A total of 25 galleries from across Asia, Europe, Africa and the Americas will join the fair for the first time. One such is Station, which debuted in Melbourne in 2011 and expanded to Sydney in 2019; it is dedicated to presenting engaging, conceptually-driven exhibitions and bringing Australian contemporary art to an international audience.
Another first-timer, Tim Van Laere Gallery, was founded in Antwerp in 1997 and represents international and emerging contemporary artists. Linseed is not only a newcomer to Art Basel Hong Kong, but also to the art world in general. Launched in 2022, the Shanghai gallery supports a new generation of forward-looking artists from a multitude of backgrounds and invites cutting-edge conversations.
Digital diversity
Digital art – highly prominent during the pandemic years – retains its important presence now the fair can resume human contact and tactile appreciation. Highlights include a presentation by Tokyo gallery Taro Nasu of works by visual and sound artist Ryoji Ikeda, and from Galerie nächst St. Stephan Rosemarie Schwarzwälder of Vienna, an AI-created film conceived by New York-based Miao Ying that was shortlisted for last year’s Sigg Prize.
Among galleries focusing on the 20th-century masters and exceptional historical works, Liang Gallery from Taipei pays tribute to the late abstract painter Hsiao Chin. Axel Vervoordt Gallery, which has spaces in both Antwerp and Hong Kong, participates in the main fair for the first time with a showcase by multi-disciplinary conceptual artist Kimsooja that combines performance, film, photographs and site-specific installation using textiles, light and sound.
Creations and curations
Supplementing the rich line-up of participants is the Discoveries section, where 22 galleries this year have been singled out to present solo works by emerging artists specifically created for the fair. Topics tackled here include urban development and the shifting nature of public space in the modern age.
Embracing 20 galleries, the Insights programme of curated projects spotlights artists from Asia-Pacific active from 1900 to the present day. First-time exhibitor √K Contemporary of Tokyo brings Nankoku Hidai, an influential figure in avant-garde 20th-century calligraphy, to the fore. Taipei gallery PTT Space shows works by the late master Shiy De-Jinn, whose oeuvre openly explored the theme of desire, testifying to his status as a queer pioneer in East Asia.
Close encounters
Last year’s Art Basel Hong Kong saw the return of all special sectors, including Kabinett, Encounters, Film and Conversations. Displayed in a separate section of selected galleries’ booths, Kabinett showcases a record 33 thematically-focused projects for 2024, focusing on modern and contemporary solo presentations from the region.
Encounters, curated for the third time by Alexie Glass-Kantor of Artspace Sydney, is dedicated to large-scale projects and spans 16 artworks, 11 of which were made especially for the fair. An off-site installation by Sydney-based artist Daniel Boyd will be on view at Pacific Place.
Free to the public, the Conversations and Film programmes give audiences a unique opportunity to partake in discussions and enjoy artists’ films in a dedicated auditorium at the Convention and Exhibition Centre. The pick of the latter is probably A New Old Play (2021) by Shenzhen-based artist and filmmaker Qiu Jiongjiong. Presented by Star Gallery of Beijing, it depicts a prominent clown reminiscing about his life, set against the backdrop of China’s tumultuous 20th-century history.
What’s on? Things to do this March in Hong Kong
March has a string of sensational experiences to keep you entertained – from amazing shopping in lantern-lit streets to world-class art and cultural events to magnificent theatre and much more besides!
Lanterns-lit
Soak up the ongoing ambience of the Year of the Dragon when strolling down Wan Chai’s popular shopping and dining street of Lee Tung Avenue made magical with hundreds of iconic red lanterns. Gleaming goldfish lanterns add extra colour to the display as they swim among the red lanterns – a beautiful touch signifying abundance. Positioned at the Central Piazza, an eight-metre-long golden dragon will further delight visitors, and limited-edition red packets stamped with the Chinese name of the avenue will be available until the early part of the month. Enjoy the vibe of a street in which East meets West.
August Strindberg’s masterpiece of theatre takes on a new dimension in this compelling local production adapted by British-Hong Kong playwright Amy Ng. Originally set in the seemingly more placid 19th-century Swedish countryside, the storyline exploring universal themes such as sex, power play, racial divides and social hierarchies has been reimagined into the post-war colonial Hong Kong landscape. The play follows the trials and tribulations of a mixed-race daughter from an elite family who seduces her Chinese chauffeur.
Anyone connected to the world of fashion should consider a visit to Asia’s premier fashion accessories trade show. All sorts of accoutrements will be on display, including the latest collections of bags, footwear, gloves, scarves, small leather goods and leather garments. Many of the unsung movers and shakers in the fashion world will be present – buyers, retailers, wholesalers and other players in the mid-to-high-end range. The fair offers savvy visitors the chance to see some top-notch brands up close in Hong Kong.
Leaving the shores of the US for the first time is the huge cultural fair known as ComplexCon. Garnering a fine reputation over recent years, it features a fusion of pop culture, music, art, food, sports, innovation and educational activities, and Hong Kong’s success in capturing this event is considered key in broadening the appeal of Hong Kong Arts Month. Expect a host of expertly curated events.
When: 22 Mar – 24 Mar
Where: AsiaWorld-Expo
How much: From HK$380
For more information: complexchinese.com
Art Basel
Widely acclaimed as the largest international celebration of arts in Hong Kong, Art Basel brings together a vast and incredibly diverse range of contemporary works over three days. It celebrates the creativity of big-name artists from the Asia-Pacific region and globally as well as those striving to make their mark. There will be galleries to explore, curated and large-scale projects to browse through and films by and about the artists to view.
Running in conjunction with Art Basel, this four-day event features an eclectic mix of artworks and programmes from some of Asia’s most inventive and inspiring galleries. Having commenced in 2015, the fair has grown in stature as the years have passed, with this edition promising to be the best; the range of exhibitors has expanded and some are taking part for the first time. The magnificent harbourfront location adds to the ambience.
Let the celebrations roll on a journey through old Hong Kong in a New Year neon-lights extravaganza. Amid traditional lion dances and drumming performances, the nostalgic ambience can be enhanced by snacks that bring the memories of yesteryear flooding back. There are plenty of other activities to keep families amused, too, as the Year of the Dragon continues to make waves at the park. Youngsters will be entertained by the Ocean 6N1 band.
Following the success of last year’s post-Covid exhibition, some of the biggest players in the world of gemstones and jewels gather again at a glittering trade fair that appeals to a global audience. This 40th edition of Jewellery & Gem World Hong Kong is an ideal opportunity to glean the latest developments in the sector.
Immerse yourself in the joy of watching the underwater world come to life via the fantastic hemispherical screen of the Space Museum. This under-the-sea tale revolves around three little fish whose natural habitat is devastated by the ruthless actions of fishing trawlers. Their journey to the so-called ‘enchanted reef’ forms the basis of the plot, which is depicted in 3D glory on the dome screen utilising the latest NanoSeam technology.
Asian Persuasion: Topped only by the harbour view, Cruise steers diners through a modern melting pot of cuisines
Those who have found themselves caught between two or more worlds know that matters of identity are never easy to explain. However, at Cruise Restaurant & Bar perched on the North Point waterfront it is all pretty straightforward. For both local foodies and astute tourists, this gorgeous location with a large outdoor terrace and panoramic views of Victoria Harbour puts a novel twist on rooftop dining. Chef de Cuisine Adisak Choksamritphon envisions the restaurant as a workshop or “studio” where various Asian cuisines can be explored and enjoyed in an upscale, modern setting.
Fun, unique and never one to take itself too seriously, Cruise has an independent attitude and upbeat music after dark. During the day, it is relaxed and informal. Delicious modern Asian food, inventive cocktails and breathtaking views provide the ideal environment for mingling.
“The idea of Cruise came about because of our location overlooking the city’s iconic harbour, which has historically been a key ‘lifeline’ in connecting local cultures and global communities,” explains Chef Choksamritphon. “In this regard, our food offers a modern and flavourful take on Asian cuisine to celebrate the diversity and cosmopolitan nature of Hong Kong’s foodie scene.”
Asian cuisine has far deeper roots than one may think, with influences from cultures all around the world. As presented here, it is consistently flavourful, sophisticated and tells the tale of at least a thousand distinct towns as well as a thousand more forgotten traditions. A native of Thailand but calling Hong Kong his second home for more than two decades, Chef Choksamritphon is best known for his contemporary takes on classics. In developing the Cruise menu, he made some adjustments to favourite recipes in order to suit local tastes. He achieves this by playing with sourness and saltiness, and fully honing in on his Thai roots.
He assures: “We are guided by Hyatt’s ‘Food; Thoughtfully-sourced. Carefully served’ philosophy, and do our best to practice ethical sourcing, using organic and sustainable ingredients wherever possible. I also like to think of our approach as being similar to home cooking – I aim to use items that are of the best quality, and use only natural ingredients, like spices, to enhance the flavours of my dishes.”
Creating dishes packed with flavour, executed with flair and served with a generous dose of spice, he offers carb-loaded comfort food – a pick-me-up to enjoy when having a bad day, or to fill you up while and after drinking. Enter the ‘Sharing is Caring’ section of the à la carte menu. On a huge hot plate, Westholme M4/M5 Australian wagyu Tomahawk steak rests on a bed of sizzling gochujang butter with dipping sauces and okra tempura on the side.
In a similar vein, grilled M6 Striploin comes with shishito peppers, green chilli salsa and yakiniku dipping sauce. Another crowd favourite for sharing is chilli lobster Singapore-style, incorporating tomato, chilli, ginger and egg. The homemade roti makes a good sauce scraper, ensuring each smattering of spice is appreciated and devoured.
For those favouring milder spice infusions, wok- fried sea bass makes a perfect choice. Green mango, Thai basil and tamarind help to elevate and balance the crispness of the fleshy fried fish.
“We always have special menus and events at Cruise, so guests can come any day of the week and have a great time,” enthuses the chef. “We have promotions like Lobster Night on Wednesdays and Tomahawk Night on Thursdays, and have just launched a new Hot Pot Night on Tuesdays. We also regularly bring in special guest chefs and mixologists for pop-ups.”
As a city built by immigrants, Hong Kong is ultimately a major hub for cultural diversity, and its cuisine followed suit. In that way, it shares a similar profile to the divine melting pot that is Cruise – sailing grandly through the multicultural hustle and bustle that marks the city’s eclectic dining scene.
Photos: Cruise Restaurant & Bar Video: Jack Fontanilla
Fashion Conscience: Vipop founder Lenia Pérez radiates sustainability vibes while joyfully revealing her second pregnancy
Lenia Pérez is one of the best-dressed women in the city, in part because she’s so willing to try everything. “I’ve prepared a total of 19 outfits for us to play around with, but I’m not sure if some of them still fit me,” laughs the Latin American fashion entrepreneur, rubbing her four-month baby bump with just a slight touch of embarrassment.
It’s an unconventional pregnancy announcement – and a surprising moment of awkwardness for someone who photographs so well and telegraphs such confidence. Whether she’s going to the gym or the hottest parties, her style is obsessively chronicled.
Embarrassment, though, is different from regret. “I’m never afraid to try anything,” affirms Pérez, who is thrilled to be expecting her second child with husband Ziad Korban. “I think that just goes to show that there’s a moving evolution in my style. It just keeps growing” – like her baby bump – “which is kind of how I want to be in all areas of life.”
It takes a certain sort of boldness and a certain level of shimmering magnitude to establish your own time zone, especially while being pregnant. Yet the co-founder and CEO of Vipop, a Hong Kong-based sustainable fashion brand, has done just that. It’s exactly 8:45 am on a typical Hong Kong gloomy Monday, yet Pérez is all set for a day of photoshoot and interview. Her ease and her vibrant full smile suggest this is all very normal and time really is just a construct.
From the get-go, she also expresses her opinion on maternity wear: “I’m hoping that we are able to redefine what’s considered ‘decent’ for pregnant women. I am proud of my body for the amazing things it’s doing right now. Minus the morning sickness, I think I am at my happiest. Heels during pregnancy? Go for it. Who made such rules anyways?”
Sustainable values
As a self-confessed collector, Pérez travels to fashion shows across South and Central America in search of resort-wear designers to represent, pinpointing those whom she believes will appeal to Asian customers. What started as an internet business with co-founder and fellow Venezuelan Fabiana González, now occupies a cosy white shop called Artezano by Vipop and is reaching customers in the US and Europe.
Her parents are artisans, so she has always liked fashion and handicrafts. Additionally, clothing created by Latin American designers, who historically use sustainable weaving and dyeing methods, felt appropriate for a market where ethical consciousness is growing in importance.
“Vipop brings together a community of international designers making bags, jewellery and clothing in unique designs like the ones I’m wearing,” she says. “Our designers take care of the ethical or eco-friendly values behind the pieces and we also take care of the value of each piece. So it’s this community we’re building in the new fashion industry. We’re offering new ways to be sustainable. It’s not just ‘sustainable’; it can be very fun too.”
Vipop builds partnerships based on sustainability practice. Designers and collaborators are chosen by the effort they put into one or more of the following clean fashion criteria: handmade, locally produced, carbon neutral, use of vegan or organic materials, low waste, longevity, recycled materials and fair wage.
Damage limitation
“It’s very important to put attention to how the pieces we buy are actually made, who is making them and how it affects our environment, the community around us and the planet, because we can see so much damage in the world from the fashion industry. This is something very special for me and all the team, and this is why we selected this subject to build a fashion brand and e-commerce platform.”
This combination of focused strategy with faith in humanity and the occasional flight of fancy seems a winning formula, especially when matched by an unstinting gusto for whatever challenges her fashion career or an impending new addition to the family will throw at her.
Calming vibes
Despite her hypermodern appearance, not to mention the permanent arts on her skin, her style is very traditional. As seen on her Instagram, whether it’s a friend’s wedding or a trip abroad, she creates distinct ‘vibes’ (to use her favourite phrase) for each occasion. Indeed, her process is true fashion-icon behaviour.
“We’re still right on time. I cannot emphasise more the importance of working with the right people. It will really get the job done and produce output that you want to have,” she reflects as she changes for look no.9.
Pérez seems unfazed by the fame in the fashion world she is currently experiencing. She is seemingly without ego: calm and reflective with a slightly starry professional glow that makes her the ability to inhabit someone else’s mind look easy. During and in between takes, she is compellingly unselfconscious.
“But that’s the work of it,” she shares. “In reality, you have to be aware of what you’re feeling, what the team in the room is feeling. Once the camera clicks, you have this third level of awareness – your mark, the light and which way you should be facing. And it’s like you are constantly having to juggle those three things the whole time. She pauses and adds knowingly: “Pretty much like pregnancy huh?”
Dressed to express
Fashion for her is about the moments of pure enjoyment, of just letting go to the point that she can be surprised. It represents the most acute version of fun. “Which is why I love it so much. It’s my playground. I love it,” she admits giddily.
“Clothes allow us to show off our unique personalities. Many of us care about how we seem in public, which is cool and just right. But some of us experience pressure to follow the newest trends in fashion,” she reminds, throwing in a note of caution.
Mother load
One trend she is happy to embrace is her pregnancy. These days, the word ‘Mother’, without the preceding article, is present everywhere, as not just a regular word but a colloquial term and part of this generation’s slang; fans, brands and occasionally even mums themselves use it. It is also affectionately applied to prominent women who have a devoted following. And Pérez is surely mothering the fashion game.
“My body is going through so many changes again, but I ’ve grown to respect it so much that I look past the physical. I fully embrace it for serving a much deeper purpose, something far bigger than myself and anything I ever gave it credit for. I’m so grateful for, and amazed by, what my body is capable of,” she states, flashing a smile.
At the end of our shoot, she swaps her stilettos for platformed boots, saying with a wink: “It’s time to be more comfortable.” Whatever tomorrow brings, Lenia Pérez will have the right attitude – and look – to take it on.
Interview, Text & Art Direction: Joseff Musa Photographer: Jack Law Videographer: Jack Fontanilla Venue: Qura Bar – Regent Hong Kong Brands: Daniella Batlle, Baobab, Nabel Martins and Vipop
The Marvelous Four on the Auction Block
Four remarkable lots that impressed bidders in recent auctions are featured in this month’s Look Section, including a flawless diamond ring, a likely singular timepiece, a masterpiece of splashed-ink art and six of Messi’s football jerseys.
Fancy In Pink: Flawless diamond rings supreme
The largest fancy intense pink internally flawless diamond ever to appear at auction set pulses racing at Christie’s in Hong Kong. ‘The Pink Supreme’ took centre stage at a series of sales spanning more than 110 lots of magnificent jewels. While an array of coloured and colourless diamonds and gemstones and other superb creations emanating from prestigious jewellery houses came under the hammer, it was this 15.48-carat fancy intense pink cushion brilliant-cut diamond ring which shone the brightest. It fetched HK$83.87 million (US$10.8 million), representing a price per carat of HK$5.41 million (US$700,000).
The Pink Supreme diamond is considered a true rarity. The phenomenal and unparalleled beauty, size, internally flawless grading and splendid craftsmanship of this stone have combined to produce a bejewelled masterpiece coveted by collectors.
Vickie Sek, Chairman of Jewellery at Christie’s Asia Pacific, said: “We were truly delighted to showcase a diverse selection of magnificent jewels at our Hong Kong 2023 Autumn Sales, and the superb result realised for The Pink Supreme is a testament to the unwavering market demand for this category.”
One To Watch: Likely singular timepiece clocks a fortune
A previously unknown and possibly unique Patek Philippe ref. 3974 Grand Complications wristwatch made a timely appearance at Phillips auction house in Hong Kong, generating much enthusiasm among watch admirers. Eventually selling for HK$14 million (US$1.8 million), the timepiece was part of a successful watch auction in which a total of 208 lots were sold, reaching an overall value of HK$181.7 million.
This Patek Phillippe ref. 3974 minute repeater perpetual calendar watch in platinum (possibly manufactured in or around the year 2001) went to a bidder for well above the pre-sale low-end estimate. Indeed, the auction showed strong sales performances for many of the lots and attracted more than 1,700 collectors participating from 61 countries and regions.
Thomas Perazzi, Phillips’ Deputy Chairman and Head of Watches in Asia, said: “The top 10 lots beautifully demonstrate how varied the market is with the Patek Philippe ref. 3974 in platinum flying way above its pre-sale estimate, while a Rolex ‘Stelline’ ref. 6062 in yellow gold achieved 40% more than its previous sold price at auction, and a number of independents established strong results.”
Autumn Glow: Yosemite colours make a splash
Works by Zhang Daqian are eagerly awaited by the auction community and when a masterpiece of splashed-ink art made its way onto the block in Hong Kong, the final price of HK$199.37 million (US$25.6 million) did not disappoint. Indeed, such was the anticipation in the runup to the sale of Autumn Mountains in Twilight that Sotheby’s bestowed upon it the highest estimate ever for a splashed-ink-and-colour landscape by the artist.
Born in Sichuan in 1899, Zhang had turned to bold abstract artistic representations in the later part of his career when his eyesight began to falter. The roving and prolific Chinese artist was inspired to paint Autumn Mountains in Twilight after a visit to Yosemite National Park in California during the summer of 1967, and in this work, his mastery of the medium is seen to reach new heights.
It was a sentimental journey as his brother had stopped at the park years previously and a treasured photograph he had been given from this visit had been lost in a fire. The sheer magnificence of the sunset views of Half Dome or El Capitan stirred Zhang’s creative juices, and returning to his home in Brazil he set to work. The golden hues of the cliffs and valleys cover almost the entire canvas.
Messi Magic: Six shirts score the lot
Half a dozen football jerseys worn by Argentine soccer star Lionel Messi during the 2022 World Cup have been auctioned for an incredible US$7.8 million. Held by Sotheby’s in New York, the sale sparked intense interest from lovers of sporting memorabilia and the final price was the highest achieved by a sports item at auction last year. It also surpassed the previous record for a Messi collectible – a shirt worn at the 2017 El Clásico between Real Madrid and Barcelona that went for $450,000 in 2022.
Messi wore the six World Cup shirts during the first half of the final, semi-final, quarter-final, round of 16 and two of the group stage matches at the Qatar tournament, where the spotlight was trained upon him throughout. His country’s victory in the epic final with France merely cemented a widely considered reputation that he is the greatest footballer of all time.
“These historic shirts are not only a tangible reminder of one of the most important moments in the history of sports, but are principally connected to the pinnacle moment in the career of the most decorated football player in history,” said Brahm Wachter, Sotheby’s Head of Modern Collectibles.
Dragon Layers: The fantastic beasts of the Chinese zodiac breathe new life into watch design
February 2024 heralds the Year of the Dragon, the magical animal with a massive presence in Chinese mythology and culture that projects power and commands reverence. Many fine watchmakers have released timepieces paying homage to the Dragon, a popular symbol of nobility, prosperity and wisdom, as well as good luck.
Arnold & Son, a manufacture with roots dating back to 1764, marks this auspicious new phase of the traditional Chinese calendar with the limited-edition Luna Magna Red Gold ‘Year of the Dragon’, which comes in two versions. A quite spectacular feature is the intricately hand-engraved dragon in 18-carat red gold which adorns either a large pietersite (blue with veining) or onyx (smooth and black) dial. All the elements of the dragon as it wraps around the dial – scales, claws, whiskers and horns – point to the three- dimensional globe showing the phases of the moon that distinguishes the Luna Magna collection. The white opal hour dial is enhanced with additional Super- LumiNova, while an indicator of the moon’s age is displayed on the case back.
Another high-end watchmaker celebrating the Year of the Dragon is Corum, which releases two versions of the Bubble 47mm model. One depicts a dragon hovering above the dial between clouds, while the other looks deep into the dragon’s eye – with the 8mm-thick sapphire dial acting as a magnifying glass for both versions to surreal effect. The eerie appeal of the fantastical dragon eye on the Bubble 47 Dragon Eye is amplified by meticulous hand-crafting of the exquisite details. Both models are limited to 88 editions, have stainless-steel cases with black PVD treatments, and are equipped with the CO 082 automatic movement that possesses a power reserve of 42 hours.
Harry Winston presents a glittering take on the divine symbol of power that is the dragon. The slim 18-carat-gold case of the Chinese New Year Automatic 36mm sees 118 brilliant-cut diamonds set in two rings framing a dial embossed with an imposing figure of an imperial red dragon – considered a colour of luck, joy and passion. The stones then slope via two rose-gold bands towards a gold crown positioned unconventionally at noon and distinguished by a white pearl. The dial itself is blessed with 39 brilliant-cut diamonds, where they form an inner circle beside the red lacquer dragon, which swirls within clouds of white mother-of-pearl. A pearl in the mouth of the dragon symbolises wisdom or, perhaps in this case, the perpetual cycle of life. A further 17 diamonds dress the rose gold buckle that fastens the red alligator leather strap.
A different shade of red is used to enhance the Portugieser Chronograph Year of the Dragon by IWC Schaffhausen, issued in a limited production of 1,000 pieces. Burgundy decorates a dial set with gold-plated hands and appliques, and colours one of two strap alternatives – burgundy rubber or black calfskin – that offer different looks for the wearer. The mythical beast in question appears at the back of this stainless- steel watch. The IWC-manufactured calibre 69355 movement can be observed through the sapphire caseback and its gold-plated rotor amazingly takes the visual form of an intricate dragon.
Jaeger-LeCoultre’s Reverso Tribute Enamel ‘Dragon’ uses the back of the signature swivelling case of the Reverso range – first launched in 1931 – for the depiction of a dragon in the midst of clouds tinged with a golden hue. Some 80 hours of painstaking work by a master engraver with 10 types of chisels went into creating the beautiful creature. Set against a background of glossy black grand feu enamel, the pink gold dragon appears to take on a 3-D effect, seemingly ready to leap off the caseback. Opaque black grand feu enamel graces the dial on the front of this elegant reversible timepiece, meaning the two surfaces appear in harmony.
Vacheron Constantin has been paying homage to the Chinese annual animals since 2012, and as the 12-year cycle comes full circle with the Year of the Dragon, the maison has brought out two 25-piece Métiers d’Art The Legend of the Chinese Zodiac – Year of the Dragon limited editions. Powered by the calibre 2460 G4 offering about 40 hours of power reserve, the watch is crafted from either platinum or 18-carat pink gold and has a transparent sapphire crystal caseback. With enamelling and engraving skills to the fore, the dial features a hand-engraved pink-gold dragon that demonstrates the meticulous precision of the artisan, such as the fine detail of its scales and a hand-engraved pearl. Each measures 40mm in diameter and comes with a deep blue (platinum version) or brown (pink gold) grand feu enamel dial and alligator leather strap.
The Excalibur Dragon Monotourbillon by Roger Dubuis ushers in the Lunar New Year with what appears to be a 3-D dragon. The visual interpretation is certainly in the eyes of the wearer, given the abstract design and freedom of expression bestowed by a creature crafted from 27 separate pieces of brass. The dragon boldly stands out via pink-gold polished surfaces surrounded by black lacquer. Enriching the surrealism and powerful symbolism of this watch is the image of another dragon that appears to flow within the sapphire crystal of the caseback. Here, the lower flying tourbillon of the Monotourbillon Calibre RD512SQ skeletonised movement uses materials far lighter than stainless steel, and its mechanical excellence only enhances its aesthetic appeal.
Chopard marks the arrival of the auspicious animal with the release of the L.U.C XP Urushi Year of the Dragon, featuring a dial hand-crafted in Japan by an artisan skilled in the urushi lacquer technique. Each dial took at least 20 hours to refine using this painstaking ancestral process. Encased in a combination of 18-carat rose gold and glare-proof sapphire crystal, a spectacular red- and yellow-coloured dragon appears to float high in the clouds, elevating the timepiece to majestic heights.
The mythical hand-sculptured 5N rose gold dragon coils its way around Ulysse Nardin‘s skeletonised X structure of their Blast Tourbillon Dragon.
Red Ringer: Embracing Luck and Fortune – The resplendence of red jewelleries in Chinese New Year celebrations
As the vibrant hues of red fill the air, and the streets come alive with the sound of firecrackers, it can only mean one thing — the Chinese New Year is upon us. This auspicious occasion, steeped in rich traditions and symbolism, holds special significance for millions around the world. Among the many customs associated with this joyous festival is the belief in the power of red jewellery to bring luck and fortune. In Chinese culture, the colour red holds profound symbolism. It is believed to embody energy, happiness, and good fortune. Red is associated with the Chinese zodiac sign of the Dragon, which is highly revered and considered a symbol of power and prosperity. This vibrant colour is thought to ward off evil spirits and attract positive energy, making it an integral part of the festive atmosphere.
The deep red hues of rubies, garnets, and red agates are particularly favored, as they represent vitality and abundance. These gemstones amplify the positive energies of the wearer and provide a stunning accessory to complement traditional Chinese attire.
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The Beautiful Game: Luxury brands are increasingly connecting with sports stars to further the ambition of both sides
Elite sports stars have long held an irresistible attraction for adoring fans, who admire the physical prowess and mental toughness that sees athletes conquer adversity and remain at the pinnacle of their sporting endeavour. The very best are courted by the top global brands wanting to connect their product with the excellence of their sporting ambassadors.
Just last month, German fashion house Hugo Boss looked to two upcoming tennis players from the country, Noma Noha Akugue and Ella Seidel, to spearhead a push into women’s tennis wear. During the qualification rounds of the Australian Open, the young stars wore Boss black and cream sportswear, including plisse-hem dresses or skirts, technical tops and layered shorts complete with logos.
Seidel, an 18-year-old known for her powerful play from the baseline, was certainly happy to join Boss as a brand ambassador, commenting on the win-win deal: “It is a real pleasure to enter this partnership with Boss at this exciting point in my career. I admire the brand’s continuous support for tennis – and sports in general – and am looking forward to channelling Boss energy, confidence and courage into my games.”
Akugue, two years her senior, also expressed delight in the association, opining the opportunity would put women’s tennis firmly in the spotlight and help her “forge a deeper connection with my fans”. Boss’s other tennis ambassador, Italian Matteo Berrettini, was due to sport new designs from the men’s tennis capsule collection he co-created but was forced to withdraw from the tournament due to injury.
Other fashion brands are attracted by the allure and athleticism of tennis players, with Gucci recently signing Jannick Sinner to its stable. The Italian, who carries his gear in a customised Gucci monogram duffel bag, appears in a poetic mood on the Gucci website, musing as he holds a book entitled Sinner by Sinner: “Jannick Sinner is humble. He’s aiming for perfection, and he’s not scared of doing things. … If I could have one superpower, it would be playing tennis forever. My journey is only just beginning!”
China draw
Luxury brands seeking to boost their influence with China’s youth are also offering endorsement contracts to the mainland’s top athletes.
Prada has signed tennis player Wang Qiang, whilst Dior has taken on basketball player Guo Ailun. Both luxury titans view these associations as a powerful means to nurture growth and brand loyalty in a growing market segment. Some analysts believe Chinese sports stars offer a more wholesome image than their peers in pop music or film.
Flying the French flag
Fashion brands are also maximising the opportunity presented by this summer’s Paris Olympics to score more points in the sporting arena. Luxury giant LVMH, whose maisons have created trophies or designed trophy trunks for high-level competitions for years, has struck a deal to sponsor the Games and appointed a trio of French talents as Louis Vuitton Paris Olympics ambassadors – swimmer Léon Marchand, artistic gymnast Mélanie de Jesus dos Santos and fencer Enzo Lefort. Jeweller Chaumet, meanwhile, is crafting the medals.
Marvellous Messi
Part of the excitement of top-tier sport for fans is the narrow margin between success and failure; it could be the width of a post or the toe of a goalkeeper that separates winning from losing. So it proved in the 2022 World Cup Final when the outstretched leg of the Argentine goalkeeper stopped a certain winning goal in the closing stages of that epic game. The eventual victory for Argentina cemented Lionel Messi’s reputation as probably the best player to have ever graced the game of football. His mesmerising dribbling ability, low centre of gravity and perfect spatial awareness left the global audience spellbound. He is quite simply unique, a once-in-a-generation footballer.
Ranked by Forbes as the second highest-paid athlete in 2023 (behind that other international soccer icon, Cristiano Ronaldo), and in the top three in the revenue stakes for eight years running, Messi’s wide appeal is a godsend for brands with big bucks at their disposal. He tops SportsPro’s list of the world’s 50 Most Marketable Athletes.
His star attraction is such that his Instagram account is just shy of 500 million followers. After his departure from Paris Saint-Germain last year, his next club, Inter Miami, had a massive uplift in their following. The Miami side, and potentially the maestro himself, are due in Hong Kong this month for an exhibition match.
Football fever
Messi mania is why Louis Vuitton was so keen to feature him alongside Ronaldo in its advertising campaign prior to the 2022 World Cup. The duo’s combined allure meant the ad went instantly viral. A dozen years earlier, the house had employed the services of a trio of footballing greats – Pelé, Diego Maradona and Zinedine Zidane – in an advert.
Another footballing superstar, David Beckham, has become something of a fashion icon, and in 2015 secured a five-year multimillion-dollar deal with Kent & Curwen, the British menswear outfit offering heritage sporting style. Formerly owned by Hong Kong- based Trinity Group, Kent & Curwen previously had Beckham’s ex-England and Real Madrid teammate Michael Owen on its books.
Passion and risk
High-profile sport whips up a frenzy of passion and emotions, which brings rewards as well as risks for athletes and brands alike. Fans are desperate for success and competitors sometimes take risks, knowingly or unknowingly, that may cross the boundaries of lawful or ethical behaviour, posing huge challenges for their sponsors. Maradona, for instance, experienced a spectacular fall from grace at the 1994 World Cup after failing a drugs test. In 2016, when tennis ace Maria Sharapova tested positive for meldonium, a drug which can boost stamina and performance, sponsors Nike, Tag Heuer and Porsche quickly distanced themselves from the Russian star.
Interestingly, Nike stood by Tiger Woods in 2009 after lurid details of his extra-marital affairs were revealed to a titillated public eager for scandal. Other major brands dropped their endorsement deals with the champion golfer, but not the US sneaker and sports apparel giant. Woods had been with Nike for two decades and the deal they signed in 2000 was thought to be worth US$100 million. Despite the Woods’ sponsorship, sales of golf equipment never reached the levels of others like football, running or basketball, and Nike discontinued its golf range in 2016.
Woods is known to have a close personal relationship with Nike co-founder Phil Knight and both paid emotional tributes upon their professional parting of ways. Such are the bonds forged over sport, its power to shape minds, and the desire of brands to tap into the glory.